tag:blogger.com,1999:blog-60667231019617701002024-03-05T04:21:44.401-08:00Ensaios Vocacional - 2014Anonymoushttp://www.blogger.com/profile/06065025974521251581noreply@blogger.comBlogger193125tag:blogger.com,1999:blog-6066723101961770100.post-41659801804200290142015-12-30T09:36:00.001-08:002015-12-30T09:36:44.668-08:00Réquiem para Artes Integradas<div style="text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Réquiem para Artes Integradas ou</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;">Detalhes tão pequenos do Vocacional</span><br /></span></div>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;"><i>por Danilo Monteiro</i></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">Ao reconhecer que existe um campo de criação artística que não se restringe às linguagens específicas, o Programa Vocacional reafirmou seu pioneirismo artístico-pedagógico. Ao “descontinuar” as Artes Integradas no Programa, opera-se um retrocesso quase incompreensível.<br /></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Através desta modalidade do Vocacional, todo um campo de criação artística contemporânea foi trazido para o programa e espalhado para (poucos mas) diversos pontos da cidade, em especial nas periferias: um campo que abrange a performance, a instalação, a ocupação artística, a body art, o happening. Um conhecimento e um tipo de experiência que estava, via de regra, confinada às universidades, galerias e museus, com sua frequência elitizada, teve a chance de ser antropofagizada por jovens da Penha, Perus, Vila Nova Cachoeirinha, Campo Limpo, e outros lugares.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">E agora, quem irá construir lugares para se escutar poesia?</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Quem irá esperar pessoas na rua com suas frases-bomba prestes a ser detonadas?</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Quem irá imprimir sudários profanos?</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Quem vai provocar estados-limite no corpo?</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Quem vai promover um “beijaço” durante sete minutos, num equipamento da prefeitura?</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<span style="font-family: Arial, Helvetica, sans-serif;">Outros, espero, dentro do Programa Vocacional. As linguagens de artes visuais, teatro, dança, música, literatura, que se encontram e se misturam no campo da performance, por exemplo podem, é claro, entrar nessa seara. Mas haver uma linguagem dita Artes Integradas provocou a entrada desse conhecimento no programa e garantiu que ele fosse explorado em profundidade. Provavelmente por isso é que foi criada essa modalidade. Agora a tendência é de que o trabalho nesse sentido do encontro das artes seja mais eventual.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">Não havia orientação oficial nenhuma de que os encontros em Artes Integradas usassem os repertórios e os procedimentos da performance, do happening, da instalação, da ocupação artística, dos saraus. Mas é evidente que, como são esses os campos em que contemporaneamente se opera o encontro mais intenso das artes, deles se extraia o conhecimento de base para nossa prática. Ninguém começa nada do nada.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<span style="font-family: Arial, Helvetica, sans-serif;">E por quê extinguir as Artes Integradas? Não houve explicação.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<span style="font-family: Arial, Helvetica, sans-serif;">Hipótese: a constatação de que não deu certo. Nem entro na discussão do que seria dar certo. Há uma pergunta mais evidente a ser feita: os envolvidos diretamente foram consultados? Não. Eu não fui. Outros A.O.s também não. Nenhum Vocacionado com quem trabalho. Nessa hipótese, resta a possibilidade de que tenha havido uma constatação de gabinete de que havia pouca demanda.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">Mas seria correto, metodologicamente, em se tratando de uma linguagem experimental, esperar a mesma demanda em números que teatro e dança, por exemplo?</span><br />
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">E quais foram as ações do Programa Vocacional para garantir que essa linguagem experimental pudesse dar certo? Observando os anos de 2014 e 2015, percebe-se que nesse último aconteceu uma mudança estrutural no programa que minou as possibilidades das Artes Integradas se desenvolverem no </span><span style="font-family: Arial, Helvetica, sans-serif;">Programa. Até 2014, a divisão em equipes se dava por área. Ou seja, os orientadores de Artes Integradas se encontravam uma vez por semana, podendo discutir seus processos e planejar ações conjuntas. Uma delas foi compartilhar publicamente um precioso material de registro e reflexão da equipe, no blog <a href="https://vocacionalartesintegradas.wordpress.com/">https://vocacionalartesintegradas.wordpress.com/</a></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<span style="font-family: Arial, Helvetica, sans-serif;">A mudança da estrutura organizativa das equipes, que passam a ser territoriais em 2015, diluiu o cuidado com Artes Integradas. Os Coordenadores de Equipe e os Artistas Orientadores de outras áreas tiveram então o foco nas ações em um território da cidade, e em suas próprias linguagens. Não houve a criação de nenhum mecanismo estrutural para que as Artes Integradas tivessem condições de sobreviver a essa mudança, mesmo que, insisto, como linguagem experimental, necessitasse de um cuidado específico, que não pode ser o mesmo das outras.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<span style="font-family: Arial, Helvetica, sans-serif;">Foi impraticável realizar um encontro que fosse entre os A.O.s de Artes Integradas durante esse ano. As tentativas realizadas esbarraram nas demandas que cada um já tinha pela estrutura organizativa do Programa: as reuniões semanais no território, as ações no território. Mesmo as assembléias gerais não puderam ser lugar para a reflexão e a mobilização em torno deste problema, pois o foco foram questões mais gerais relacionadas às condições precárias de existência do Programa. Acrescente-se que a comunicação de que a linguagem seria extinta foi repentina e no final do ano, época de mostras, relatórios, ensaios, de um modo que parece ter sido operado para evitar mobilizações contrárias.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">Há um dado específico do meu caso no Programa Vocacional que evidencia a falta de cuidado que se teve com Artes Integradas em 2015. Tive minhas duas turmas em dois equipamentos diferentes: o Centro Cultural da Penha e o Teatro Flávio Império. Quase todos os outros A.O.s do Programa, até onde sei, têm suas turmas em um mesmo equipamento. Detalhe: embora próximos, os equipamentos pertencem a micro-territórios diferentes, com duas equipes distintas, dois Coordenadores. Como as reuniões semanais acontecem no mesmo horário, tive de me tornar quinzenal em cada equipe, o que se provou desastroso: difícil entrosamento, desenvolvimento de um pensamento e ações conjuntas.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">Mais um detalhe: o Programa esqueceu de avisar o Teatro Flávio Império de que haveria Vocacional Artes Integradas lá. Resultado: não havia espaço e horário destinado. E é claro, não havia inscrições. Foi preciso começar tudo do zero, ou melhor, do menos um, menos dois, menos três... porque primeiro foi necessário antes de mais nada esperar que o Programa e o Equipamento chegassem a um acordo.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">Não entrarei em todos os detalhes aqui. Fico apenas com os mais significativos. Dentre esses, o que mais me chama atenção é que Artes Integradas foi tratada no Programa como mais um detalhe. E assim morre uma linguagem. É bastante significativo que, em tempos de crise, de cortes de custos, não se perca apenas quantidade de recursos, mas também, por escolhas políticas, se perca a biodiversidade do pensamento-vida.</span>Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-40590001356267746172015-12-22T11:01:00.000-08:002015-12-22T11:01:06.453-08:00Grande Ensaio Equipe Leste 1 - Programa Vocacional 2015<p style=" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;"><a title="View Grande Ensaio Equipe Leste 1 - Programa Vocacional 2015 on Scribd" href="https://pt.scribd.com/doc/293871322/Grande-Ensaio-Equipe-Leste-1-Programa-Vocacional-2015" style="text-decoration: underline;" >Grande Ensaio Equipe Leste 1 - Programa Vocacional 2015</a></p><iframe class="scribd_iframe_embed" src="https://www.scribd.com/embeds/293871322/content?start_page=1&view_mode=scroll&show_recommendations=true" data-auto-height="false" data-aspect-ratio="undefined" scrolling="no" id="doc_74780" width="100%" height="600" frameborder="0"></iframe><br />
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-2451207323945446402015-12-22T07:31:00.002-08:002015-12-22T08:01:18.317-08:00 Em busca do “Coração Denunciador” e a perspectiva emancipatória no Teatro Vocacional<div class="page" title="Page 1">
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São Paulo, 18 de dezembro de 2015.<o:p></o:p></div>
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Programa Vocacional Teatro – Equipe
Centro Oeste – Coord. Gabriela Flores<o:p></o:p></div>
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Biblioteca infantojuvenil Monteiro
Lobato<o:p></o:p></div>
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Artista Orientadora: LAÍS
MARQUES<span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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O nosso processo de criação nasceu de um
desejo lançado pelas próprias vocacionadas: “queremos explorar a obra de Edgar
Alan Poe no Teatro”. Depois de algumas leituras, <i>Coração denunciador</i> foi o conto escolhido. Em apenas quatro laudas
um enigmático narrador descreve meticulosamente os passos que o levaram a
cometer o assassinato de um velho por causa do modo como esse lhe dirigia o
olhar. Nesse intrigante universo, ficção e realidade se misturam continuamente,
fazendo com que as palavras, imagens e sensações criadas por Poe fossem
exploradas a partir do exercício radical de presença e de invenção, ou seja,
num convite aberto às inúmeras possibilidades de criação da cena.<o:p></o:p></div>
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<div class="MsoNormal" style="line-height: 115%; text-align: justify; text-indent: 18.0pt; text-justify: inter-ideograph;">
Algumas perguntas iniciais balizaram a
investigação: como transformar a matéria-prima literária num experimento
teatral? Quais as estratégias para transformar o leitor que se debruça
ativamente sobre a leitura do livro, numa plateia co-autora do espetáculo? <o:p></o:p></div>
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Optamos, pois, pelas seis atrizes
presentes em cena o tempo todo, numa alternância contínua entre personagens e
coro, sendo que a narradora muitas vezes dirigia-se diretamente para a plateia.
Assim, muitos dos nossos estudos anteriores sobre composição e coralidade
puderam ser resgatados a fim de que uma terminologia comum pudesse compor,
passo a passo, nosso repertório expressivo.<o:p></o:p></div>
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Uma intenção era materializar na cena a percepção
sonora da narradora, que não se considerava louca, apenas alguém com a audição de
fato aguçada. Por conseguir ouvir os batimentos cardíacos da velha já enterrada,
a “paisagem sonora” que construímos extrapolava a ficção a ponto de utilizarmos
tanto o espaço da sala e o próprio corpo, quanto as palavras em seus infinitos
recursos. Inclusive na entrada do público pedimos que eles fechassem os olhos
para que toda a introdução do experimento fosse feita a partir dos estímulos
sonoros.<o:p></o:p></div>
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O nosso espaço de trabalho, vale pontuar,
foi a sala Multiuso da Biblioteca Monteiro Lobato e sua poética, digamos,
hiperreal: inúmeras cadeiras empilhadas, lousas, cortinas, grades nas imensas janelas
antigas, uma porta barulhenta, o ventilador de coluna, mesas e demais objetos
característicos de uma sala de reunião convencional, explorada por nós como uma
espécie de <i style="mso-bidi-font-style: normal;">site specif</i><span style="mso-spacerun: yes;"> </span>ficcional.<o:p></o:p></div>
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A lição de casa realizada ao longo do
processo, contar a história sempre em 1<sup>a</sup> pessoa a um vizinho ou
mesmo a um estranho na rua, contribuiu para que aos poucos as vocacionadas
pudessem se apropriar dos detalhes da narrativa com as suas próprias palavras,
evitando um decoreba distante dos seus próprios imaginários. Não pretendíamos simplesmente
memorizar as palavras exatas de Poe mas, antes disso, compreender suas intenções,
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Assim, sete quadros foram pouco a pouco se
desenhando: “Apresentação”, “A Velha”, “O Ritual”, “A 8<sup>a</sup> noite”, “O
Corpo”, “Visita das Policiais”, “Desfecho”. Cada trecho contou com uma
narradora e uma estratégia cênica diferente, surgida no jogo entre o espaço
e<span style="mso-spacerun: yes;"> </span>os corpos presentes.<o:p></o:p></div>
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Avesso à qualquer realismo cênico, os
corpos se emolduravam a partir de alguns princípios básicos da composição,
relacionados aos Espaço e ao Tempo e de acordo com as intenções que cada atriz-vocacionada-criadora
mantinha com o coro. Lançando mão de ingredientes que se agrupavam
anarquicamente, esse coro apoiava-se em procedimentos simples resgatados das
orientações anteriores e que conectavam a cena em diferentes perspectivas.<o:p></o:p></div>
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Somado ao único sobretudo revezado entre
todas, a base do figurino eram as próprias roupas das vocacionadas que
friccionavam a ficção com suas identidades reais: um vestido florido, a
camiseta do super herói favorito ou mesmo uma roupa leve e confortável que, no
conjunto surpreende pela teatralidade daquilo que é o cotidiano da vida posto na
cena.<o:p></o:p></div>
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<div class="MsoNormal" style="line-height: 115%; text-align: justify; text-indent: 18.0pt; text-justify: inter-ideograph;">
Preferimos, desse modo, apostar na nossa
imaginação, na nossa intuição coletiva, na percepção e na potência formada pelo
grupo como os principais ingredientes do processo criativo. Desse processo, ressaltamos
ainda os desdobramentos que surgem no embate com a(s) realidade (s) em si,<span style="mso-spacerun: yes;"> </span>no estreito diálogo com a cidade, com o
equipamento no qual estávamos e as variadas formas de inclusão das diferenças. Se
fez presente, sobretudo, a necessidade <span style="mso-spacerun: yes;"> </span>maior da indisciplina na arte, de fugir às
regras e encontrar dentro do jogo as preciosas iscas de um teatro que faz o impossível
tornar-se possível.<o:p></o:p></div>
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<br /></div>
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desse experimento e vinculada ao programa há 3 anos foi importante perceber que
a perspectiva emancipatória lançada nas diretrizes do Programa pode ser
compreendida e aprofundada como algo que nasce radicalmente junto com o
(aparentemente simples) desejo de se “fazer teatro”, e que esse processo de
elaboração maturação é o exercício em si da alteridade. Ele só acontece,
portanto, no infinito processo de exploração e reinvenção da própria linguagem
artística.</span></o:p></div>
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mim mesma e a cada encontro com o Outro.
Além disso, ela não se conclui na apresentação final do trabalho nem tampouco
se esgota no término do nosso precário contrato de trabalho. Essa dimensão <i>político-estética-artístisco-pegadógica</i>
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-64005212564005633662015-12-21T05:36:00.000-08:002015-12-21T05:42:41.548-08:00Sobre ser árvore ou da radicalidade do elástico. Marina Corazza, Teatro Flávio Império<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-jGun4UeSctY/Vnf65Xa7TWI/AAAAAAAACsk/KwHzEliZi0g/s1600/Lugar_1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="180" src="http://3.bp.blogspot.com/-jGun4UeSctY/Vnf65Xa7TWI/AAAAAAAACsk/KwHzEliZi0g/s320/Lugar_1.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-crd-Y5dfM7I/Vnf8tQde1pI/AAAAAAAACsw/UXoh9GE5tCk/s1600/Lugar_2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="180" src="http://3.bp.blogspot.com/-crd-Y5dfM7I/Vnf8tQde1pI/AAAAAAAACsw/UXoh9GE5tCk/s320/Lugar_2.jpg" width="320" /></a></div>
<br />
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i>
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Essa
é a última versão de um texto que vem se construindo desde julho/2015, ele serve
à prática e não o contrário, responde à inquietações da experiência. Não sei
quem vai ler, não sei a quem vai interessar, mas posso dizer que diferente de
2014, em que questionei o ensaio e sua obrigatoriedade porque ele estava
totalmente desconectado do processo, em 2015, a escrita serviu à prática dos
encontros e à reflexão em equipe</span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 14.0pt; line-height: 115%;">- Qual a pergunta do
ensaio?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 14.0pt; line-height: 115%;">- ou<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 14.0pt; line-height: 115%;">- O que o ensaio
pergunta?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Ensaio
tecido por rupturas, rasgos, inacabamentos, falas sem personagens definidos.<o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Por quê? Assim é mais
fácil, né? Deixa-se a estrutura de lado e fica-se “livre”.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Livre do quê? Qual o
critério?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- O que você quer
comunicar? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Momento 1</span></u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">
– julho ou agosto de 2015<u><o:p></o:p></u></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Crises sobre o que me
faz sentido no teatro, conduzem-me a uma postura de
“artista-orientadora-vocacionada”. Deslizar, me perder na orientação é o
extremo oposto da irresponsabilidade. Num susto, durante uma das orientações,
num jogo de conexão entre coro e corifeu, percebo que o que conectou os
participantes no teatro foi exatamente aquilo que busco hoje com <s>35 </s> 36 anos, acumulados ao longo desses <s>20</s>
21 anos fazendo teatro: a conexão essencial, a escuta silenciosa, a
organicidade das microações e reações, o invisível que de tão palpável,
torna-se concreto. A pergunta que nos fizemos nesse encontro: <i>Porque meus olhos de plateia olham o que
olham? O que está acesso lá? <o:p></o:p></i></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Esse é um problema. Um
problema sem solução e esta é a aventura. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Não sei mais ser “artista-orientadora”
como antes. E isso é libertador. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Buscar a radicalidade
que mora em puxar o elástico do estilingue até o fim antes que a pedra voe.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Momento 2</span></u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">
– setembro de 2015<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Por que o lance da
conexão essencial entre eles perdeu a força? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Talvez, se
continuássemos aprofundando por ai, o caminho seria mais longo para se chegar a
uma materialidade na qual o grupo se reconhecesse. Cada pergunta é uma porta,
cada porta um caminho. Tive medo de embarcar totalmente no lance da presença e
da conexão? Talvez. Talvez ache que se a
coisa continuasse por ai, o trabalho ficaria muito mais da minha mão. Talvez pelo
medo de que, ao final do processo, as pessoas não sentissem que seus desejos
mais íntimos, suas fantasias de palco fossem tocadas e trabalhadas. Sim, é
importante tocar as fantasias, não para morrer nelas, mas para investigá-las
como trampolins. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Por hora, essa é a
resposta, mas não estou satisfeita com ela.
<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Momento 3</span></u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">
– início de outubro de 2015<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Onde você queima?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Foi
essa a pergunta que o artista-orientador de música, Gustavo Bali fez no
encontro das equipes da Leste 2 num desses domingos de céu azul que pudemos
contemplar pelas venezianas do Palácio dos Artistas. <o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Onde você queima?
Onde você queima? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Seus passos. Meus
passos. Nossos passos contam o que de nós? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Quando o passo avança,
está fugindo? Querendo passar rápido por ali? Ou está se dispondo a escutar o
som das folhas secas na planta dos pés?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Todos no grupo devem
ter consciência do processo e de suas escolhas.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Consciência. A
consciência pode ser um fardo pesado? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Não sei, não sei...
mas a obsessão pela consciência pode achatar a experiência.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Experiência é uma
palavra ampla demais, e por isso, vazia.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Experiência
artística, não?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Quando se tem uma
experiência artística, no público ou na plateia, sabemos do que se trata. Ou
não?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Você não está falando
sobre o “Programa Vocacional”.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- É isso que você acha?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Acho que nunca falei
tanto sobre o “Programa Vocacional” porque não estou diferenciando o “Programa
Vocacional” das tantas inquietações artísticas que carrego, da vida.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Você está passando a
mão na sua própria cabeça! <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Momento 4</span></u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">
– Encontro com Mario Biagini na Universidade de Roma, algum dia de 2.000.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="background: white; color: #141823; font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="background: white; color: #141823; font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">“Um de vocês perguntou que sentido pode ter para um ator
trabalhar sem público. É uma questão legítima e, afinal, o evento teatral pode
ser definido como um lugar no qual, em última instância, atores e espectadores
encontram-se uns aos outros. O fato é que, no Workcenter, trabalhamos durante
muito tempo e ainda, muitas vezes, trabalhamos sem observadores externos. Não
estou falando de ensaios, que geralmente são considerados momentos nos quais o
público é legitimamente excluído, mas das próprias obras. Você me pergunta,
então, qual pode ser o significado disso, o objetivo, ainda mais porque é visto
por poucos e não é direcionado para uma apresentação pública. Para que serve
isso, afinal?</span><span style="color: #141823; font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br />
<!--[if !supportLineBreakNewLine]--><br />
<!--[endif]--><span style="background: white;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="background: white; color: #141823; font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Quem sou eu para dizer qual o significado disso? Eu poderia
lhe dizer que ‘queremos criar uma nova forma de arte que se rebela contra os
atuais modos de produção artística, que possa sobreviver e infiltrar-se nesta
civilização na qual as relações humanas são subordinadas à valorização do
capital e correm, como consequência disso, o risco da esterilidade, uma forma
de arte que luta contra essa tendência, criando, dentro dos artistas
envolvidos, uma percepção do real, presente por trás dos dogmas, crenças e
ideologias’. Mas não apenas isso não seria verdade, como eu também teria dado a
impressão de ter realmente articulado uma resposta em vez de ter dito uma
belíssima coisa nenhuma. Além do mais, seria perigoso formular um tal programa,
porque gradualmente eu poderia me convencer de que é realmente assim, que essa
é, verdadeiramente, a nossa direção,</span><span style="color: #141823; font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br />
<span style="background: white;">a nossa intenção, a direção certa, a única
direção certa, portanto a qual todos deveriam seguir. E se você me dissesse,
corretamente ou não, que nossa orientação está errada, você se tornaria o
inimigo, o outro do qual deveria me defender, porque nós humanos somos feitos
desse modo, porque podemos cair muito facilmente na estupidez e,
consequentemente, na miséria da ignorância e do fanatismo.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="color: #141823; font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br />
<span style="background: white;">Quando você aborda o que faz com uma plataforma
programática, corre o risco de esquecer o que estava fazendo e, também, das
reais motivações para fazê-lo – as raízes ocultas, ligadas às suas necessidades
– e você confunde a motivação com o projeto. O projeto, então, vem em primeiro
lugar: você deve defendê-lo a qualquer custo, contra as dificuldades, contra
outros projetos, outras ideologias, e o trabalho se transforma em uma máquina
produtora de princípios técnicos ou éticos, slogans, propaganda, publicidade.
Ao falar em objetivos, podemos ambos satisfazer nossa fome por conflitos,
quando, talvez, o que façamos – você e eu, ou eu e ele – nasça do mesmo
impulso.</span><br />
<span style="background: white;">Não há objetivo ou é segredo. A árvore não tem
um objetivo; é uma manifestação na qual a vida se articula a si mesma, à sua
própria maneira, em algo incomensuravelmente complexo.”</span></span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></u></div>
<div class="MsoNormal" style="text-align: justify;">
<u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Momento 5</span></u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">
– entre novembro e dezembro de 2015<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- O que o ensaio
pergunta?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Deslizar, perder-se
na orientação é o extremo oposto da irresponsabilidade? Tem certeza?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Para não deslizar a
esmo é preciso deslizar com? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- A sua arte serve a
que? Ao sistema ou à emancipação?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Onde está a
motivação? Onde está o projeto?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Agora
todos caminham pelo espaço.<o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Busquem
a radicalidade que mora em puxar o elástico do estilingue até o fim antes que a
pedra voe.<o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Onde você queima? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">- Onde você queima?<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></u></div>
<div class="MsoNormal" style="text-align: justify;">
<u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Momento 6</span></u><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">
- Sobre ser árvore ou da radicalidade do elástico.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: 'Times New Roman', serif; font-size: 12pt; line-height: 115%;">Homem
assiste à televisão.<u><o:p></o:p></u></span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<i><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Homem
fica imóvel durante muito tempo na frente da televisão. Seu olhar é para a
tela, mas seus pensamentos estão longe. De repente, começa a falar seus
pensamentos em voz alta. Está sozinho.<o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">HOMEM: Filhos, tão bom, tão bom<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> E meus filhos, enamorar é grande, muito
grande<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Se vocês soubessem como é bom colocar o sol <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Colocar o sol nas suas pernas<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Como é bom escrever, deixar escritas coisas
que já passaram<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Os pássaros no som do vento<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Ah, meus filhos, se eu soubesse como vocês
seriam <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Eu mudaria<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Ah, meus filhos, como é bom colocar o sol<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Se eu soubesse ainda<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> E meus filhos estão a caminho, ainda a
caminho.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Ah,
que bom se eu enxergasse a lua<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> O meu tempo é pouco<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Se eu tivesse um relógio para controlar o
tempo, eu colocaria
você<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Eu colocaria você dentro da galeria<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Eu colocaria você na lua.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> (Cena/Texto criado
pelo vocacionado Wagner Geminiano)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-mNgDJnL4ZzY/Vnf7-isf0DI/AAAAAAAACss/xyAsSjih45M/s1600/DSC_0005.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="http://1.bp.blogspot.com/-mNgDJnL4ZzY/Vnf7-isf0DI/AAAAAAAACss/xyAsSjih45M/s320/DSC_0005.jpg" width="320" /></a></div>
<br />
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Marina
Corazza (artista-orientadora Teatro)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"> Equipamento Teatro Flávio Império<o:p></o:p></span></div>
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: PT-BR; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"> Leste
2</span>Anonymousnoreply@blogger.com2tag:blogger.com,1999:blog-6066723101961770100.post-38002638320998872742015-12-20T21:02:00.000-08:002015-12-20T21:02:45.602-08:00"Corpos em Diáspora", por Kelly Santos, AO de Dança, CEU Vila Curuçá.<div class="separator" style="clear: both; text-align: center;">
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<a href="http://3.bp.blogspot.com/-lagMOmggmsc/VneHiK6sW8I/AAAAAAAACsI/8s3xYZhqsL8/s1600/Slide16.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-lagMOmggmsc/VneHiK6sW8I/AAAAAAAACsI/8s3xYZhqsL8/s320/Slide16.JPG" width="240" /></a></div>
<br />Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-3351291033709063672015-12-20T18:05:00.003-08:002015-12-20T18:09:06.621-08:00Algo sobre a falta<div class="separator" style="clear: both; text-align: center;">
vídeo-ensaio confeccionado coletivamente pelxs AOs Carlos André, Fabiana Monsalú, Fernando Machado, Milena Araújo e Stella Tobar e pelo coord. territorial Luiz Claudio Cândido. Equipe Sul 3 (CEU Alvarenga, BP Malba Tahn e CEU Aricanduva).</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/wHRdTI7FJPs/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/wHRdTI7FJPs?feature=player_embedded" width="320"></iframe></div>
https://www.youtube.com/watch?v=wHRdTI7FJPsAnonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-44939603833820143292015-12-19T06:33:00.000-08:002015-12-19T06:34:17.287-08:00roleZHho: outras arqueologias (tutti madazzio)<br />
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-47902645735173625872015-12-18T10:50:00.002-08:002015-12-18T10:50:14.134-08:00CAMINHOS<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">CAMINHOS<o:p></o:p></span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div class="MsoNoSpacing" style="text-align: justify;">
<br /></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Mais
uma vez a Radial Leste permitindo meus caminhos. Seguem-se Salim Farah Maluf,
Marginal Tietê, Rodovia Ayrton Senna e mais algumas quebradas. Quantas
veredas!!!<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Desta
vez, meu destino é o CEU Parque Veredas, que me traz lembranças do momento em
que enveredei pela trilha da Arte e Educação. Em 2003, coordenei a EMIA nos
CEUs e o Veredas fazia parte da minha equipe.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Doze
anos depois este é o meu novo espaço de atuação no Vocacional. As mudinhas
plantadas no seu entorno cresceram, encontrei árvores. <o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Não
participei das edições dos dois últimos anos e neste retorno pude perceber as
lutas que vêm sendo travadas para que este Programa receba o status de política
pública e não mais como tem sido tratado como uma ação de governo. Já no
primeiro encontro da nova equipe formada para este ano, muito se falou das
ações da Secretaria de Cultura e pouco foi apresentado a respeito do
Vocacional, motivo de estarmos ali. Saímos como chegamos e os novos integrantes
da grande equipe não foram acolhidos como deveriam e mereciam. Carregamos os
embaraços desta situação por alguns meses até que pudéssemos começar a falar a
mesma língua. Como posso então acolher aqueles que comparecerão aos encontros
que teremos aos domingos naquele CEU do Itaim Paulista?<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Primeiro
domingo de orientação. Os caminhos anteriormente descritos e uma trajetória
imensa a construir. <o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Na
manhã da primeira orientação conheci o Grupo ABC – Arte dos Bons Companheiros
existente desde 2008 e que se faz permanente mesmo não tendo mais nenhum
integrante da formação original. Quem passa por ali, abraça sua história, conta
a própria e permite sua continuidade. Não sei se há no Programa outro coletivo
com este perfil, ao longo dos anos que vivenciei, vi muitos grupos nascerem e
findarem. Além deste aspecto, o grupo chama a atenção por sua organização de um
modo de viver e atuar em Teatro, como por exemplo, a Brigada da Alimentação,
que garante a refeição ao longo do dia de domingo, quando ensaiam das 09 ou 10h
até às 16h. Se minha primeira questão era como acolher, deparei-me com artistas
pertencentes àquele lugar e fui acolhida.
<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Nem
tudo é perfeito, as inscrições para o período da manhã continuaram abertas e
como seria possível receber, quase que semanalmente, novos participantes num
grupo que já possui uma dinâmica de trabalho tão orgânica? Mesmo aqueles que já
foram integrados nos primeiros encontros, não estão totalmente envolvidos no <i>modus vivendi</i> do ABC. Aos domingos, os
novos chegam às 9horas e o grupo, normalmente, todos juntos, por volta das 10
horas. A Brigada da Alimentação também não envolve a todos, alguns encerram sua
participação ao meio dia, enquanto outros permanecem no CEU trabalhando até às
15 ou 16 horas conforme o rendimento e necessidade do dia. Assim sendo, o ABC
preferiu, no período da manhã, constituir-se como turma dando continuidade aos
projetos próprios à tarde.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">O
primeiro encontro se deu no dia 17 de maio de 2015, já segunda quinzena do mês
de Maio estando próximo ao meio do ano. Muitas pessoas a esta altura já estão
com suas agendas organizadas. No período da tarde a ideia era a formação de uma
turma de iniciantes que se configurou mais permanente, todos de fato em sua
primeira experiência em teatro, revelando entusiasmo para as vivências,
promovendo revelações interessantíssimas de identificação de seus participantes
com o programa e suas ações.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">O
“Sr. Aurélio” confirmou-me que Vereda, substantivo feminino, quer dizer caminho
estreito, senda; sem falar das possibilidades figuradas como rumo, caminho,
direção, ou ainda, ocasião, momento, oportunidade. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">O
mapa que fiz e estudei para chegar até lá aguçou-me a curiosidade em saber qual
o caminho que cada um traça de sua casa até o CEU. Convite feito. As
cartografias então apresentadas permitiram que nos conhecêssemos um pouco mais
a partir dos caminhos, sendas, atalhos que permitiam a presença de cada um
naquele espaço, aos poucos, transformado em lugar. Como criança que ouve uma
história, deslumbrei-me com os afetos referenciais, a padaria (várias), a
creche, a praça das criancinhas, o Supremo, a casa de pessoas felizes, o
Higa’s, o cemitério desprezível (açougue visto por uma vegetariana), o muro
gigante pixado, a casa amarela de três andares, a loja de celular e o beco!<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Citado
em algumas cartografias o beco chamou-me à atenção. Mal falado. Sujo. Fedido.
Escuro. Perigoso. Mas todo mundo passava por lá! Quis fazer o mesmo. Passei
alguns dias imaginando como seria esse beco. Não bastaria passar por ele, seria
necessário olhá-lo com olhos de poeta. Numa manhã de domingo, após a leitura do
texto “A Complicada Arte de Ver” de Rubem Alves, juntamente com os integrantes
daquela turma, seguimos em silêncio até o beco retornando da mesma forma,
abrindo nossa conversa somente após o registro de nossas impressões. Tudo durou
uma hora e quinze minutos. </span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Gosto
muito desta atividade embora me sinta invadindo a privacidade, a naturalidade,
o olhar alheio.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">É
também como me sinto quando olho pra mim de verdade e me vejo, em coisas que
antes desconhecia. O feio que não é tão feio, o belo que muitas vezes esconde...<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">O
Beco. O Beco. Como foi bom passar da imaginação para a realidade! A espera para
conhecê-lo. Tão útil, como dentro de mim. Por quais becos devo passar sem
perceber?<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">A
poltrona queimada, caída, qual terá sido sua história? Quem ali se sentou? Qual
foi o último programa de TV que assistiu? Repousa a sol aberto. Assim como os azulejos,
tantos papéis e até um tênis que talvez tenha realizado ali sua última
travessia.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Por
cima, a linha de transmissão que dá passagem à energia.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">O
Beco encontra-se entre os números 21 e 33 de uma rua que não sei o nome.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Um
homem observava lá de cima, não deve ter gostado. Nem o cachorro com latido de
bebê. Gostei do Beco! Já gostava.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<br /></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Dentro
de mim havia um beco...<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Passagem
secreta por onde escorriam lembranças.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Nada
mais por inteiro, com suas certezas, apenas pedaços, fragmentos, revelando
partes de histórias viventes apenas na alma. A memória vaga. É vaga.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Por
entre indícios é capaz de recontar uma história, que jamais será a mesma.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">As
paredes que não eram frias. Não havia cheiro ruim. O sol também passava por
ali.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">De
quem é o Beco? Tantos e tantos que por ali se servem em seus deslocamentos.
Ninguém cuida dele. Não sabemos ser donos coletivamente.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">E
assim o olhar de poeta consolidou-se. <o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Num
outro dia, um “pé de criança” com chinelos de dedo parecendo raízes. Saída do
centro da cidade, há quanto tempo não via uma criança subir numa árvore. Lá
estavam três garotos divertindo-se enquanto o cão tratado a diversas mãos
ladrava com eles.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Sem
contar o “senhor Souza” em seu “Tibúrcio”. Saído de um sítio da região, às oito
horas da manhã um senhor montado em seu cavalo passou por mim na Tibúrcio de
Souza. Precisei registrar. A foto ficou. O som do trote ainda ecoa.<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">E
assim, a cada semana, percorri os atalhos que me permitissem acessar os sonhos,
as expressividades, o temperamento de cada um, contendo, talvez a ansiedade que
era minha. As pessoas de lá são tranqüilas, até demais, fazendo-me questionar
quais seriam suas crises, posto que estas geram movimento. O movimento gera
decisões, decisões alteram rotas. O que precisaria ser alterado? Precisaria ser
alterado? <o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">A
mãe, de 46 anos, não falta nunca. Descobriu o caminho para o centro da cidade.
Descobriu que pode ir aonde quiser. Nossas distâncias podem medir o mesmo
agora. Sua turma prefere passos pequenos. A cada encontro uma nova experiência.
Monstros, marionetes, olhos nos olhos e lágrimas, os sonhos e os pesadelos, as
instalações, a criança que aprende a andar e emociona a todos. Como quem
aprende a andar, os trajetos são curtos, profundos. <o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%;">Tomo
meu caminho de volta definido pelo fim de um contrato. A orientação continua
pela rede social. Provocada no último instante uma jovem que só fazia selfies,
todas iguais, posta-me uma outra selfie, enfim elaborada, com um discurso sobre
si mesma. Seu interior fora capturado. Por onde andarão a partir de agora até
que eu possa retornar à radial?<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 150%; text-align: justify; text-indent: 35.45pt;">
<br /></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNoSpacing">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">Valéria
Lauand<o:p></o:p></span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">AÓ
Teatro<o:p></o:p></span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">CEU
Parque Veredas<o:p></o:p></span></div>
<br />
<div class="MsoNoSpacing">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt;">2015<o:p></o:p></span></div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-58156151421058613572015-12-18T06:57:00.000-08:002015-12-18T06:59:42.386-08:00<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt 35.4pt; text-align: center; text-indent: 35.4pt;">
<div style="text-align: center;">
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-indent: 0.05pt;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Ensaio de pesquisa-ação 2015<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-indent: 0.05pt;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-indent: 0.05pt;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Inter-transdisciplinaridade
vocacional?<o:p></o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt 35.4pt; text-indent: 35.4pt;">
<br /></div>
<br />
<div align="center" class="MsoNormal" style="line-height: 150%; margin-bottom: 0.0001pt;">
<div style="text-align: center;">
<i><span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 10.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">'Mas a elucidação não é inexata?' – Sim; por que não chamá-la de
'inexata'? Mas compreendamos apenas o que significa 'inexato'! Ora, 'inexato'
não significa 'inútil'. E consideramos aquilo que, em oposição a esta
elucidação, chamamos de uma elucidação 'exata'! Talvez, a delimitação de um
distrito por meio de um traço de giz? Mas percebemos que o traço tem uma
largura. Exato, seria pois, um limite de cor. Mas tem esta exatidão ainda uma
função? Não se esvazia? (Ludwig Wittgenstein).<o:p></o:p></span></i></div>
</div>
<br /></div>
</div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Este ano o Programa
Vocacional propôs a integração das linguagens, criando equipes
com artistas orientadores com formações diversas e com coordenações que também
possuem formações diferentes às da equipe.</span><span style="color: #222222; font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Esta proposição vai ao encontro das
diretrizes do programa que visam uma aproximação do fenômeno artístico sem
aprofundar em questões técnicas específicas de cada linguagem. Neste sentido o
consentimento com a ideia foi amplo no começo do ano de trabalho. A ideia era
provocadora e instigante. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Aos poucos fui percebendo que seria
mais complicado do esperado sair do plano teórico e poder aplicar a proposta
nas práticas concretas dos artistas orientadores.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Em edições anteriores o Programa
Vocacional propôs Interlinguagens e
Artes Integradas como duas possibilidades entre as linguagens “tradicionais” oferecidas:
teatro, música, dança, artes visuais. Pela própria dinâmica do programa onde em
um curto período de tempo é necessário dar conta de muitas demandas, não
consegui acompanhar o desenvolvimento dessas propostas. O fato é que neste ano
essas linguagens foram retiradas e a proposta foi que a integração ou
transdisciplinaridade acontecesse nas equipes. Acredito que a arte
contemporânea caminha no sentido dessa integração, as fronteiras entre as
linguagens estão cada vez menos nítidas. A necessidade do artista é de se
expressar e comunicar a sua visão do mundo e para isto são utilizados todo tipo
de recursos e ferramentas sem considerar a que disciplina elas pertencem. Isto
acontece tanto no campo “erudito”, quanto no “popular”.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Penso que esta tendencia atual da
arte deve ser levada em consideração nos processos do Vocacional.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Explicito aqui
alguns fatores, que entendo, poderiam ser os motivos pelos quais a
transdisciplinaridade é uma ideia atrativa, mas difícil de levar à prática.</span><span style="color: #222222; font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Em primeiro lugar observo que existe
uma certa resistência para conseguir se livrar da formação tecnicista que
muitos de nós recebemos e que nos deixa vulneráveis, se a proposta é sairmos da
zona de conforto. O risco, o fracasso como possibilidade do processo
artístico-pedagógico incomoda e portanto, é evitado. Esta observação não é uma
generalização e cabe ressaltar o esforço de alguns artistas em assumir esse
risco e propor procedimentos, experimentos e ações sobre as quais não terão
controle e cujos resultados saem totalmente dessa zona de conforto.</span><span style="color: #222222; font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Desde o ponto de vista da coordenação
também assume-se o risco de provocar e estimular a ideia. É uma grande
responsabilidade que deve provocar e estimular um pensamento amplo sobre a
arte, onde as experiências devem apontar para o campo do sensível, onde a
atitude estética seja mais importante que o aprendizado ou desenvolvimento de
procedimentos de determinada linguagem. Estes procedimentos e exercícios também
são válidos e não podem ser negados, mas exige coragem se arriscar em novos e
desconhecidos territórios.</span><span style="color: #222222; font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Este ano presenciei uma
experiência transdisciplinar concreta que paradoxalmente
não começou por causa da proposta norteadora do programa, pois já vinha
sendo desenvolvida desde edições anteriores do programa. A orientação de
dança-teatro conduzida pelas artistas orientadoras Mônica Rodrigues e Cristina
Ávila pode ser colocada como exemplo onde o risco e a experimentação estão
presentes e onde a transdisciplinaridade acontece de fato e com sucesso. As
artistas trabalham nesse formato desde o ano passado e a proposta de manter
tanto o formato quanto as artistas orientadoras foi feita pelo equipamento (CEU
Caminho do Mar) cujo Núcleo de Ação Cultural compreende e apoia as diretrizes
que norteiam o ProgramaVocacional, portanto é um parceiro real para o bom
desenvolvimento das atividades do programa.</span><span style="color: #222222; font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Outro fator que considero importante
e que contribuiu para que a transdisciplinaridade não fosse aprofundada é o
fato de o Programa Vocacional fazer parte de uma política pública que deveria
ter um pensamento mais crítico sobre os conceitos que propõe. Considero que
faltou uma formação adequada para embasar os artistas participantes do programa
e poder assim estimular mais propostas onde o risco e o salto ao vazio fossem a
tônica dos procedimentos artísticos. Considero que uma parcela importante de
responsabilidade sobre os resultados e alcanc<a href="https://www.blogger.com/null" name="_GoBack"></a>e real do
programa esta também nos gestores e coordenadores dos equipamentos que desconhecem
e não compreendem na real dimensão o trabalho desenvolvido no programa.</span><span style="color: #222222; font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Propiciar um terreno fértil para
a discussão e o levantamento de ideias é uma das tarefas do
coordenador de equipe e, nesse sentido, assumo a responsabilidade por não ter sabido
acompanhar e estimular essas ideias para que a equipe como um todo, pudesse ter
caminhado na mesma direção.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span>
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Embora a autocrítica é necessária,
destaco duas ações que considero foram as que, como equipe, conseguimos
transitar no caminho da transdisciplinaridade, a primeira foi uma ação da
equipe onde as artistas orientadoras juntaram todos os vocacionados e numa
atividade coletiva conseguiram passar por experiências sensíveis onde o
movimento, o som e a palavra estavam conectados e unidos numa única vivência. A
segunda ação foi o Corredor Norte- Sul que envolvia a equipe Sul 1 e uma equipe
da Zona Norte. Foi uma experiência performática no metrô onde os vocacionados
se deslocaram até o extremo oposto da suas regiões de origem.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Entendo que a meta deve ser criar um
pensamento organizador que ultrapasse as próprias disciplinas, procurando o que
as atravessa. Acredito que este deve ser o caminho a transitar no futuro, um
caminho de incertezas e desafios que são inerentes aos preceitos do Programa
vocacional. Manter as singularidades de cada linguagem artística e ao
confrontá-las, fazer surgir uma nova visão da realidade e portanto da arte.</span><span style="color: #222222; font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Alejandro López Jericó<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;">Coordenador de Equipe Sul 1.</span><br />
<span style="color: #222222; font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR;"><br /></span></div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-59284110993419092532015-12-18T06:40:00.005-08:002015-12-18T07:01:30.419-08:00:: ESPAÇO :: sobre experiências na Casa de Cultura do Itaim Paulista<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt;">ESPAÇO <o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt;">Sobre experiências na Casa de Cultura do Itaim
Paulista<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;">Por Beatriz Cruz<o:p></o:p></b></div>
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<b style="mso-bidi-font-weight: normal;">AO de Teatro<o:p></o:p></b></div>
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<br /></div>
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Do espaço material ao imaterial,
dos verbetes do Michaelis às experiências de 2015 no Vocacional. O espaço aqui
é necessariamente o entre. Entre os corpos que transitam das casas ao lugar de
orientação. Entre singularidades que emergem dos encontros. Entre
subjetividades que se delineiam no percurso entre vida e arte. Entre uma porção
de lugares com especificidades e contornos distintos: uma casa com dois
andares, varanda, uma sala de espelhos com muitas janelas, uma sala preta com
um tablado quadrado no meio, uma cozinha e uma horta; uma praça em forma de
gota, com caminhos feitos de pedra, grama, grandes árvores e bancos de madeira;
uma parte da cidade, ruas, muros, calçadas, faixas de pedestre, pontos de
ônibus e uma estação de trem com dois lados de saída. <o:p></o:p></div>
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<br /></div>
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Um olhar sobre como o diálogo com
o espaço potencializou o processo criativo das turmas do Vocacional Teatro na
Casa de Cultura do Itaim Paulista em 2015 (turma 1 – 4<sup>a</sup> Feira e
turma 2 – Domingo). Propostas para fazer emergir questões, aquilo que pede
passagem; para instaurar novas formas de convivência e novos territórios de
aprendizagem e criação. <o:p></o:p></div>
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<br /></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">ESPAÇO<o:p></o:p></i></b></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Definição1<o:p></o:p></i></b></div>
<div align="right" class="MsoListParagraphCxSpFirst" style="text-align: right;">
<i style="mso-bidi-font-style: normal;">Extensão tridimensional ilimitada ou
infinitamente grande,<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>que contem todos os seres e coisas e é o campo
de todos os eventos. (Dicionário Michaelis)<o:p></o:p></i></div>
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<br /></div>
<div class="MsoListParagraphCxSpMiddle" style="text-align: justify;">
O espaço como este
campo expandido de todos os eventos. Um ambiente de contaminação onde habitamos
e que ao mesmo tempo nos habita. Sua infinitude se reflete nos corpos que
estão, que passam, que compõe sua dimensão. O trabalho começa nesse duplo
caminho, para sentir a tridimensionalidade ilimitada no meu próprio corpo. <o:p></o:p></div>
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<span style="font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">“Nossa comunidade nos
ajuda a determinar a natureza de nossa compreensão sempre coerente com o mundo
ao nosso redor. O organismo e o ambiente não são realmente determinados de
maneira separada. O ambiente não é uma estrutura imposta do exterior aos seres
vivos, mas de fato, uma criação co-evolutiva com ele. (…) Falar em co-evolução
significa dizer que não é apenas o ambiente que constrói o corpo, nem tampouco
o corpo que constrói o ambiente. Ambos são ativos o tempo todo</span><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-bidi-font-family: Arial;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "calibri"; font-size: 12.0pt; mso-ansi-language: PT-BR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span style="font-size: 10.0pt; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">”<span style="mso-spacerun: yes;"> </span>Christine Greiner<o:p></o:p></span></div>
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<div class="MsoListParagraphCxSpFirst" style="border: none; margin-left: 0cm; mso-add-space: auto; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 11.0pt;">Proposta A. Cartografia<o:p></o:p></span></b></div>
<div class="MsoListParagraphCxSpMiddle" style="border: none; margin-left: 0cm; mso-add-space: auto; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm; text-align: justify;">
<span style="font-size: 11.0pt;">Uma
cadeira. Linhas de barbante. Cartolina ou Papel. Canetas, lápis, durex
colorido. Traçar o percurso da casa de cada um até a Casa de Cultura. Criar no
papel uma cartografia com marcos afetivos. O que chama sua atenção nesse
caminho? A cadeira é colocada no centro. Ela representa a Casa de Cultura. A frente
da cadeira, a frente da casa. Cada corpo amarra sua linha no pé da cadeira.
Traça o caminho até a sua casa. No fim da linha seu sapato e sua cartografia
são colocados. Percorrer a sua linha. Percorrer todas as linhas. Alinhar-se aos
fios. Articular o seu corpo a partir do desenho de cada linha. Traçar o caminho
com a sua coluna.<o:p></o:p></span></div>
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</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-s94X22_-ehk/VnQbbYFNZII/AAAAAAAACkk/9qetpP6sExw/s1600/foto%2B1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="150" src="http://2.bp.blogspot.com/-s94X22_-ehk/VnQbbYFNZII/AAAAAAAACkk/9qetpP6sExw/s200/foto%2B1.JPG" width="200" /></a></div>
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<a href="http://2.bp.blogspot.com/-KaTv9-g-dQk/VnQbdP6kcXI/AAAAAAAACks/h5Hi8U6Njig/s1600/foto%2B2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://2.bp.blogspot.com/-KaTv9-g-dQk/VnQbdP6kcXI/AAAAAAAACks/h5Hi8U6Njig/s200/foto%2B2.JPG" width="150" /></a><span style="font-size: 11.0pt;"><span style="mso-spacerun: yes;"> </span></span><span style="font-size: 11.0pt; mso-fareast-language: PT-BR; mso-no-proof: yes;"></span><span style="font-size: 11.0pt;"><o:p></o:p></span><a href="http://1.bp.blogspot.com/-fZrr92h_I0g/VnQbetY1e9I/AAAAAAAACk0/fm8GqRLCv4E/s1600/foto%2B5.JPG" imageanchor="1" style="font-size: 11pt; margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/-fZrr92h_I0g/VnQbetY1e9I/AAAAAAAACk0/fm8GqRLCv4E/s200/foto%2B5.JPG" width="150" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Definição2<o:p></o:p></i></b></div>
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<i style="mso-bidi-font-style: normal;">Distância linear entre duas coisas, objetos
etc; intervalo.<o:p></o:p></i></div>
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<i style="mso-bidi-font-style: normal;">Linha que se imagina por um ponto
movendo-se. (Dicionário Michaelis)<o:p></o:p></i></div>
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O espaço como
a distância entre os corpos, entre eu e o outro, entre eu e um objeto qualquer,
entre eu e uma arquitetura. Corpo ao lado de corpo formando um novo espaço, uma
roda, por exemplo. Um espaço delimitado de jogo. O espaço como percurso, como linha
desenhada pelo corpo em movimento. O corpo-partícula que se desloca e cria um
campo perceptivo. <o:p></o:p></div>
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<span style="font-size: 10.0pt;">“O
caminhar, mesmo não sendo a construção física de um espaço, implica uma
transformação do lugar e dos seus significados. A presença física do homem num
espaço não mapeado – e o variar das percepções que daí ele receba ao
atravessá-lo – é uma forma de transformação da paisagem que, embora não deixe
sinais tangíveis, modifica culturalmente o significado do espaço, e
consequentemente, o espaço em si, transformando em lugar. O caminhar produz
lugares”<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "calibri"; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></a>.
Francesco Careri</span><o:p></o:p></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 11.0pt;">Proposta B. A Roda <o:p></o:p></span></b></div>
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<span style="font-size: 11.0pt;">Uma roda, todos em pé.
Participantes trocam de lugar um de cada vez. Uma pessoa inicia o jogo. Olha
para outra pessoa da roda e vai em direção ao lugar dela. Esta última pessoa
então repete a ação. Olha para outra pessoa e também vai em direção a ela. O
jogo segue-se formando uma série de linhas invisíveis. As variações de como
fazer o percurso e a troca de lugar são infinitas. Assim como as linhas que se
criam. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 11.0pt;">Proposta C. Dar e roubar o foco<o:p></o:p></span></b></div>
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<span style="font-size: 11.0pt;">Espalhados. Quem anda
tem o foco. Apenas um jogador tem o foco por vez. Quem para, dá o foco. Quem
anda, rouba o foco. As variações de como andar e onde parar são infinitas.
Assim como as linhas que se criam.<o:p></o:p></span></div>
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Propostas detonadas no início do processo com ambas
as turmas. A Cartografia surgiu depois de uma provocação na reunião de equipe,
uma forma de apreensão e relação com um novo território. A forma de fazê-la vem
emprestada da pesquisa em intervenção urbana realizada desde 2010. <span style="mso-spacerun: yes;"> </span>A “Roda” era a forma de chegada, recepção e
instauração de jogo. Repetida quase todos os dias no início dos encontros, vem
emprestada do trabalho com a Técnica Klauss Vianna. O “Dar e roubar o foco” fez
surgir espaços não geométricos, era um jogo aberto o suficiente para deixar vir
as necessidades dos corpos. Vem emprestado e adaptado da Viola Spolin. Todas, propostas
irradiadoras para trabalhar a relação corpo-ambiente e a ideia de transformação
do espaço em lugar afetivo e singular, <span style="mso-bidi-font-family: Arial;">deixando
</span>emergir daí questões de interesse dos grupos. <span style="mso-bidi-font-family: Arial;"><o:p></o:p></span></div>
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<span style="font-family: "calibri"; font-size: 10.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;">“O surgimento de uma questão se dá sempre a partir de problemas que se
apresentam num dado contexto, tal como atravessam nossos corpos, provocando uma
crise de nossas referências. É o mal-estar da crise que desencadeia o
trabalho do pensamento – processo de criação que pode ser expresso sob forma
teórico-verbal, mas também plástica, musical, cinematográfica, etc. ou
simplesmente existencial. (...) Seja qual for o canal de expressão,
pensamos/criamos porque algo de nossas vidas nos força a fazê-lo para dar
conta daquilo que está pedindo passagem em nosso dia a dia”<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100#_ftn3" name="_ftnref3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "calibri"; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: PT-BR; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></a>.
<o:p></o:p></span></div>
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<span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">As questões que surgiram em cada
turma conduziram os processos cada um por um caminho diferente.</span><o:p></o:p></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Definição4<o:p></o:p></i></b></div>
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<i style="mso-bidi-font-style: normal;">Porção dessa extensão em dado instante (como
o espaço ocupado por um corpo; o espaço dentro de uma esfera oca; um espaço de
dez metros cúbicos). (Dicionário Michaelis)<o:p></o:p></i></div>
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O espaço como uma porção definida. Onde
estou? Qual o espaço que ocupo? O que define esse espaço? Onde estão os outros?
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Corpos
que são onde.<o:p></o:p></div>
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A partir da
Cartografia a turma de quarta se interessou pela cidade, pelo percurso até
chegar na Casa de Cultura. Quis ver e falar sobre os pontos e marcos que já
existiam e não existem mais. Quis pensar no que se vê e o que se enxerga, mas
não se vê. Quis ir pro espaço urbano. Ao mesmo tempo, o “Dar e Roubar o foco”
parecia uma metáfora da vida na cidade. Dos encontros e desencontros, dos
fluxos e dos espaços de circulação. Surgiu a vontade de fazer o jogo no espaço
público. Fomos para praças, ruas e a estação de trem do Itaim.<o:p></o:p></div>
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O trabalho na rua seguia, enquanto aparecia
o desejo por um material textual. Depois de algumas propostas, por indicação de
uma artista orientadora da equipe, chegou-se ao conto “O Homem no Círculo”. <o:p></o:p></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 11.0pt;">Proposta D. O Círculo – percurso entre o dentro e o
fora<o:p></o:p></span></b></div>
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<span style="font-size: 11.0pt;">Trabalho a partir do
conto “O Homem no Círculo”, de Mattéi Visniec. O conto narra a história de uma
cidade onde cada habitante, com um giz magnético, consegue se isolar do mundo.
No círculo não se ouve o barulho da rua. Apenas a pessoa pode riscar ou criar
seu próprio círculo. A novidade do giz se espalha e aos poucos todos se metem
em seus círculos. Alguns passam a ficar mais de 20 anos dentro. Começam a
aparecer casos quem que as pessoas não conseguem sair. No final, os círculos
dominam as pessoas, que poderão não sair jamais.<o:p></o:p></span></div>
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Como uma grande
metáfora de toda a relação com o espaço, o trabalho que se seguiu mesclou
momentos dentro da Casa de Cultura e fora. Fora, foram criadas intervenções
urbanas para serem feitas na Estação do Itaim Paulista, explorando seus dois
lados de saída. Dois lados e territórios diferentes. Fazer dos dois lados e
perceber no corpo as diferenças. As diferenças e contradições postas e próprias
dessa divisão que separa pessoas e cria uma espécie de fronteira imaginária. A
linha do trem metáfora de uma linha imaginária. Fazer dos dois lados e perceber
que não há diferença porque os dois lados estão em cada corpo. <o:p></o:p></div>
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[Intervenções criadas a partir do
conto O Homem no Círculo, na Estação do Itaim.]<o:p></o:p></div>
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Dentro, no espaço do teatro, foram
criadas cenas que exploraram outros significados para o círculo. O círculo como
o espaço de um eterno retorno, do infinito. Ou ainda do círculo como uma casca.
A casca que como superfície que protege, que aprisiona, que isola. <o:p></o:p></div>
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[Cenas criadas a
partir do conto O Homem no Círculo para espaços internos da Casa.]<o:p></o:p></div>
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A partir da
Cartografia a turma de domingo se interessou pela Casa de Cultura. Ninguém
conhecia este espaço definido com seus inúmeros espaços indefinidos. Ao mesmo
tempo, a “Roda” e o “Dar e Roubar o foco” se desenvolveram para a criação de
histórias e fábulas. <span style="mso-spacerun: yes;"> </span>Iniciou-se uma
série de caminhadas pela casa inspiradas por mitos gregos pesquisados com o
grupo. <o:p></o:p></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 11.0pt;">Proposta D. Caminhadas e mitos<o:p></o:p></span></b></div>
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<span style="font-size: 11.0pt;">(Vide no final as
propostas na íntegra)<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Instruções para andar
pela casa I e II: <o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Duas propostas de
deambulação pela Casa de Cultura, buscando perceber e criar relações com os
espaços e destes com os mitos.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-size: 11.0pt;">Coleta de objetos:
Andar pelo espaço da casa e seu entorno. Coletar objetos do tamanho de uma
polegada, do tamanho do seu antebraço, do tamanho da sua mão e do tamanho da
coxa. Criar uma imagem de algum mito com os objetos.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">Instruções para andar
na praça: Proposta de deriva pela praça na frente da casa a partir das imagens
escolhidas. <o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-9MkbkR7nXMk/VnQdidqKWyI/AAAAAAAACmU/jZFyGNSAuyM/s1600/foto%2B1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://3.bp.blogspot.com/-9MkbkR7nXMk/VnQdidqKWyI/AAAAAAAACmU/jZFyGNSAuyM/s320/foto%2B1.JPG" width="320" /></a></div>
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<a href="http://4.bp.blogspot.com/-zX0RwQc72B8/VnQdjcLg4-I/AAAAAAAACmg/ilnviWiTriE/s1600/foto%2B4.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-zX0RwQc72B8/VnQdjcLg4-I/AAAAAAAACmg/ilnviWiTriE/s320/foto%2B4.JPG" width="240" /></a></div>
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<span style="font-size: 11.0pt;"><span style="mso-spacerun: yes;"> </span></span><span style="font-size: 11.0pt; mso-fareast-language: PT-BR; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
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<span style="font-size: 11.0pt;">Instalações com os objetos encontrados]<o:p></o:p></span></div>
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Dentro das instruções para andar pela praça,
havia a pergunta: “O que tem de labirinto na tua vida ou no seu dia a dia?”.
Essa questão fez surgir o Labirinto do Pensamento e o Labirinto das “Perguntas
Sem Resposta”, materializados numa instalação e numa proposta de perguntas para
serem escritas em locais no entorno da Casa. <o:p></o:p></div>
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[Cartografias deambulação Labirinto do
Pensamento]<o:p></o:p></div>
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[Maquete Labirinto do Pensamento]</div>
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<br /></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a>[Instalação Labirinto do Pensamento]<br />
<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><br />
<a href="http://2.bp.blogspot.com/-l3dls5T_6G4/VnQe-Yj1IiI/AAAAAAAACng/yuBG9Jjeh0U/s1600/foto.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-l3dls5T_6G4/VnQe-Yj1IiI/AAAAAAAACng/yuBG9Jjeh0U/s320/foto.JPG" width="240" /></a></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><br /></div>
<div class="MsoNormal">
UM LABIRINTO<o:p></o:p></div>
<div class="MsoNormal">
DE PERGUNTAS<o:p></o:p></div>
<div class="MsoNormal">
SEM RESPOSTAS<o:p></o:p></div>
<div class="MsoNormal">
<!--[if gte vml 1]><v:shape id="Imagem_x0020_15" o:spid="_x0000_s1026"
type="#_x0000_t75" style='position:absolute;margin-left:-21.2pt;margin-top:0;
width:318.1pt;height:424.5pt;z-index:251659264;visibility:visible;
mso-wrap-style:square;mso-width-percent:0;mso-height-percent:0;
mso-wrap-distance-left:9pt;mso-wrap-distance-top:0;mso-wrap-distance-right:9pt;
mso-wrap-distance-bottom:0;mso-position-horizontal:absolute;
mso-position-horizontal-relative:text;mso-position-vertical:absolute;
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<v:imagedata src="file://localhost/Users/falecombia/Library/Group%20Containers/UBF8T346G9.Office/msoclip1/01/clip_image043.jpg"
o:title=""/>
<w:wrap type="square"/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span style="font-size: 11.0pt;">PARA</span><o:p></o:p></div>
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<span style="font-size: 11.0pt;">NÃO PRECISAR<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">FICAR<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">NO MESMO<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">LUGAR.<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">POR QUE NÃO?<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">O QUE TE IMPEDE?<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">PENSAR DEMAIS<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">FAZMAL?<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">COMO<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">VOCÊ SE MANTEM<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">NO PRESENTE?<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">ISSO É<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">QUEM EU<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">REALMENTE<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">SOU<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">OU<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">QUEM EU<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">TENTO SER?<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">FAZ DIFERENÇA?<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">COMO<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">DESAPEGAR<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">DA IDEIA<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">DE QUEM<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">VOCÊ<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">É?<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">JÁ<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">OLHOU<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">A SUA VOLTA?<o:p></o:p></span></div>
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<span style="font-size: 11.0pt;">ESTÁ<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">OLHANDO<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt;">A SUA VOLTA?<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
[Mapa para o Labirinto de Perguntas Sem Resposta e texto para
ser escrito em locais no entorno da Casa]. <span style="font-size: 11.0pt;"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">Propostas na íntegra
para Caminhas e Mitos:<o:p></o:p></b></div>
<div class="MsoListParagraph">
<br /></div>
<div style="border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-element: para-border-div; padding: 1.0pt 4.0pt 1.0pt 4.0pt;">
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 9.0pt;">Instrução para andar pela casa I - Mitos<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Escolha um desenho feito na parede da casa. Fique de costas para o
desenho que escolheu. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Ande para frente até encontrar uma porta, entre.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Sente-se por alguns minutos e olhe esse espaço. Que cores ele tem? É
escuro ou claro? O que mais você consegue perceber dele? <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Pense numa imagem que esse lugar te lembra ou faz você pensar. Desenhe
essa imagem atrás desse papel.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Se esse espaço tiver uma outra porta, saia por ela. Senão, saia pela
porta que entrou. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Escolha se irá para esquerda ou direita. Quando escolher, continue
andando para frente bem próximo da parede até um obstáculo te fazer parar. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Pare e olhe para cima. O que você vê? Céu ou teto? Abra o papel com o
numero 1. (No papel 1 – Labirinto de Creta)<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Depois que ler, continue andando até encontrar um lugar que você ache
confortável para sentar. Leia o papel com o numero 2 (Mito de Icaro e de
Ariadne). Se o que você leu te fez pensar ou lembrar de algo, escreva. Essa
história tem a ver com esse lugar que você está? O que você mudaria nessa
história para ela se relacionar com esse espaço?<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Quando terminar de ler e escrever o que pensou, corra (vá correndo
mesmo!) até o primeiro lugar que você entrou. Sente num lugar oposto, ao que
você sentou quando entro pela primeira vez. Olhe novamente esse espaço. Ele
está igual? Como é olhar o mesmo lugar de um ponto diferente?<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Crie uma imagem nesse espaço.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">- Quando terminar de escrever vá para o lugar onde nos encontramos no
começo do encontro e espere todos chegarem. Espere em SILÊNCIO. Quando todos
estiverem no local ...<o:p></o:p></span></div>
</div>
<div class="MsoNormal" style="margin-right: 2.15pt;">
<br /></div>
<div style="border: solid windowtext 1.0pt; margin-left: 0cm; margin-right: 2.15pt; mso-border-alt: solid windowtext .5pt; mso-element: para-border-div; padding: 1.0pt 4.0pt 1.0pt 4.0pt;">
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Instruções para andar pela casa II – Fio de
Ariadne<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Escolha para começar o lugar da casa em que você se sente mais
confortável. Olhe esse lugar. É claro ou escuro? Qual a cor das paredes? Tem
muitos desenhos? <b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Escolha um desenho que esteja nesse espaço. Feche os olhos e pense
nesse desenho com a sua mente. Imagine esse desenho se mexendo. O que ele faz?
Você consegue imaginar uma história curta com ele? <b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Escreva.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">(Se não tiver desenho no espaço, feche os olhos, fique olhando a parede
em branco por alguns segundos e veja se algum desenho se forma na sua cabeça)<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Agora, vá correndo para o local que menos te agrada na casa. Escolha um
canto. Fique ai por alguns segundos. Dê um grito e saia imediatamente. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Jogue o dado. Se cair ímpar, você deve virar à esquerda. Se cair par,
você vira à direita. Vá na direção que o dado indicou. Continue andando e
jogando o dado. Continue o jogo até chegar numa escada.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Você irá subir a escada bem lentamente, muito muito devagar. Mas
atenção as instruções antes de subir!<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">“</span><span style="font-size: 9.0pt; mso-bidi-font-family: Georgia; mso-bidi-font-weight: bold; mso-bidi-language: EN-US;">As escadas se sobem de
frente, pois de costas ou de lado tornam-se particularmente incômodas. A
atitude natural consiste em manter-se em pé, os braços dependurados sem
esforço, a cabeça erguida, embora não tanto que os olhos deixem de ver os
degraus imediatamente superiores ao que se está pisando, a respiração lenta e
regular. Para subir uma escada começa-se por levantar aquela parte do corpo
situada embaixo à direita, quase sempre envolvida em couro ou camurça e que
salvo algumas exceções cabe exatamente no degrau. Colocando no primeiro degrau
essa parte, que para simplificar chamaremos pé, recolhe-se a parte
correspondente do lado esquerdo (também chamada pé, mas que não se deve
confundir com o pé já mencionado), e levando-a à altura do pé faz-se que ela
continue até colocá-la no segundo degrau, com o que neste descansará o pé, e no
primeiro descansará o pé. (Os primeiros degraus são os mais difíceis, até se
adquirir a coordenação necessária. A coincidência de nomes entre o pé e o pé
torna difícil a explicação. Deve-se ter um cuidado especial em não levantar ao
mesmo tempo pé e o pé.) </span><span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;"><o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Georgia; mso-bidi-font-weight: bold; mso-bidi-language: EN-US;">Chegando dessa maneira ao segundo degrau, será suficiente repetir
alternadamente os movimentos até chegar ao fim da escada”.</span><span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;"><o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Quando chegar no final da escada, procure fios vermelhos. Existem 3
fios que levam a locais diferentes. Você deve seguir cada fio de uma vez. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 4.0pt 1.0pt 4.0pt; padding: 0cm;">
<span style="font-size: 9.0pt; mso-bidi-font-family: Garamond; mso-bidi-font-style: italic; mso-bidi-language: EN-US;">Em cada lugar que o fio te levar, siga as instruções. Depois de ter
seguido os 3 fios, volte ao ponto de encontro.<o:p></o:p></span></div>
</div>
<div class="MsoNormal" style="margin-right: 2.15pt;">
<br /></div>
<div class="MsoNormal" style="margin-right: 2.15pt;">
<br /></div>
<div style="border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-element: para-border-div; padding: 1.0pt 1.0pt 1.0pt 1.0pt;">
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 9.0pt;">Instruções para andar pela praça<o:p></o:p></span></b></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<br /></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Olhe para os seus pés. Caminhe pela praça. Siga seus pés até onde os
seus passos quiserem ir, até onde seus pés quiserem pisar.<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Tire fotos do seu pé nesse chão.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Escolha um lugar da praça para deixar sua pegada. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Faça nesse local a sua calçada da fama!<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Assine seu nome.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Marque suas mãos.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Tire um self.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Desenhe no espaço outra parte do seu corpo, aquela que você gostaria de
guardar nesse espaço. Deixe uma prova de que você esteve aqui.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Escolha um caminho e vá até o lado oposto ao que você está.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Olhe para todos os lados. Você sabe onde está o norte? O sul, o leste, o
oeste?<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Olhe para o céu. Tire uma foto dele... qual parte do céu você escolhe
para tirar foto?<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Olhe para o sol. É possível ver o sol hoje? Você sabe dizer onde o sol
nasceu? Você sabe dizer onde você nasceu? E onde você mora? <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Vire seu corpo na direção da sua casa. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Se você tivesse que escolher um lugar da praça para ser a sua casa, qual
seria? Vá até esse espaço e marque que ali é a sua casa.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Feche os olhos por alguns instantes e ouça os sons. Quando você abrir os
olhos, estará em outra CIDADE. Sua casa fica em outra cidade. Não é São Paulo,
tem outro nome... escreva no chão o nome dessa nova cidade. Agora você está
nela. Essa cidade tem ruas, muitas ruas.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Ande pelas ruas dessa cidade por um tempo até chegar na Rua Principal.
Onde é a rua principal? Ela tem um nome? Se sim, escreva no chão. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">O que tem na Rua Principal? Descreva.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Parece que aconteceu nessa Rua uma situação FANTÁSTICA, INACREDITÁVEL,
ESTRAORDINÁRIA! O que aconteceu? Escreva nesse pedaço de papel<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Guarde o papel com você e olhe novamente para todos os lados. Se você
tivesse que escolher um lugar para guardar ou esconder uma CAIXA nessa praça,
qual seria? Vá até esse espaço. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Quando chegar, olhe ao redor... como é ver a praça desse lugar? Alguém
está olhando pra você? Disfarce. Esconda o papel sem que ninguém veja.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Saia correndo e se esconda em outro lugar. <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Você está num LABIRINTO. Ande como se estivesse perdido. Em quanto anda,
responda a pergunta: o que tem de labirinto na tua vida ou no seu dia a dia? <o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Ande até encontrar a grama onde ela parece estar mais viva.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Passe por uma árvore que pareça estar morta.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Procure a árvore mais bonita.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Suba num banco e veja o labirinto de cima.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Onde você está agora? Desse lugar, procure um espaço ideal que sirva de
TRONO. Você precisará de DOIS TRONOS! Vá até lá.<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Você escolhe quem sentará nos tronos. Escreva o nome dos donos do trono
(Não precisam ser os reis que lemos nas histórias... inventem outros
personagens!)<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Agora, guie os donos dos tronos até o local onde você escondeu o papel.
Use a linha para marcar o caminho (lembre de amarrar a linha em algum local
para que o caminho fique marcado!)<o:p></o:p></span></div>
<div class="MsoNormal" style="border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 1.0pt 1.0pt 1.0pt 1.0pt; padding: 0cm;">
<span style="font-size: 9.0pt;">Volte ao ponto de encontro. <o:p></o:p></span></div>
</div>
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<br /></div>
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<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "calibri"; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">[1]</span></span><!--[endif]--></span></span></span></a><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> GREINER,
Christine. O Corpo: pistas para estudos indisciplinares – São Paulo – Annablume,</span><span style="font-family: "helvetica";"> 2005. </span><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Página 43<o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100#_ftnref2" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "calibri"; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">[2]</span></span><!--[endif]--></span></span></span></a><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> CARERI,
Francesco. WALKSCAPES – o caminhar como prática estética. </span><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">São Paulo: Editora G.Gilli, 2013.<o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100#_ftnref3" name="_ftn3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "calibri"; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-hansi-theme-font: minor-latin;">[3]</span></span><!--[endif]--></span></span></span></a><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> </span><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">ROLNIK, <b style="mso-bidi-font-weight: normal;">Geopolítica da
Cafetinagem</b>. 2006 - Disponível em: </span><a href="http://www.pucsp.br/nucleodesubjetividade/Textos/SUELY/Geopolitica.pdf"><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">http://www.pucsp.br/nucleodesubjetividade/Textos/SUELY/Geopolitica.pdf</span></a><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> Acesso em: 18 nov. 2015<o:p></o:p></span></div>
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<div class="Paragraph SCX202950191" paraeid="{75fbcec2-24c4-49bc-bc95-505123dcd93d}{165}" paraid="2018032506" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Primeiro passo:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Reencontrar-me no Programa (Vocacional). Expor-me. Verificar e</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">m</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">si </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">silêncios</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> desconfortos, abandonar </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">pré</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">-ambições de montagem, e assim </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">“</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">fácil</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">”</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">: Alçar </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">vôo</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> com a certeza do espatifar-se em corpos vindouros. </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
<div class="Paragraph SCX202950191" paraeid="{75fbcec2-24c4-49bc-bc95-505123dcd93d}{165}" paraid="2018032506" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{75fbcec2-24c4-49bc-bc95-505123dcd93d}{169}" paraid="1618690971" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Segundo passo:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Tecer desejos na urdidura da ação cultural. Ampliação imediata de demanda e de urgências poéticas, metaforizadas nessa Faixa de Gaza perpétua-chamada Zona Sul. </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
<div class="Paragraph SCX202950191" paraeid="{75fbcec2-24c4-49bc-bc95-505123dcd93d}{169}" paraid="1618690971" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{75fbcec2-24c4-49bc-bc95-505123dcd93d}{202}" paraid="1853929040" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Terceiro passo:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Improvisos, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">pra</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> estarmos sem manuais diante do outro. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Recrudescer </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">as </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ansiedades. Insistentemente sem remédios, altamente perigosas. Pedir </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">pra</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> ver de novo. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Pra</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> olhar sem pressa.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> E </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">mais </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">mergulhos na </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">re</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">invenção do instante através da improvisação.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Mais da metade da turma quer estudar comédia. Porque? Não sabem, mas suspeitam que valorizar o riso e o instante a partir de si mesmos seja a grande tarefa hercúlea </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">do ano, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">para</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> a</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> qual os empurra seu próprio Self (JUNG, 2002)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Vamos descobrir o que é estar? </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Pra</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> que serve isso depois? </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Aqui convidei a todos para saborear esse risco. De não acontecer nada. De respirar melhor. De estar. S</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">em compromissos que não a presença, máxima presença.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
<div class="Paragraph SCX202950191" paraeid="{75fbcec2-24c4-49bc-bc95-505123dcd93d}{202}" paraid="1853929040" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{7}" paraid="885166073" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Quarto passo:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Chegamos na performance. Foi o desejo da presença que me fez perceber que eu</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> (nós)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> nem respirava direito? Foi a exposição da Marina </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Abramovic (SESC Pompéia, Mostra Terra Comunal, 2015)</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, o repertório acumulado há tempos ou a urgência gasosa da Zona Sul que nos impeliu a caminharmos lentamente? Em maio iniciamos o Programa com metade dos vocacionados envolvidos </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">d</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">o ano passado, e a outra metade: novas urgências. Caminhamos na passarela em cima do viaduto, ao lado do CEU, em câmera lenta. Tiramos diversas fotos</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">-</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">sem</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">-</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">self</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">ies</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, só </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">pra</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> tentar fazer necropsia de nós vivos. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Mas a performance é a abolição da narrativa? NÃO! “As narrativas vêm a partir do Self”, agudamente observou Vanderlei Lucentini (coordenador regional). </span></div>
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{7}" paraid="885166073" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">O risco sempre pode ser um convite para algo mais consistente, seja na hora de salgar a sopa ou de atravessar a passarela. Nem é preciso recorrer a J. </span><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Guinsbourg</span><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"> ou à Yoko: a</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> noção do risco na performance é extraída </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">inconteste e sem limites, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">da </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">própria </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">virulência do viver (HENDRICKS, 2002). </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">A</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ssim, a</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">preciamos performance de outro artista da Z</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">S</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ul</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, assistimos vídeos e</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> filmes, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">mas</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">continuamos a improvisar cenas (mas porque se esta estética</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> que estudamos agora</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> leva para outra </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">necessária </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">desconstrução</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> artística</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">? Só para validar que sou "A.O.-de-teatro</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">”?) A fonte era a mesma: </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">a necessidade de </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">performar</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> e de improvisar. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Também r</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ef</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">i</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">zemos performances de outras pessoas. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Tudo caminhava para uma contingê</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ncia artística esteticamente potente</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Era feliz que nos dávamos bem em bandos (turma de 33 pessoas!) </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">e</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ainda, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">no meio do caos promissor: "É preciso ter caos dentro de si para dar à luz uma estrela dançante." (NIETZSCHE, 2011). </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{39}" paraid="467387422" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Quinto passo:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Es</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">-</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">ta</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">-</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">ca</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">-</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">to</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> A entressafra de julho revela os mecanismos da sobrevivência pelo capital: faculdades, trabalhos, pais com medo dos ataques na periferia (de bandidos </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-weight: bold; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">E </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">policiais). Todos os motivos num só, acrescentados ao perigo de ser, renovou a turma em 70%. O acúmulo de anos anteriores esvai-se com rapidez e sem alardes. Só eu </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">me espanto</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, de novo, de novo, com essa repetição da não-continuidade na ação cultural. Sufoco minhas esperanças num copo de </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">coca-cola</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, - eu que havia prometido parar de beber. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">É a debandada do bando: </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">o </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">inverno </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">é </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">preciso. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">“Geração vai, geração vem, e a</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">terra permanece a mesma debaixo do sol</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">” (</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Eclesiastes, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">edição..</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">??!!/autor??!!)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">.</span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{98}" paraid="709018625" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Sexto passo</span></span><span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Desafogadas as </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">mágoas, refizemos alguns dos passos construtores. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Re</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">vivemos</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">exercícios, estados </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">corpóreos </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">e </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">algumas </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">cenas. E </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">O bando se renovou!</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">O desejo pela comédia</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> ressurgiu qual H</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">idra-</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">de</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">-</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Lernos</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> fantástica. “Quero sua </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">cabeça!”</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">. No momento em que mais tive dúvidas sobre o processo, a comédia veio com força à tona. Primeiro desvelou nossos corpos apáticos. Depois fez com que cada um recontasse sua trajetória sob a perspectiva da criança e do palhaço (e</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> depois, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">por fim, do bufão.) Ah reviver a infância...como é perigoso dizer isso, soa confissão de servidão moderna. Ah renascer a criança, e poder </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">dizer, segundo dizem, igual Picasso velho: </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">‘</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Tudo que fiz foi para voltar a ser pequeno</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">’</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">. Ah... </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">P</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ra</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> alguns, lembrar de uma infância maldita, que há poucos anos atrás te moldou e forjou ferro e brasa na alma. Mas como posso pedir isso sem manchar os olhos com terror de reviver? Interessante foi que cada criança disse suas verdades, e o palhaço saiu atrás, alimentado destas poéticas. </span></div>
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{98}" paraid="709018625" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Aqui bebemos u</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">m pouco de Manoel de Barros, o performer-brincante das palavras</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, defensor do fracasso</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Isso proporcionou u</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ma infinidade de paisagens </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">poéticas </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">a partir do si mesmo, incandescentes, nada fáceis e nem líricas</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, porém todas uma pura-defesa-de-mestrado de nossos fracassos mais caros.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Derrotas manifestadas</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> na necessidade de aprimorar: O que é comédia? </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Pra</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">que </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">serve o riso? Q</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">UEM RI</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">? E o que a tal da performance tem a ver com isso? </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Abramovic</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> ri? </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Fluxus</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> foi sério? Beuys brincava? (BORER, 2001). Toda indagação </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">vertida em veias. Toda? Quase. </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{144}" paraid="444844311" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Sétimo passo:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Se já havíamos caminhado lentamente, agora o coro do caos que somos quer correr, suar, berrar, gemer, mais precisamente: delirar. “Para entender </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Artaud</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> é preciso delirar a linguagem”, ouvi certa vez de André Lage, estudioso </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">mega</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> do </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Antonin</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">. Para rever-se nas poéticas criadas, foi preciso delirar linguagem, corpo, articulações, visão política, texto e presença. As duas cenas que resultaram destes mergulhos tiveram como temáticas as seguintes propostas: uma, o uso excessivo do celular e a não-ocupação dos corpos pelos seres, e a outra, chamava-se 'miss vocacional', uma crítica bufônica a respeito de nós mesmos- os corpos deformados pelas desrazões da histeria coletiva, as cobranças estéticas da mídia, do social e da mídia. </span></div>
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{144}" paraid="444844311" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">O passo que queríamos dar era em </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">saltos, numa</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> esca</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">da, e para cima! Era máximo ser.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">C</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">hegou </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">enf</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">im a vez de entrar em cena: O BUFÃO. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Antes h</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">avia qualquer coisa de </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">es-ta</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">-ca-to</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">em nós, impedindo a fruição da infância e do palhaço diante das indagações estéticas. O </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">bufão foi o último salto-</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">passo que nos </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">permitiu falar</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> com ou sem escat</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ologias</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> sobre o presente escato</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">l</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ógico vivido por cada um. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">U</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">m momento </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">audaz</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, pois ali as vozes dissonantes foram capazes de se unir num discurso estético polifônico, e ainda assim altamente </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">sofisticado e </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">potente (diria: perigoso!). Os bufões permitiram q</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ue déssemos vazão ao redemoinho</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">íntimo e </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">social sem nos deprimirmos </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">dessa vez. O</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> bufão diz: “nós que somos a escória podemos tudo dizer”. Mas cuidado, porque o vômito não pode sair só azedo: TEM QUE SER POÉTICO, tem que ser ARTÍSTICO, tem que ser lótus, baby!</span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{42}" paraid="1361123239" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;">"Não é com a ira que se mata, mas com o riso. Eia pois! Vamos matar o espírito de gravidade!"</span></div>
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{144}" paraid="444844311" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"></span></div>
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{42}" paraid="1361123239" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;">(NIETZSCHE, 2011)</span></div>
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{42}" paraid="1361123239" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{164}" paraid="1238362670" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Oitavo passo:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Existe </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">‘</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ensaio</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">’</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> para acionar o Si mesmo? Existe “Programa” que dê conta de ensinar a orientadores e artistas</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">-</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">participantes o “como chegar” com </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">alguma </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">definição </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">lógica</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">? Isso</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, em algum momento,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> dialoga com a militância política em ajudar o </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">P</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">rograma a se fortalecer? Infindáveis assembleias são fruto de um processo gerador de consciência,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> ví</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">nculo e troca de experiências políticas. É um processo engrandecedor que paradoxalmente maltrata nossa prática, sempre sobrecarregada. Ansiando por reuniões de equipe à luz do Sol. Geração vai, geração vem...</span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{174}" paraid="1816807682" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Nono passo </span></span><span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">só </span></span><span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">pra</span></span><span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"> fazer um </span></span><span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Flash-</span></span><span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">back</span></span><span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"> das ações realizadas</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">: </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{187}" paraid="1101168558" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Participação na Feira Nordestin</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">a do C</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">EU</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Caminho do</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Mar</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">: expor-se na coletividade recuperando o que tem em comum as urgências poéticas de Patativa do Assaré, Brecht e Racionais-Mc</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">(j</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ulho)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{194}" paraid="1628068802" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Ação na Chico </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Science</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">:</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> revitalizando relações e o espaço (Setembro). </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{203}" paraid="861719339" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Mostra de turmas no </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Ceu</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Parque Bristol</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">: Ver o outro, outros, reencontrar-se no fragmento, dialogar com a semelhança e a diferença</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> (Outubro)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">.</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{211}" paraid="1283420093" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Encontro entre turmas da Zona Sul no Centro Cultural Jabaquara: </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">momento de vivenciar a </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Inter-linguagem</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> como experimento da presença</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> (Outubro)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">. </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{223}" paraid="1673207958" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; color: red; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Ação-performance no metrô: </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">ressignificando</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> anseios e o massacre diário, propor estranhamentos nesta loucura do dia a dia vista como normal, criação de um momento de epifania física coletiva, já que a “arte é uma arma apontada para o futuro” (do filme </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Noviembre</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-style: italic; font-weight: bold; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">em </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">(</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">novembro)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">.</span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{223}" paraid="1673207958" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"><br /></span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{236}" paraid="106493115" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun Underlined SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; text-decoration: underline; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;">Décimo passo, sem ser o último, sem apressar o passo, e sem temer o futuro:</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span></div>
<div class="Paragraph SCX202950191" paraeid="{efbf7a2b-f4bf-4afd-8c26-3188642e150c}{236}" paraid="106493115" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Nosso trabalho foi compartilhado</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, final de novembro e início de dezembro,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> numa Mostra de trabalhos das turmas do CEU e Acervo do Jabaquara, intitulada </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">“</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; font-weight: bold; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">De onde toda beleza do mundo se esconde”</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, um versinho r</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">oubado</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> pela equipe da música "Lá de Longe". (</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">Tribalistas</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">). </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{6}" paraid="216224782" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">É o momento de “fazer sentido”, de comprovar que </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">tod@</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">s</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> somos um bando de loucos, porém </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">“</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">prematuramente conscientes</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">”</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> de nossas fontes</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, ideologias</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> e escolhas estéticas</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">. Mesmo? </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">(</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">e</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> não é que </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">couberam frases da Bíblia ditas pelos seres da escória? </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Um bando de 30 pessoas a</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">lçando </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">vôo</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> entre o céu e a lama</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">)</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">.</span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{27}" paraid="1410855372" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Também é</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> o instante de revelação do processo da aprendizagem coletiva, de partilha de viés e dobras. É sempre </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">um exercício de diálogo co</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">nsigo mesmo, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">de olhar além do espelho e</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> do reflexo, e mesmo no “ver-se no outro”, poder </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">até </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">desejar cuspir</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> como permite o bufão</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> nessa realidade que por vezes desdiz o cidadão. (LECOQ, 2011). </span></div>
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{27}" paraid="1410855372" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">É impossível acompanhar </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">uma cidade como </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">São Paulo. É impossível estar </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">aqui</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> NESTA cidade sem desejar incessantemente recriá-la. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">É momento de rever os trajetos poéticos de </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">tod@s</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, num misto de constante insegurança e prazer indescritível pela presença que preenche cada vez mais o palco, as vidas e as escolhas. </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{42}" paraid="1361123239" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Observação serena: </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Estamos celebrando as nossas derrotas com um riso mordaz e alto, repetindo das noss</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">as crianças internas e </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">palhaç@s</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">,</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> o que o</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">uvimos </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">de</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> Manoel de Barros</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">:</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> que os </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">nossos </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">desacertos podem nos levar além. </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{42}" paraid="1361123239" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{45}" paraid="690162044" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Em 2013, noutro ensaio, eu havia escrito: “E se a impermanência das perguntas poéticas fosse o contrário de fugaz e efêmera, e forjasse- construísse mesmo, insistentemente, novos corpos”??</span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{47}" paraid="153552280" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{57}" paraid="1824876659" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">Teimosamente </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="SpellingError SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; background-image: url("data:image/gif; background-position: 0% 100%; background-repeat: repeat-x; border-bottom-color: transparent; border-bottom-style: solid; border-bottom-width: 1px; margin: 0px; padding: 0px;">anti-Eclesiastes</span></span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">, onde se </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">afirma</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">:</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> “Existe tempo para viver, </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">e existe </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">tempo para morrer”. </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{59}" paraid="570419570" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
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<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{61}" paraid="1215646707" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{63}" paraid="1287615904" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{68}" paraid="1097936123" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">N</span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR">ão. </span><span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"> </span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 12pt; line-height: 21px; margin: 0px; padding: 0px; white-space: normal;"> </span></div>
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<div class="OutlineElement Ltr SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: white; clear: both; cursor: text; direction: ltr; font-family: 'Segoe UI', Tahoma, Verdana, sans-serif; font-size: 8px; margin: 0px; overflow: visible; padding: 0px; position: relative;">
<div class="Paragraph SCX202950191" paraeid="{648964a9-609c-400f-b70c-fa2e63be1f66}{70}" paraid="1923366877" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: transparent; color: windowtext; font-size: 6pt; padding: 0px; text-align: justify; vertical-align: baseline; white-space: pre; word-wrap: break-word;">
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<span class="TextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 20px; margin: 0px; padding: 0px; white-space: normal;" xml:lang="PT-BR"><span class="NormalTextRun SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; background-color: inherit; margin: 0px; padding: 0px;"></span></span><span class="EOP SCX202950191" style="-webkit-tap-highlight-color: transparent; -webkit-user-drag: none; -webkit-user-select: text; font-family: Calibri, sans-serif; font-size: 11pt; line-height: 20px; margin: 0px; padding: 0px; white-space: normal;"> BIBLIOGRAFIA :</span></div>
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<span style="font-family: Calibri, sans-serif;"><span style="font-size: 14.6667px; line-height: 20px;">NIETZSCHE, Friedrich, Assim falou Zaratustra, Companhia das Letras, 2011, São Paulo. </span></span></div>
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<span style="font-family: Calibri, sans-serif;"><span style="font-size: 14.6667px; line-height: 20px;">JUNG, Carl Gustav, O homem e seus símbolos, Nova Fronteira, 2002, Rio de Janeiro. </span></span></div>
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<span style="font-family: Calibri, sans-serif;"><span style="font-size: 14.6667px; line-height: 20px;">BARROS, Manoel de , Arranjos para Assobio, Record, 1998, Rio de Janeiro.</span></span></div>
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<span style="font-family: Calibri, sans-serif;"><span style="font-size: 14.6667px; line-height: 20px;">BARROS, Manoel de, Tratado geral das grandezas do infinito, Record, 2003, Rio de Janeiro. </span></span></div>
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<span style="font-family: Calibri, sans-serif;"><span style="font-size: 14.6667px; line-height: 20px;">BORER, Alain, Joseph Beuys, Cosac &Naify, 2001, São Paulo. </span></span></div>
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<span style="font-family: Calibri, sans-serif;"><span style="font-size: 14.6667px; line-height: 20px;">LECOQ, Jacques, O corpo poético: uma pedagogia da criação teatral, Senac, 2011, São Paulo. </span></span></div>
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<span style="font-family: Calibri, sans-serif;"><span style="font-size: 14.6667px; line-height: 20px;">HENDRICKS, Jon, O que é Fluxus? O que não é? O porquê, Centro Cultural Banco do Brasil, 2002, São Paulo.</span></span></div>
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-83883364466343982092015-12-17T12:52:00.002-08:002015-12-17T13:06:05.269-08:00Da construção de habitação, à construção da arte<span style="font-family: inherit;"><br />
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<span style="font-family: inherit;"><span style="font-family: inherit; font-size: 10.000000pt; font-weight: 700;">Ensaio de Pesquisa ação realizada dentro do Programa Vocacional Dança 2015. </span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit; font-size: x-small;"><b><span style="font-weight: 700;">Equipamento: CEU </span>Tiquatira<span style="font-weight: 700;"> </span></b></span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit; font-size: 10.000000pt; font-weight: 700;">Coordenadora regional: Mara Helleno </span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit; font-size: 10pt; font-weight: 700;">Coordenadora de equipe: Cláudia Palma</span></span><br />
<span style="font-family: inherit;"><span style="font-family: inherit; font-size: 10.000000pt; font-weight: 700;"><br />
</span></span> <span style="font-family: inherit;"><span style="font-family: inherit; font-size: 10.000000pt; font-weight: 700;">Artista Orientadora: Thaís dos Santos Silva </span></span><br />
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<span style="font-family: inherit;"><span style="font-family: inherit; font-size: 10.000000pt; font-weight: 700;"><span style="font-family: inherit;"><span style="font-size: 10pt; font-weight: 700;"> </span><span style="font-size: 10pt; font-weight: 700;"> </span> Um lugar é escolhido no espaço para a edificação. Espaço vazio, pleno de possibilidades de movimentos e diferentes ações. Como no texto de Yi Fu Tuan, este é o lugar de liberdade, onde tudo pode vir a ser; tudo ainda que existe é amplo, passageiro, fugaz.</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: xx-small;"> Assim estava o espaço ao redor do CEU Tiquatira: em suas possibilidades. Após uma violenta desocupação ocorrida em anos anteriores, os arredores do CEU se encontrava em um imenso vazio, destinado pelo Estado a um metrô e a uma CDHU que não se concretizaram por anos. Diante desse abandono do local, a população ocupou o espaço nesse início de ano e começou a construir uma comunidade. De espaço vazio, os arredores do </span><span style="font-family: "arialmt";">Tiquatira</span><span style="font-family: "arialmt"; font-size: xx-small;"> </span><span style="font-family: "arialmt"; font-size: xx-small;">tornou-se lugar; uma rede de significações e afetos começou a ser construída onde antes só havia barro.</span></span></span></div>
<span style="font-family: inherit;"><span style="font-family: inherit;"> </span></span></div>
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<span style="font-family: inherit; font-size: 12.000000pt;"> </span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;"> “Era ele que erguia casas </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Onde antes só havia chão. </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Como um pássaro sem asas </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Ele</span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12pt;">subia com as casas</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Que lhe brotavam da mão.</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Mas tudo desconhecia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">De sua grande missão:</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Não sabia, por exemplo</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Que a casa de um homem é um templo </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Um templo sem religião </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Como tampouco sabia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Que a casa que ele fazia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Sendo a sua liberdade</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Era a sua escravidão.” (MORAES, 1959) </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12pt;">As casas que brotavam do fazer criador das mãos de homens e mulheres da comunidade apresentavam sua resistência, “tijolo com tijolo num desenho mágico”, “tijolo com tijolo num desenho lógico” (BUARQUE, 1971), que substituíam os antigos barracões de madeira da ocupação anterior. Era uma atitude afirmativa. Com seus materiais e vozes, a comunidade dizia que vinha para ficar, e esta era sua liberdade. No entanto, sua escravidão chegou na forma de um mandato de desocupação enviado pelo Estado, destinado a janeiro de 2016. Ao invés de auxiliarem com infraestrutura a comunidade que se colocou bem organizada no local, ela será expulsa dali. O que fazer? A luta está organizada e forte, mas o que vai acontecer? Pra onde ir quando não há terra a ser transformada? Pra onde ir quando não se tem bem pra onde?</span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">E percebemos assim que o único lugar propriamente seu, a casa pra onde sempre recorrer, o templo sem religião, é o próprio corpo. Como bem disse Hilda Hilst, “tu não te moves de ti” e em si é construída a sua casa, o seu espaço de significação, o seu alento, sua possibilidade de expressão e apreensão das relações que se estabelece com o mundo. </span></span></div>
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<span style="font-family: inherit; font-size: 12.000000pt;">E é nesse ambiente que se encontra o Vocacional com Dança e Teatro: em um ambiente onde o corpo é o único lugar a que recorrer. Ainda que pessoas da comunidade não participaram ativamente do programa, naquele contexto havia uma latência do corpo que movimentava a todos que chegavam ali. O corpo vibrava, clamava e também se recolhia em sua intimidade. Ali havia a possibilidade de uma construção do corpo e da arte, individual e coletivamente. </span></div>
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">O grupo de vocacionados que permaneceu por mais tempo nas orientações de dança já haviam participado de edições anteriores do programa e era visível que possuíam uma construção, tijolo por tijolo, adquirida pela experiência com outros artistas orientadores que passaram por ali. O corpo trazia a memória do vivido e a abertura às novas experiências. E essa experiência que é aquilo “que nos passa, o que nos acontece, o que nos toca. Não o que se passa, o que acontece, ou o que toca” (BONDÍA, 2014, p.18), já </span><span style="font-family: "arialmt"; font-size: 12pt;">se mostrava parte dos vocacionados que se colocavam como sujeitos da experiência, abrindo-se ao desconhecido e às percepções de suas realidades para, através de seus sentidos, conhecer o mundo e afetar-se por ele, conseguindo criar significações para ele de maneira expressiva. Assim, eles já conheciam aquilo que o operário em construção de Vinícius de Moraes não conhecia:</span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">“Mas ele desconhecia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Esse fato extraordinário:</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Que o operário faz a coisa</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">E a coisa faz o operário.</span></span><br />
<span style="font-family: inherit; font-size: 12.000000pt;"><br />
</span> <span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">De forma que, certo dia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">À mesa, ao cortar o pão</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">O operário foi tomado</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">De uma súbita emoção</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Ao constatar assombrado</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Que tudo naquela mesa</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Garrafa, prato, facão</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 12.000000pt;"></span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Era ele quem os fazia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Ele, um humilde operário,</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Um operário em construção.</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Olhou em torno: gamela</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Banco, enxerga, caldeirão</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Vidro, parede, janela</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Casa, cidade, nação!</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Tudo, tudo o que existia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Era ele quem o fazia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Ele, um humilde operário</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Um operário que sabia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Exercer a profissão.” (MORAES, 1959) </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 12.000000pt;"><br />
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">E tendo um olhar para toda a situação da comunidade que estava próxima, os vocacionados se viram tão parte daquilo, como aquilo fazia parte deles, por co-habitarem. Um fazia parte do outro. E se estabelecia uma relação empática. Percebendo a situação das pessoas da comunidade, os vocacionados se sensibilizaram e deixaram reverberar em seus corpos a compreensão que tinham do local, deram espaço em seu fazer para que expressões daquilo que percebiam e conviviam se manifestassem. Havia a </span><span style="font-family: "arialmt"; font-size: 12pt;">sensação de pertencimento e a compreensão de que muito poderiam dizer sobre suas próprias percepções daquilo com que conviviam. Era uma relação do sensível: a percepção do outro e a reverberação desse outro em si.</span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">As Ações realizadas pela equipe e pelos vocacionados na comunidade também permitiam cada vez mais entrar em contato com o que estava ocorrendo no local, com as idéias e percepções das pessoas que viviam na comunidade, com o espaço modificado, com o barro, com as casas construídas, com as janelas e frestas, com as pessoas. E foi um crescimento entender que elas percebiam em seu fazer a sua própria expressão artística, assim como nos disse um homem de cima do telhado que estava construindo – “essa é a arte de vocês [se referindo ao cortejo que fizemos na comunidade] e esta é a minha!”. </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">E toda essa percepção do entorno e do outro deu alimento ao processo criativo dos dois grupos (um de dança e o outro de dança e teatro conjuntamente), com teores e apreensões distintos entre eles, mas fomentando um fazer artístico e criativo que partia da expressão daquilo que o corpo estava emanando das percepções sentidas, criando no ato de dançar a significação das impressões vividas. </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">“Ah, homens de pensamento </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Não sabereis nunca o quanto </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Aquele humilde operário </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Soube naquele momento! </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Naquela casa vazia </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Que ele mesmo levantara</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Um mundo novo nascia</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">De que sequer suspeitava.</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">O operário emocionado</span><span style="font-family: "arialmt"; font-size: 16px;"> </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Olhou sua própria mão</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Sua rude mão de operário</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">De operário em construção</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">E olhando bem para ela</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Teve um segundo a impressão </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">De que não havia no mundo </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Coisa que fosse mais bela. </span></span><br />
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Foi dentro da compreensão </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Desse instante solitário </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Que, tal sua construção </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12pt;">Cresceu também o operário. </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12pt;">C</span><span style="font-family: "arialmt"; font-size: 12pt;">resceu em alto e profundo </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12pt;">Em largo e no coração</span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">E como tudo que cresce </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Ele não cresceu em vão </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Pois além do que sabia </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Exercer a profissão </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">O operário adquiriu </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Uma nova dimensão: </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">A dimensão da poesia.” (MORAES, 1959) </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 12.000000pt;"><br />
</span> </span><br />
<div style="text-align: justify;">
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">E da mesma forma, percebendo a beleza de suas mãos e de seus corpos-casas que agem, sentem, se expressam em dança, movimento e voz, os vocacionados construíram seu processo criativo que, a cada camada de tijolos, argamassa, reboco e pintura, foi se constituindo, se moldando, se refinando. Ali estava a poesia do fazer diário, do encontro, da permeabilidade ao outro e ao mundo, da descoberta da potência do corpo e do coletivo. </span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 16px;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Ao mostrarem-se porosos aos acontecimentos de seu redor e se relacionarem com a realidade, subjetivando-a, foi possível ver em suas criações as características e as reflexões que traziam enquanto indivíduos e como coletivo. Esse processo de se perceber no mundo e de ser e criar com ele também possibilita uma emancipação dos sujeitos presentes através da relação, reflexão e ações ocorridas junto com os demais vocacionados e com a equipe. A voz é criada, a expressão é liberada em dança, movimento refletido e discutido. Criando-se o processo artístico a partir desses fazeres, os vocacionados também acabam se tornando cidadãos que se fazem presentes e atuantes em suas comunidades, podendo trazer possibilidades de novas construções e transformações sociais, devido a consciência da potência do fazer criador. </span></span></div>
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<span style="font-family: inherit; font-size: 12.000000pt; font-weight: 700;">Bibliografia </span><br />
<span style="font-family: inherit; font-size: 12.000000pt; font-weight: 700;"><br />
</span> <span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 12.000000pt;"><br style="font-family: inherit;" /><span style="font-family: "arialmt"; font-size: 12.000000pt;">BONDÍA, J. Larrosa. <i>Notas sobre a experiência e o saber da experiência</i>. In: Tremores: escritos sobre a experiência. Belo Horizonte: Autêntica, 2014.</span></span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 12.000000pt;">BUARQUE, Chico. </span><span style="font-family: "arial"; font-size: 12.000000pt; font-style: italic;">C</span><span style="font-family: "arial"; font-size: 12.000000pt; font-style: italic;">onstrução. </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">G</span><span style="font-family: "arialmt"; font-size: 12.000000pt;">ravado pela Cara Nova Editora Musical Ltda, 1971. </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 12.000000pt;">HILST , Hilda. </span><span style="font-family: "arial"; font-size: 12.000000pt; font-style: italic;">T</span><span style="font-family: "arial"; font-size: 12.000000pt; font-style: italic;">u não te moves de ti . </span><span style="font-family: "gautami"; font-size: 12.000000pt;"> </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">Globo Editora, 1980. </span></span><br />
<span style="font-family: inherit;"><span style="font-family: "arialmt"; font-size: 12.000000pt;">MORAES, Vinicius. </span><span style="font-family: "arial"; font-size: 12.000000pt; font-style: italic;">O</span><span style="font-family: "arial"; font-size: 12.000000pt; font-style: italic;">perário em Construção. </span><span style="font-family: "arialmt"; font-size: 12.000000pt;">R</span><span style="font-family: "arialmt"; font-size: 12.000000pt;">io de Janeiro, 1959. </span></span></div>
</div>
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</div>
</div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-63304820953206093552015-12-17T06:00:00.001-08:002015-12-17T06:00:56.837-08:00<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">POR QUE SE REUNIR NAS ORIENTAÇÕES DO PROGRAMA VOCACIONAL?<o:p></o:p></span></b></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">Raphael de Paula
Ribeiro<o:p></o:p></span></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">2015<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">O
título deste ensaio contem dois conflitos implícitos em torno do porquê de se
reunir: <b>indivíduo</b> <b>X todo</b> e <b>aula de música X laboratório artístico</b>. Vários aspectos das turmas
do vocacional música do CEU Quinta do sol convergem para ambos os conflitos e
circulam prováveis respostas para tal pergunta: a imagem de “aula de música”
(como propaga o equipamento); a subjetividade da arte; a música em busca da concretude;
as expectativas de cada participante; a troca de AO; o período sem orientações;
os diferentes níveis de acesso à técnica entre os membros; as turmas subdivididas
em pequenos grupos e separadas por “níveis” de conhecimento em música. O presente
ensaio não pretende investigar esses aspectos, levantá-los possibilita a
compreensão do contexto no qual se encontram as orientações e justifica a
necessidade da reflexão aqui proposta. Apesar dos diferentes interesses e modos
de contato com o conhecimento artístico, as pessoas dispostas a participar das
orientações compartilham um objetivo comum: a relação com a música. Contudo,
mesmo ao partir dessa proposição universal, o encontro com as diferenças se
torna inevitável, cada pessoa constrói uma relação diferente com a música. <b>Essas buscas pessoais e os diferentes
níveis de acesso à técnica influenciam os fazeres musicais?</b> Certamente,
parece uma provável resposta de qualquer musicista ou músico experiente.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";"> <b>Um grupo de indivíduos<o:p></o:p></b></span></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">Clarinetistas
com maior grau técnico executariam melhor o primeiro movimento do “Concerto
para clarinete” de W. A. Mozart, por exemplo. Intérpretes dessa obra, na
tradição de concerto, dependem do acompanhamento orquestral com nível
equivalente. Solistas e os demais membros de uma orquestra se unem para cumprir
propósitos comuns: executar uma impecável performance do “Concerto para
clarinete” pode pertencer à lista de propósitos. Alguém na condição de AO do
programa vocacional também pode dar a mesma resposta, mas <b>para o programa existe a real necessidade de buscar o aperfeiçoamento
em prol da obra ou do devir?</b> Parece minimamente necessário desconstruir a
ideia da melhor expressão, sem fazer qualquer juízo de valor sobre a chamada
“música erudita”. Interessa, além do desempenho, a fruição na relação entre
artistas, obra e ouvintes.<o:p></o:p></span></div>
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<b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">Então saber ou não saber improvisar,
compor, escrever letras, cantar ou tocar algum instrumento interessa ao
processo criativo?</span></b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";"> Mudar a perspectiva sobre um objeto
permite sua maior compreensão. Assim ensina Platão em sua <i>Alegoria da caverna</i>. O texto fala da diferença entre dois tipos de
sujeitos: O primeiro tipo trata-se de um grupo composto de seres acorrentados
em uma caverna restritos a uma percepção de mundo através de sombras projetadas
na parede. O segundo tipo revela a dor de um sujeito retirado da caverna no
processo esclarecedor de subir a montanha e conhecer o mundo.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(...) Devemos assimilar o mundo que apreendemos pela vista à
estrada na prisão, a luz do fogo que ilumina a caverna à ação do sol. Quanto à
subida e à contemplação do que há no alto, considera que se trata da ascensão
da alma até o lugar inteligível, (...) nos últimos limites do mundo inteligível
aparece-me a ideia do Bem, que se percebe com dificuldade, mas que não se pode
ver sem concluir que ela é a causa de tudo o que há de reto e de belo. No mundo
visível, ela gera a luz e o senhor da luz, no mundo inteligível ela própria é a
soberana que dispensa a verdade e a inteligência. Acrescento que é preciso vê-la
se quer comportar-se com sabedoria, seja na vida privada, seja na vida pública.<o:p></o:p></span></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(MARCONDES, 2000)<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">Cria-se
no processo artístico diferentes relações com o objeto de arte (ou de estudo da
arte). No programa vocacional, a produção se dá por quem tem mais técnica e por
quem se envolve em experiências com pouca familiaridade, pelas perspectivas do
saber e do não saber, em outras palavras, visões do mundo dentro e fora da
caverna.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt 35.4pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(...) Ao contrário dos parâmetros da pedagogia formal,
baseados no desenvolvimento progressivo e linear de seus alunos a partir de
conhecimentos administrados pelo professor tradicional, o Programa Vocacional
pretende adotar como metodologia a instauração de processos criativos. Sob tal
pedagogia, o artista vocacionado não necessita da aquisição prévia de
conhecimentos, técnicas ou habilidades, mas, através da experiência criativa,
baseada na pesquisa cotidiana, ou seja, na formulação constante de perguntas,
ao ver-se diante das questões, lacunas e vazios instaurados pelos próprios
processos de criação coletiva poderá construir, conduzido e apoiado pelo
artista-orientador, o conhecimento necessário para expressar-se artisticamente.
(...)<o:p></o:p></span></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(FARINA, 2013)<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; text-indent: 35.4pt;">
<b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">O não-lugar das orientações<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; text-indent: 35.4pt;">
<b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">As orientações do programa vocacional
teriam, portanto, um caráter pedagógico? </span></b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">Sempre
acontece uma relação de ensino-aprendizagem ao contornar um objeto de estudo e
experimentá-lo através de um conjunto de perspectivas. Então o espaço da aula e
as orientações do programa vocacional se encontram em um ponto comum: um
ambiente onde transformações ocorrem. Outros modelos de convívios em grupo
também criam um espaço propício às transformações. No exemplo anterior da
orquestra, a obra do Mozart - encarada como objeto - passa por pelo menos três
perspectivas (cada uma devidamente escrita na partitura): a perspectiva da
regência, a perspectiva do solo e a perspectiva do acompanhamento. Parece
possível propor ainda uma quarta perspectiva: as relações de simultaneidade e
continuidade entre os membros do grupo musical. Essa quarta perspectiva dá
sentido às práticas individuais. No entanto, a orquestra tem funções delegadas
e cada artista experimenta apenas a perspectiva do saber. Se aventurar no não
saber significa uma nova relação com o processo, significa um aprendizado. Ao
lidar com o não saber a orientação ganha um intuito pedagógico, mas não se faz
arte nas orientações apenas pra aprender a fazer arte. O programa trata a arte
como arte e mesmo “não saber” fazer arte contribui para a criação.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; text-indent: 35.4pt;">
<b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">Qual a legitimidade artística em não
saber fazer arte?</span></b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";"> Tal pergunta traz à tona os limites das
pessoas envolvidas no processo. Os dois sentidos da palavra limite se encontram
nessa situação: Limite no sentido da restrição (não saber fazer) e limite no
sentido da superação (objetivo). Em seu artigo para a revista <i>Educar </i>da UFPR, Yves de La Taille aborda
a palavra limite em ambos os sentidos pelos pontos de vista da moral e da psicologia.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(...) A palavra limite também é empregada em expressões
populares que remetem a superação, vitória, esforço. Assim, por exemplo,
dizemos de um atleta que “superou” seus próprios limites. Verificamos que tal
emprego da palavra não fala em ausência de limites, mas sim da existência
destes, cuja superação é admirável. (...) os limites no sentido restritivo
dependem daqueles que são superados (...). As virtudes – a superação dos
limites – podem tanto permitir que os deveres – os limites restritivos sejam de
fato obedecidos, como fazer com que não sejam interpretados de forma dogmática.
Pensar apenas nos limites restritivos na educação moral é condenar-se a uma
moral triste e na prática inoperante.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt 35.4pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(Taille, 2002).<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; text-indent: 35.4pt;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">Há
duas justificativas para a presença de uma reflexão exclusiva da educação (não
exatamente da arte-educação) aqui. Primeiramente, o não-lugar da orientação
também se refere ao espaço da arte-educação, onde se aprende, se aperfeiçoa, se
restringe e se supera. Em segundo lugar, parece possível e necessário aplicar o
pensamento de Taille ao fazer artístico. Aqui os limites não se separam, a
atitude exigida caracteriza-se simultaneamente como delimitação e como fim. Na
condição de quem “não sabe”, se aventurar em um processo criativo traz ambos os
sentidos dos limites. Um olhar artístico-pedagógico justifica a atitude: o
fazer como parte do processo de aprendizagem. No entanto, há um resultado
estético na obra de qualquer pessoa e, como antes dito, interessa, além do
desempenho, a fruição na relação entre artistas, obra e ouvintes (ou público de
um modo geral). A boa música agrada, mas parece uma pretensão enorme dar a
responsabilidade do agrado apenas à boa performance. Quanto aos limites, no
encontro com eles cada artista lida com ambos os sentidos: restringir-se
(conforme necessitar) e superar-se (se aventurar fora da caverna).<o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">Indivíduos de um grupo<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";"> De
volta à relação entre individualidade e todo, <b>expressões coletivas podem contribuir com a busca pessoal de cada
membro? Podem atrapalhar? </b>“Contribuir” e “atrapalhar” parecem verbos
inadequados a essa situação. De fato há uma influência mútua. A busca
particular de cada pessoa envolvida no processo molda o objeto de arte. Objetivos
e habilidades individuais recriam o modo de um grupo operar. A concepção, a
criação e o resultado final da obra em grupo acessam e podem transformar o modo
como alguém pensa em arte. Simultaneamente participar do coletivo significa identidade
em algum grau, a ponto de submeter-se a essa influência, ou melhor,
experiência. Em sua <i>Nota sobre a
experiência e o saber da experiência</i>, Jorge Larrosa discorre sobre a
necessidade de um gesto de interrupção e da autoexposição para acontecer uma
experiência, frequentemente impossibilitada pelo excesso de informação e
opinião, pela falta de tempo e pela confusão entre experiência e trabalho.</span><span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt 35.4pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(...) A experiência, a possibilidade de que algo nos
aconteça ou nos toque, requer um gesto de interrupção, um gesto que é quase
impossível nos tempos que correm: requer parar para pensar, parar para olhar,
parar para escutar, olhar mais devagar, escutar mais devagar; parar para
sentir, sentir mais devagar, demorar-se nos detalhes, suspender a opinião,
suspender o juízo, suspender a vontade, suspender o automatismo da ação,
cultivar a atenção e a delicadeza, abrir os olhos e os ouvidos, falar sobre o
que nos acontece, aprender a lentidão, escutar aos outros, cultivar a arte do
encontro, calar muito, ter paciência e dar-se tempo e espaço. (...) O sujeito
da experiência é um sujeito “ex-posto”. Do ponto de vista da experiência o
importante não é nem a posição (nossa maneira de pormos), nem a oposição (nossa
maneira de opormos), nem a imposição (nossa maneira de impormos), nem a
proposição (nossa maneira de propormos), mas a “ex-posição”, nossa maneira de
“ex-pormos”. Por isso é incapaz de experiência aquele que se põe, ou se opõe,
ou se impõe, ou se propõe, mas não se “ex-põe”. É incapaz de experiência aquele
a quem nada lhe passa, a quem nada lhe acontece, a quem nada lhe sucede, a quem
nada o toca, nada lhe chega, nada o afeta, a quem nada o ameaça, a quem nada
ocorre. (...)<o:p></o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt 35.4pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(Bondía, 2002)<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";"> Nesse
ponto – onde o ensaio trata do conflito entre conjunto e integrantes – convém
lembrar a singularidade da experiência. Apesar do caráter coletivo dos processos,
cada artista tem a oportunidade de se submeter ao acontecimento da experiência.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt 35.25pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(...) Se a experiência não é o que acontece, mas o que nos
acontece, duas pessoas, ainda que enfrentem o mesmo acontecimento, não fazem a
mesma experiência. O acontecimento é comum, mas a experiência é para cada qual
sua, singular e de alguma maneira impossível de ser repetida. O saber da experiência
é um saber que não pode separar-se do indivíduo concreto em quem encarna. (...)<o:p></o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt 35.25pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman";">(Bondía, 2002)<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";"> A
arte produzida em conjunto traz em si reflexos da identidade de cada artista.
Cada artista encontra no processo possibilidades de transformações em seu ser.
As transformações dos seres envolvidos na produção significam a emancipação por
meio da arte.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman";"> Na formação de um grupo onde cada qual
tem seu ego, em um não-lugar entre a arte e a educação artística, a obra
coletiva pode proporcionar experiências singulares, produções expressivas,
arte-aprendizagem e emancipação. Em alguma proporção esses aspectos respondem a
questão <i>Por que se reunir nas orientações
do programa vocacional?</i> Todavia, este ensaio propõe-se a ficar com a
pergunta e refletir os possíveis contextos levantados. Uma pergunta quase
retórica quanto essa não necessita de resposta, mas a reflexão proposta se faz
necessária ao programa, frequentemente pouco entendido.<o:p></o:p></span></div>
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<br /></div>
<div style="background: white; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 35.45pt; margin-right: 0cm; margin-top: 0cm;">
<span style="color: #141823; font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">"<i>Marco Polo descreve uma ponte, pedra por
pedra.<br />
- Mas qual é a pedra que sustenta a ponte? - pergunta Kublai Khan.<br />
A ponte não é sustentada por esta ou aquela pedra - responde Marco -, mas pela
curva do arco que estas formam.<br />
Kublai Khan permanece em silêncio, refletindo. Depois acrescenta.<br />
- Por que falar das pedras? Só o arco me interessa.<br />
<span class="textexposedshow">Polo responde:</span><br />
<span class="textexposedshow">- Sem pedras o arco não existe."<o:p></o:p></span></i></span></div>
<div style="background: white; line-height: 14.5pt; margin-bottom: 4.5pt; margin-left: 35.4pt; margin-right: 0cm; margin-top: 0cm;">
<span style="color: #141823; font-family: "Verdana","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Helvetica;">(Calvino,
1972)<span class="textexposedshow"><i><o:p></o:p></i></span></span></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";"> <b>Referências bibliográficas:</b><i> <o:p></o:p></i></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">BONDÍA, Jorge Larrosa. <i>Notas sobre a experiência e o saber da
experiência</i>. Universidade de Barcelona Espanha, 2002.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">CALVINO, Italo. <i>As Cidades invisíveis.</i> 1972.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">FARINA, A ET AL. <i>As premissas pedagógicas: o material norteador. </i>Revista Vocare:
Revista do programa vocacional, São Paulo, n. 3, 2013.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">MARCONDES,
Danilo. <i>Textos Básicos de Filosofia: dos
Pré-socráticos a Wittgenstein. </i>2ª ed. <i>A
alegoria da caverna: A República, 514a-5147c, </i>tradução de Lucy Magalhães.
Rio de Janeiro: Jorge Zahar Editor, 2000.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-family: "Verdana","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman";">TAILLE, Yves de La. <i>Uma interpretação psicológica dos limites do
domínio moral: os sentidos da restrição e da superação.</i> Revista EDUCAR,
UFPR, Curitiba, n. 19, 2002.<o:p></o:p></span></div>
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-65815770174189860972015-12-17T05:38:00.001-08:002015-12-17T07:12:01.855-08:00Sílvio Restiffe - Vídeo/Ensaio de Pesquisa Ação - AO Teatro - Teatro Leste 2Programa Vocacional_2015 - Equipe Leste 2<br />
Este vídeo é o ensaio/pesquisa do artista orientador Sílvio Restiffe realizado durante o ano de 2015 com imagens de tod@s da equipe e trilha dos AOs Danilo Monteiro e Loop B.<br />
<br />
Segue o link:<br />
<a href="https://www.blogger.com/goog_396018429"><br /></a>
<a href="https://www.youtube.com/watch?v=q842f503lk4&feature=youtu.be">https://www.youtube.com/watch?v=q842f503lk4&feature=youtu.be</a><br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-15847888783557335472015-12-16T04:14:00.000-08:002015-12-16T04:16:19.936-08:00O lugar Comum<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal" style="text-align: justify;">
VOCACIONAL DANÇA</div>
<div class="MsoNormal" style="text-align: justify;">
CEU VILA ATLÂNTICA</div>
<div class="MsoNormal" style="text-align: justify;">
ARTISTA ORIENTADORA: RENATA HILÁRIO </div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
No começo, parecia uma missão
impossível. Como dialogar entre danças tão opostas, com origens e práticas tão
distintas?<span style="font-size: 16.0pt; line-height: 115%;"></span></div>
<div class="MsoNormal" style="text-align: justify;">
Como que iria trazer a minha
experiência de uma dança oriental, cheia de carga e especificidades culturais,
de um público tão feminino, para uma dança com características do outro lado do
mundo; com praticantes masculinos, outra história, outras músicas outro
conceito, enfim, começaram os estudos.</div>
<div class="MsoNormal" style="text-align: justify;">
Tudo começou apenas em um ponto
de partida: pensar em corpos. Apenas corpos. Corpos que possuem os mesmos
membros, a mesma estrutura, os mesmos músculos e que fossem capazes de
desenvolver os mesmos gestos e movimentações.</div>
<div class="MsoNormal" style="text-align: justify;">
A trilha sonora foi a decisão
mais importante, pois ela não devia forçar nem uma dança nem outra. Comecei por
músicas diferentes dos 2 estilos de dança, nem as árabes que funcionavam bem no
meu conhecimento, e nem as norte americanas com aquela batida tão similar para
os corpos dos meninos.</div>
<div class="MsoNormal" style="text-align: justify;">
Éramos um grupo de 6: 5 bboys e 1
bailarina de danças árabes. <span style="mso-spacerun: yes;"> </span>Sempre
começávamos nossos encontros em um círculo, para dar essa ideia de igualdade e
sem a postura de “alguém que ensina” e “alguém que aprende”. Alongamentos que
trabalhavam articulações e extensões musculares. A cada encontro alguém
propunha esse aquecimento, até que encontramos o primeiro lugar comum entre
nós, articulações que dançavam. Dançavam com uma atenção especial, elas
aconteciam, sobressaiam e tinham uma importância diferente para aqueles 6
corpos.</div>
<div class="MsoNormal" style="text-align: justify;">
O maior facilitador nesse início
de processo, foi o fato de que - por muita sorte ou destino – encontrei um
grupo sem resistências, tínhamos uma disposição de aprender nessa fusão de
diferenças, onde todos tinham muito o que ensinar e muito mais em aprender.</div>
<div class="MsoNormal" style="text-align: justify;">
Sai completamente da minha linha
de estudo, e a cada semana eu me propunha um novo processo para depois propor
um novo processo, e os resultados foram sempre impressionantes justamente
porque eu não sabia o que ia vir no final de cada orientação. E por muitas
vezes mudava a rota dessas propostas no meio de tudo, porque ia enxergando uma
nova dinâmica que surgia ali, na hora “H”, durante uma construção muito mútua
que consistia no que eu conduzia e no que eles construíam muito naturalmente.</div>
<div class="MsoNormal" style="text-align: justify;">
Saía daquele equipamento com o
sentido mais lógico sobre “O Mestre Ignorante” a flor da pele. Foi justamente
um dos preceitos do Programa Vocacional que a principio me despertou
estranhamento; estava há anos acostumada com o cenário da sala de aula.
Professor aluno. E sair daquelas 3 horas de cada encontro com a sensação de que
também aprendi, que também assimilei e que também compreendi novas
possibilidades, abriram milhões de novas chances na minha própria compreensão
de arte.</div>
<div class="MsoNormal" style="text-align: justify;">
Falar sobre técnica e sobre
formatação para aquele grupo foi ficando secundário porque tinham alguns valores
que começaram a aparecer com um grau de importância muito mais gritante, que
era o simples fato de que não importava que dança em si dançávamos e sim, o que
elas podiam trazer de melhora para cada um de nós. A disciplina, a dedicação, o
pensamento sobre o estudo corporal, a técnica de como se pensar em coreografia.</div>
<div class="MsoNormal" style="text-align: justify;">
<span style="mso-spacerun: yes;"> </span>A importância de fazer o alongamento correto,
o relaxamento correto e do pensamento de grupo, eu levava até eles. Uma nova
nomenclatura, as características de uma dança urbana, as dificuldades de se
desenvolver como grupo fora de uma escola ou Cia de dança, as limitações
financeiras e as soluções para que este sonho nunca morresse, eles trouxeram
até mim. </div>
<div class="MsoNormal" style="text-align: justify;">
E com isso, nos uníamos em um
ponto em comum que sempre foi o aprendizado com o outro. Realmente não
importava o fato de que não conhecia nada sobre break, street dance, pooping ou
o que fosse, o que importava mesmo é que me respeitavam como artista
orientadora e eu os respeitava como bboys.</div>
<div class="MsoNormal" style="text-align: justify;">
Ninguém pedia “autorização” para
as decisões que tínhamos que tomar. Pedíamos sugestões e levávamos sugestões.
Tudo foi tomando o formato de decidir como grupo. Sendo que essa era uma das
principais dificuldades daquele grupo: estabelecer de forma sadia as tomadas de
decisões. Era um grupo que apesar de ter muita disposição e paixão pela dança,
vinham cercados de conflitos, porque não tinham alguém na posição de líder,
tinham muita dificuldade em escolher coisas juntos, a se organizarem juntos, e
aos poucos fomos encontrando uma nova forma daquele grupo se enxergar como
grupo. Levava conflitos meus, dificuldades minhas de trabalhos de fora do
Vocacional e pedia conselhos, pedia sugestões a eles de como resolver tais
problemas. Problemas de outras salas de aula que tinha, com outras pessoas que
eles nem conheciam, e assim eles foram desenvolvendo este novo olhar e aos
poucos levavam isso para o próprio grupo. Desse jeito fomos construindo,
somando, sugerindo, arriscando e conciliando.</div>
<div class="MsoNormal" style="text-align: justify;">
No decorrer de todos os
processos, subíamos um novo degrau e um trabalho foi construído onde aos poucos
eles se apropriavam da condução de suas próprias criações. Foi aí que senti que
meu trabalho como artista orientadora tinha sido feito. Tive a absoluta certeza
de que dali em diante eles estavam prontos para assumir uma nova forma de levar
o grupo e a arte deles para aquela comunidade no qual pertenciam; seja com um
posicionamento mais profissional da dança deles, seja em como iam articular a
comunicação com o CEU que frequentavam, seja em como iam escrever seus
projetos, seja na postura de suas apresentações ou principalmente em como iam
identificar suas necessidades de melhorias artísticas e como fariam aquilo.</div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
O que levei desses 8 meses de
trabalho? </div>
<div class="MsoNormal" style="text-align: justify;">
A imensa satisfação de
transformar artistas.</div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
O que eles levaram desses 8 meses
de trabalho?</div>
<div class="MsoNormal" style="text-align: justify;">
A imensa satisfação de terem se
transformados como artistas.
</div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-13062766632466255442015-12-16T03:12:00.005-08:002015-12-16T03:12:55.309-08:00Sobre o vínculo, sobre o início do vínculo.<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt; line-height: 115%;">Ensaio/Ano2015 Programa Vocacional Sul-1.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt; line-height: 115%;">Artista Orientador: Sérgio Pupo.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, sans-serif; font-size: 14pt; line-height: 115%;"><b>Sobre
o vínculo, sobre o início do vínculo.<o:p></o:p></b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Contexto: Teatro João Caetano, volta a receber o Programa
Vocacional depois de mais de três anos sem turmas ou grupos dentro deste Programa
da Prefeitura de São Paulo.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Faz-se necessário uma estratégia para agregar pessoas,
formar turmas e finalmente iniciar o trabalho de orientação artística.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">O nosso inicio como AO é um lugar-comum bastante
conhecido a todos que trabalham com ações culturais de diversas modalidades –
ou seja: identificar-se e apresentar-se para os que já trabalham no equipamento
público (funcionários, gestores, que muitas vezes estão por lá há anos,
possivelmente décadas), ser recebido com mais ou também menos entusiasmo
(depende). Neste momento já temos a primeira oportunidade de estabelecer um
vínculo bastante pertinente ao trabalho. Pode ser que não seja bom o suficiente
logo no começo, ou talvez seja, mas piore depois (depende). <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Divulgação feita, chega o momento do “criar vínculo”.
Deixemos claro, que é um tiro no escuro, uma aposta, a qual estará sempre em
xeque pois, a vida de uma turma, ou seja, seu percurso durante o processo
artítico-pedagógico estará sujeito ao atravessamento de complexidades que fogem
ao controle de qualquer orientador.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Estamos falando de um programa, que claramente se insere
no contexto da Ação Cultural (mesmo que muitas vezes, para todas as instancias
dentro da estrutura do Programa Vocacional, não haja consciência do que
exatamente isto significa). O conceito de ação cultural com o qual trabalhamos
neste breve ensaio, se baseia nas concepções desenvolvidas por Teixeiras Coelho
e Paulo Freire, consciente de que há outras concepções, não coincidentes, mas
em diálogo. A ação cultural é concebida como um processo que, embora tenha um
início claro, específico e contextualizado, não possui um fim estabelecido, nem
etapas a serem necessariamente cumpridas. Segundo esta compreensão, o agente
cultural gera um processo e não um objeto; ele estimula um processo cujo fim
ele não controla e nem pode prever, mas tem a liberdade de inventar. Na
conceituação de Teixeira Coelho (1989) a ação cultural deve apostar e investir
nas condições necessárias para que as pessoas inventem seus próprios fins e se
tornem, assim, sujeitos da cultura. É por isso que a ação cultural atua na
interconexão entre cultura, política e organização social. A correlação com
aspectos concernentes à educação, (numa dimensão de formação ampla do ser
humano) também é intrínseco ao processo de ação cultural, e qualquer tentativa
de emancipação dos elementos presentes nesta interconexão, é necessariamente,
falta de consciência da natureza da ação da qual estamos envolvidos.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Dentro deste pensamento, a criação do vínculo não é
meramente uma propriedade pessoal e aleatória, associada equivocadamente a um
tipo de comportamento afável e submisso; é sim uma <b>estratégia</b> de ação cultural, com medidas que se por um lado não são
possíveis de se estabelecer de antemão, por outro, exige sim uma postura-ação
consequente, fincada na percepção aguçada do momento presente, que se torna
ultrapassado e obsoleto a cada segundo. Enfim uma tarefa vã, porém não inútil,
certamente.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">A criação do vínculo como estratégia de ação cultural, já
foi estudado e descrito, muito mais profundamente do que neste ensaio, por
Paulo Freire, que percebeu que qualquer conhecimento, seja ele matemático ou poético
(ou os dois juntos) depende da compreensão dos elementos culturais das pessoas
para quais estamos propondo a ação. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Estamos falando de uma percepção que demora um certo
tempo para se estabelecer como um fato palpável e consciente. Seria mentira
dizer que a <b>percepção</b> do vínculo se
faz no primeiro momento e que com poucos encontros com as turmas que estão se
formando (parece que a turma fica “eternamente” se formando, visto que a
circulação nos dois sentidos, em geral, não para de acontecer) isto já é
concreto – não é. Não precisa ser, pois se trata de um relacionamento, cujos
elementos são dinâmicos, e não uma relação, cujos elementos são estáticos. Por
exemplo, o meu vínculo com o vendedor de laranjas da feira, com o médico que
faço exames periódicos, com o funcionário do banco é uma <b>relação</b>. A minha interação e convivência com a namorada, familiares
próximos e com a turma do Programa Vocacional, tem que ser um <b>relacionamento</b>. Neste último, há
dinâmica, pois há (ou deveria haver) escuta, ação e reação, sempre em duas
vias. Apesar desta qualidade já ter que ser instaurada desde o primeiro
momento, ela demora um tempo para se estabelecer de forma consciente e
esteticamente consequente. Pois é disso que estamos falando, um processo
artístico, estético nos meios e nas consequências.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Este tempo requisitado e defendido neste ensaio, para que
se concretize o elemento de ligação do processo, chamado aqui de vínculo, por
vezes é vilipendiado e violado, por vários elementos estruturais do Programa
Vocacional e do próprio equipamento no qual estamos inseridos, que em geral,
por não ter pessoas preparadas para a tarefa da ação cultural, acabam levando
esta questão ao limite do possível. Ainda que no meu caso específico, no Teatro
João Caetano, tenha sido bastante favorável, esta, decididamente não é a regra.
<o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;"><br /></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">A artista Vera Salla, escreveu em seu artigo para uma
revista do SESC (dez/2002): </span><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt; line-height: 115%;">“Estou irritada e cansada do tempo que o
mercado cultural da cidade, através de seus fomentadores, impõe - este não é o
tempo real da arte, do processo de criação em arte. As coisas precisam ter uma
duração para que se estabeleça em nosso corpo, em nosso cérebro e entranhas. E
este tempo não tem tanto a ver se o trabalho (produto final) está pronto ou não
– é um tempo realmente cronológico, não relativo. Precisa de muitos meses para
que a profundidade que estamos evocando apareça. Chega de encomendas para daqui
três meses!”</span><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;"><o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt; line-height: 115%;"><br /></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Precisamos decidir enquanto Programa público, qual a
nossa postura em relação a este aspecto do processo, já que para formar o
vínculo, precisamos necessariamente gestar o tempo conforme as reais
necessidades do processo, exercitando a coragem de afastar as demandas
burocráticas e ansiedades institucionais, para fazer o que realmente importa:
ações culturais geradoras de vínculos, ações estéticas (toda estética é
política), pensamentos e sentimentos que nos façam repensar a nossa relação com
o mundo.<o:p></o:p></span></div>
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-33024982445948192632015-12-15T19:00:00.000-08:002015-12-15T19:30:04.584-08:00Ensaios Sobre Estar Lá<div style="line-height: normal; min-height: 13px; text-align: justify;">
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">A.O. Joana Ferraz</span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">CEU Água Azul</span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"></span><br />
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Vocacional Dança / 2015</span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Ensaios Sobre Estar Lá</span></div>
<div style="line-height: normal; min-height: 13px; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><br /></span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">I.</span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Estar na ponta. Em relação a que? Ponta do que?</span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Ponta em relação à Sé.</span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Ao Pateo do Colégio.</span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Mas e os valores? Na superfície os mesmos.</span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">A TV é a mesma na ponta e fora da ponta.</span></div>
<div style="line-height: normal; min-height: 13px; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><br /></span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">II.</span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Aqui a noite tem uma neblina, que cobre o alto dos postes de luz e o cume dos morros. Me sinto viajando. Fazia tempo que não via neblina.</span></div>
<div style="line-height: normal; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Isto é uma viagem. Demoro 2 horas para chegar aqui. E a paisagem se transforma loucamente de um extremo da linha vermelha ao outro.</span></div>
<div style="line-height: normal; min-height: 13px; text-align: justify;">
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">III.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Ao lado da piscina tem um barranco grande, na metade dele tem um desnível, como um grande degrau. Me lembra o segundo sonho, do Sonhos, de Kurosawa. Quis mostrar na hora um trecho do sonho para os vocacionados daquele dia. Mas a internet do CEU não estava funcionando no momento. E o momento passou. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><br /></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">IV.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Hoje na direção contraria, na calçada em frente ao CEU, vinha um homem alterado com um canivete aberto na mão. Momento de apreensão.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Emprestei o livro “O Mundo de Sofia” para um dos meninos que aparece eventualmente nos meus encontros. (Agora que passo este texto a limpo sei que dei o livro. Não nos vimos mais.) Ele é inteligente, crítico, revoltado, como outros tantos da sua idade: nada, tudo, nunca, sempre. O mundo não é bom. As pessoas são ruins. Ele me diz. Ele me diz que se tivesse uma arma mataria todos, que Hitler estava certo. E segue misturando um monte de pensamentos uns nos outros. Pausa. Pausa pra aula de história sobre o que foi o nazismo e o que implica uma ditadura, etc etc etc. Pausa para a aula de filosofia e lógica, que matar alguém que você não gosta não vai resolver nada. Uma longa conversa. Ele teima. Como um tanto de outros teimam. Eu digo: acho lamentável. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Uma semana depois ele me encontrou sentada num banco no CEU e me diz: sobre aquela conversa, o que você me disse…. acho que é isso…. não faz sentido matar as pessoas. Alívio. Algo aconteceu nesse tempo, a conversa foi sentida de alguma forma. É preciso aprender a se perguntar, se questionar. Acho que a filosofia vai ajudar. Empresto o livro. Dou o livro.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">V.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Uma vocacionada vem pra mim no começo da aula, ela veio em um encontro só até então, e me diz: sabe que depois daquela aula me sinto mais a vontade pra dançar nas festas?! Eu me sentia meio mal antes, com vergonha. A gente vai fazer aquilo de novo?</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Aquilo: rolar no chão, rolar em cima um dos outros, se deslocar pelo espaço empurrando o chão com diferentes partes do corpo, brincar com peso, equilíbrio. juntos, separados. Fiquei alegre e senti que fazia sentido estar ali daquele jeito.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">VI.a</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Não há turma. Não há sala própria. Todo dia é um começo, todo dia é improviso: o que vai ser o encontro? Depende de quem vem. E quem vem? Mistério. Haja energia para improvisar. Teve uma única menina presente do começo ao fim: todo encontro fazíamos o mesmo começo: empurrar o chão e depois rolamentos. A cada encontro tinha um novo alguém que aparecia, e precisava se inteirar do que estávamos fazendo. Sentia que era uma pena, um passo pra trás. Bobagem minha, eu percebi em tempo. Estávamos vivendo algo rico: persistência e aprofundamento. Ela já conduzia sozinha a brincadeira com os outros e era fera. E eu a via passeando com cada vez mais desenvoltura com o próprio corpo. E ela pedia: vamos fazer o rolamento de novo? Parecia criança com desenho animado, assistindo o mesmo todo dia. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">VI.b</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Mais do mesmo:</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Os maiores interessados nos encontros de dança foram meninas entre 14 e 18 anos. Algumas tímidas, a maioria com muito pouca intimidade com o próprio corpo (seja por um processo da idade, seja pela realidade que vivemos hoje e que consumimos hoje em forma de religião, entretenimento e educação, que nos distanciam de nosso corpo por diferentes vias). Os encontros se tornaram neste caso um misto de aula de corpo, com conversas sobre angústias e desejos comuns a meninas dessa idade. Por se tratar de uma turma completamente flutuante e com muito mais curiosidade do que compromisso (o que entendo como parte da construção específica de tempo desta geração e dessa fase da vida) vivemos uma espécie de eterno recomeço, pois contávamos sempre com algum iniciante em aula. Isto nos levou tanto a partir sempre de um mesmo exercício e então seguir com variáveis que parecessem mais adequadas pro dia e pra turma, mas também levou as meninas a exercitarem como explicar este exercício para cada nova pessoa que surgia, de forma que tinham que desenvolver um raciocínio próprio ao redor do que estavam fazendo.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">VII.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Teve um tempo que eu entendi afinal que o que importava era estar lá. Estar naquele lugar sendo, atenta aos encontros. Então, quando não vinha vocacionado para o encontro, ou no intervalo de um encontro e outro, eu sentava num banco na área externa. Perto da piscina. No meio da atividade incessante de gente jogando bola, brincando, conversando e mais. E ali estava. Estava lendo, escrevendo, olhando. E só de estar lá já era um monte de coisa. Me sentia esquisita, porque fazia coisas que ninguém mais estava fazendo, ou porque eu me sentia mesmo um peixe fora d'água, sozinha alí, sem turma. Teve o dia da conversa sobre Hitler e matar pessoas. E teve também o dia da conversa com um menino que todo dia está no CEU treinando hip hop com sua turma. Ele sentou do meu lado e começamos a conversar. começou com: o que você está fazendo? e assim foi que falamos dos estudos dele, dos empregos, de possibilidades, de dança, de como levar a vida dançando, de se é importante fazer faculdade ou não, com direito ao comentário: você é engraçada, você faz umas questões diferentes, você quer pensar sobre cada uma das coisas né? Daí que achei: que bom que estou aqui, sendo quem eu sou com coragem, e podendo conversar com esse menino, como um dia alguém conversou comigo, de um jeito estranho e cheio de reflexões. Não parece mais ser costume refletir, e as pessoas se assustam, mas ficam curiosas, e querem mais. Estar e gerar curiosidade, assim como tudo que alí estava me gerava curiosidade, cada um, cada história, cada possibilidade de encontro e conversa.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Mas é difícil estar. E as pessoas acham que isso é nada.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><br /></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">VIII.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">“É o seguinte Joana, vou ter que fazer sua avaliação, você sabe né? E a fulana, me mandou fotos tuas, fazendo nada sentada no banco. Acho que não vale a pena ter vocacional dança aqui, todo ano é assim. Quantos alunos você tem? Demorou pra responder é porque não tem né? E não é que as pessoas não gostam de dançar, a Zumba tem mais de 30 alunos. E o teatro? Ah, o teatro. Acho que não vou pedir vocacional dança para cá ano que vem, é um desperdício de dinheiro."</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">É o seguinte ciclana, se eu não tenho vocacionado no dia ou estou no meu intervalo, eu prefiro estar sentada no banco externo, onde posso ser vista e encontrada por quem quiser, do que escondida dentro de uma sala qualquer, e o segurança dizer que eu já fui embora e coisas do gênero. Falta de atenção total. E diz pra fulana, que isso de ficar tirando foto dos outros sem pedir é muito stalker, bizarro, e assédio moral. Se a Zumba tem mais de 30 alunos é porque eu acordei e o mundo continua como era ontem, o que é de se esperar. Estranho seria você me contar que a zumba tava só com 4 alunos<span style="line-height: normal;">, </span>e eu com 40 inscritos querendo fazer arte e não entretenimento. Dinheiro mal gasto? É dinheiro público, tem que ser usado pra isso mesmo: pra coisas que são importantes mas não vendáveis e lucráveis como uma aula de Zumba. Ou tu acha que seria melhor usar o dinheiro público pra ter mais aula de Zumba porque tem mais gente querendo fazer? Não vou nem continuar o raciocínio a partir daqui. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">IX.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Teve um dia em que éramos muitos. e saímos segurando uns nos outros, numa pequena multidão disforme, subindo e descendo escadas, andando por corredores, atravessando quadras e salas, em diferentes velocidades e dinâmicas, nesse exercício complexo de estar junto e ser muitos.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><br /></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">X.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Teve outro dia em que éramos muitos. Assistimos vários vídeos no youtube, de dança contemporânea, dança militar, dança de propaganda, dança de competição japonesa, dança de clipe, dança tradicional, dança dança dança. E uma propaganda da coca cola, feita por uma artista visual chamada Nagi Noda. Fomos para o teatro, esse dia, e muitos outros depois, pra brincar de Naginodar (brinquedo inventado pela Thelma Bonavita e cia, no Desaba se não me engano). Naginodar é como aqueles livrinhos que se folheia rápido e vira uma animação: uma pose depois da outra, encadeando ações. Fizemos isso com som também, já que é praxe falar durante a aula sem parar, então que dancemos esse conversê. Naginodamos muito com som, sons a ver com a imagem ou nada a ver com a imagem e assim, em um encontro, atravessamos o teatro, galgando poltronas da platéia e o que tivesse pela frente, num desdobrar infinito de ações e ficções. Do mundo animal, passamos até por religião e desdobrando num funk improvisado. Uma verdadeira delícia. Agradeço a todos e aos Desaba pela graça alcançada.</span></div>
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<br /></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">XI.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Tivemos então nosso último dia de eterno recomeço. Alguns dos presentes nunca tinham feito o aquecimento que estávamos fazendo, ou só tinham feito uma vez e não lembravam. Acabei de mediadora. Quem conduziu o encontro inteiro foram os vocacionados mais antigos ou mais presentes. Organizaram um aquecimento com exercícios feitos em encontros passados. Foi bom ver o que eles escolhiam. Quiseram fazer um exercício de tai chi e depois Naginodar, e eu ali só dando uns toques. E o blablablá full time. Mas incrível, ver o encontro se desenrolando nesse tempo esgarçado do grupo, de ir se entendendo num fazer e desfazer de acordos. Daí chegou a turma de Tae Kwon Do e tivemos que sair da sala e procurar outro canto.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><br /></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">XII.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Agora lendo isso me lembro de um dia que um dos grupos falava tanto tentando fazer o exercício que o tempo acabou sem terem saído do lugar. Importante percebermos a força do conversê, que move mas também pode empacar.</span></div>
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-3363666285486525112015-12-15T11:57:00.000-08:002015-12-15T11:57:58.950-08:00Ensaio-relato: Encontro com o Programa Vocacional 2015<!--[if gte mso 9]><xml>
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<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
Artista Orientadora: Suzana Bayona</div>
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Linguagem: Dança </div>
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Equipamento: Casa de Cultura Palhaço Carequinha</div>
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Coordenador: Marcelinho Backspin</div>
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Região SUL 3</div>
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<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
Esta escrita é uma tentativa, justamente, de me
propor a <i style="mso-bidi-font-style: normal;">ensaiar</i> tecer palavras em
forma de relato sobre o meu primeiro ano de encontro com o Programa Vocacional.
É evidente que nomear todas as instâncias que este encontro abarca é tarefa impossível;
até mesmo porque tal tarefa depende do quanto meu olhar e percepção conseguem
alcançar. Considero que em um ano, tal zona de alcance seja ainda bastante
limitada, pois o Vocacional é um Programa vasto, amplo, com uma rede que além
de complexa, é um tanto emaranhada. Vejo arte e política sendo postas em
discussão e feitura móveis, no confronto daquilo que é idealizado, desejado,
viável, possível e de fato realizado a muitas mãos.</div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="mso-tab-count: 1;"> </span>A
primeira das primeiras impressões: 04 de maio de 2015, reunião geral no CEU
Aricanduva. Toda a equipe do Vocacional reunida – artistas orientadores de
todas as linguagens, coordenadores, DEC, e nem sei direito mais quem. Chego
pisando leve, num misto de expectativa, alegria, receio, curiosidade. Já nessa
inauguração, recebo muitas informações e demandas. E me deparo com organizações
já formadas, relações, problematizações, vínculos, modos de pensar, processos.
Um volume grande de afetos em andamento. Vou percebendo organizações e demandas
de ordem política. P-O-L-Í-T-I-C-A. E vou sentindo que há muitos desencontros,
faltas, vazios, no espaço entre cada letra que compõe esta palavra. E mais
outra que se junta a ela: precariedade. </div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="mso-tab-count: 1;"> </span>As
ações de política pública, com discursos que englobam grandes feitos, exalam
nas brechas do discurso, as suas faltas. Os artistas, com experiência vivida,
em opiniões das mais diversas, jorram intensidades. No espaço entre:
tentativas; eco; encontros; desencontros. Vejo que há muita vontade de fazer.
Há muita restrição. Há muito conflito. O muito e o nada – se batendo um no
outro. </div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="mso-tab-count: 1;"> </span>Minha
segunda das primeiras impressões: contato com o equipamento e equipe. Sou
alertada de que a Casa de Cultura Palhaço Carequinha é um lugar difícil. Não
entendo bem o que isso significa inicialmente, mas sem dúvida é uma informação
preocupante. No meu primeiro contato com o local, sou recebida por um
funcionário que exerce uma função intermediária: não há coordenador na Casa.
Não há ninguém ligado à área de cultura, que olhe, pense, cuide, crie conexões
neste local. Tudo que fico sabendo, converge para informações de que o local é
mal aproveitado, a divulgação é difícil, o público é pouco. Nesse ambiente ermo
e desesperançoso, dentre vários contatos que faço, vou até suas vizinhas, o
Centro de Cidadania da Mulher (CCM – Capela do Socorro). Lá sou recebida com
interesse, e sou informada do desejo de um grupo de senhoras em trabalhar com
expressão corporal. Desse encontro de desejos e interesses, firmamos a
tentativa de parceria, que de fato se efetiva na semana seguinte e em todas as
demais semanas do ano. </div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="mso-tab-count: 1;"> </span>Do
primeiro encontro – com 8 senhoras – e os que se seguiram, muitas vieram
conhecer, experimentar. Algumas permaneceram, outras só vieram e foram embora,
outras por motivos pessoais não puderam continuar... Numa lista em que
transitaram mais de 30 senhoras, finalizo o processo do ano com 12
participantes em uma turma, e 3 em outra. Na primeira turma, com mulheres dos
50 aos 75 anos (e nos últimos dois meses uma jovem de 17 anos), o foco foi de
investigar o movimento a partir desta nomenclatura “expressão corporal”. Na
segunda, o foco se aproximou mais da linguagem da dança contemporânea, seu
conhecimento técnico em repertórios coreográficos e improvisações. </div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="mso-tab-count: 1;"> </span>Como
‘recorte’ para relatar aqui neste breve espaço, vou me deter a comentar sobre o
processo da primeira turma. Justifico esta escolha por ter lidado nesta com um
número maior de pessoas, e pelo desafio de em sua maioria nunca terem tido
contato anterior com a linguagem da dança enquanto espaço de investigação, de
experiência de si em movimento. E mesmo neste ‘recorte’ de relatar apenas uma
turma, farei um outro ‘recorte’, pois são muitas as nuances da experiência deste
encontro com Jandira, Angela, Nea, Stela, Cícera, Nevinha, Natalia, Maria,
Socorro, Nilda, Francisca e Conceição. </div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 35.4pt;">
O trajeto percorrido foi de
vivenciar de diversas maneiras que em primeiro lugar <i style="mso-bidi-font-style: normal;">somos</i> corpo, e que no dia-a-dia, damos pouca atenção ao que
sentimos. Fomos juntas experimentando despertar a sensação do corpo como
camadas – pele, músculo, ossos - e que podemos movimentar o corpo fragmentado
em mil partes. Construímos o entendimento de que cada uma destas mil partes do
corpo tem sua ‘voz’, e que podemos ‘falar’ através do corpo – estas ‘falas’ são
formas de nos expressarmos. E que tudo isso não tem jeito certo de fazer; os
julgamentos e vergonhas eram convidados a ficar do lado de fora da sala, para
podermos deixar o corpo à vontade e livre para se movimentar do jeito que
quiser e puder – mesmo com dores ou restrições – pois tudo isso é respeitado e
cuidado. </div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 35.4pt;">
Trabalhamos com massagens, jogos,
caminhadas, caretas, uso da voz, toque na coluna vertebral, muitas conversas e
aos poucos as experimentações de movimento foram se tornando mais ampliadas e
‘degustadas’ por elas. Ouvi muitos feedbacks sobre os encontros trazerem
qualidade de vida, bem estar, leveza, diminuição de dores, noites bem dormidas,
e este como um espaço para o auto-cuidado. No encontro realizado em 16 de
setembro, lancei a pergunta: ‘no que está sendo importante os nossos
encontros?’, e recebi respostas como: ‘me sentir eu mesma’, ‘aprendi que o
corpo fala e quero aprender bem mais’, ‘estou aqui para me encontrar’, ‘deixar
o corpo me levar’, ‘me sinto muito bem’, ‘expressar com o corpo todo,
sentimento e emoção’, ‘isso é bom para minha saúde’.</div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 35.4pt;">
Aos poucos, fomos construindo o
entendimento de que a expressão do corpo, e a nossa expressividade como um todo
pode ser plenamente aproveitada através da arte e suas diversas linguagens –
mas que estamos vivendo principalmente a dança. </div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 35.4pt;">
Trata-se de um caminho de
iniciação, em fase inicial. Oito meses é um tempo cronológico bastante restrito
para considerar que ‘chegamos’ em um resultado satisfatório. Aliás, me corrijo,
compreendendo que não há lugar de chegada. Mesmo assim, entendo que enquanto
processo, esta é uma primeira caminhada, que necessita da continuidade.
Construímos um espaço de escuta, compartilhamento e desejo de estar juntas, e
me alimento em pensar na possibilidade de continuidade. </div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 35.4pt;">
Finalizo este processo de estar
dentro do Programa Vocacional em 2015 com contentamento por esta construção
junto das turmas na Casa de Cultura Palhaço Carequinha. Mas também com
respiração curta e dúvidas quanto ao que consigo compreender do Programa em sua
macro esfera. Me sinto ainda ‘chegando’ neste coletivo de artistas tão diversos,
alguns de voz muito alta, e outros calados; com confrontos silenciosos e também
escancarados entre o que se diz e que se nega a dizer. Diante de jogos de força
invisíveis, vou construindo uma habitação/passagem nesse ambiente, observando as
organizações já existentes, os discursos, o que de fato se faz, o que o
Programa prevê e o que ele sustenta para que isso aconteça. Não sinto como
tarefa fácil, nem mesmo confortável. Mas mesmo com desconforto e precariedade, vejo
muitas brechas para construção e para encontros.</div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="mso-tab-count: 1;"> <a href="https://www.youtube.com/watch?v=ZSZaKy_cp1Q" target="_blank">https://www.youtube.com/watch?v=ZSZaKy_cp1Q</a></span></div>
<div class="MsoNormal">
<br /></div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-11314316014203929912015-12-15T11:02:00.000-08:002015-12-15T12:37:07.473-08:00<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";">IMPROVIS(ZO)ANDO RUÍDOS NO VOCACIONAL<o:p></o:p></span><br />
<span style="font-family: "tahoma";"><br /></span>
<span style="font-family: "tahoma";">A.O. Loop B.</span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";">Pesquisa-ação realizada dentro do Programa Vocacional
Música 2015.</span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";">Equipamento: Centro Cultural da Penha.</span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";">Coordenadoras: Claudia Palma e Mara Heleno.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";">Artista Orientador: Loop B – Lourenço Prado Brasil.</span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";"><br /></span>
<span style="font-family: "tahoma";">Vídeos:<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "tahoma";">Diálogo Cônico Sônico –
vocacionados Vera Lucia e Rafael<o:p></o:p></span></div>
<div class="MsoNormal">
<a href="https://youtu.be/ZgOnigsmy8E"><span style="color: blue; font-family: "tahoma";">https://youtu.be/ZgOnigsmy8E</span></a><span style="color: blue; font-family: "tahoma";"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "tahoma";">Improviso do Aniversário –
Vários vocacionados, destacando Ivaneide nas espadas e Vera Lucia voz e
supercone<o:p></o:p></span></div>
<div class="MsoNormal">
<a href="https://youtu.be/z0F25q3xkag" style="background-color: white; color: #1155cc;" target="_blank"><span style="font-family: Verdana, sans-serif; font-size: x-small;">https://youtu.be/z0F25q3xkag</span></a><br />
<br /></div>
<div class="MsoNormal">
<span style="font-family: "tahoma";">Conversa Transparente -
Diálogo em Raio X dos vocacionados Renato Pop e Caio.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "tahoma";"><a href="https://youtu.be/REPQJVxVcTI">https://youtu.be/REPQJVxVcTI</a></span><br />
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";"> </span><span style="font-family: "tahoma";">A
descontinuidade está presente em pelo menos dois lugares no Programa
Vocacional: no âmbito da contratação dos profissionais que trabalham com o
público interessado e na frequência dos vocacionados, que em geral tem outras
prioridades – estudo e trabalho. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> </span>O mais
óbvio e mais comentado se refere à contratação dos artistas – coordenadores e
orientadores. A forma de contratação por um período de 8 meses, que termina ao
final do ano civil e retorna em novo edital no ano seguinte provoca um hiato de
4 meses.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> </span><o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-y-X_NxR_nhs/VnBhAmkOSzI/AAAAAAAACic/NI3FlxNcuL4/s1600/IMG_8255.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="http://3.bp.blogspot.com/-y-X_NxR_nhs/VnBhAmkOSzI/AAAAAAAACic/NI3FlxNcuL4/s640/IMG_8255.JPG" width="640" /></a></div>
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<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> <span style="font-size: x-small;">vocacionada Ivaneide em momento de improviso</span></span></span><br />
<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"><br /></span></span></div>
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<span style="font-family: "tahoma";"> </span><span style="font-family: "tahoma";">Por
outro lado, alguns equipamentos e/ou artistas-orientadores encontram dificuldade
em estabelecer continuidade no processo de trabalho, principalmente devido à
inconstância na frequência dos vocacionados. Esta flutuação é causada por muitas
variáveis, como por exemplo: mudança de horários de trabalho ou de estudo,
novos interesses, nível de envolvimento com o programa, entre outros.<o:p></o:p></span></div>
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<span style="font-family: "tahoma";"> </span><span style="font-family: "tahoma";">Levando
em conta esta descontinuidade, o processo que foi se revelando durante o ano em
curso, dentro do Vocacional Música da Penha, estabeleceu o improviso musical
como estética e conceito, e esta linha de pesquisa foi bem aceita pelos
vocacionados. Obviamente não foi algo imposto, nem tampouco elaborado
previamente, mas aconteceu em decorrência do processo. A dificuldade de
trabalhar gradativamente com um grupo formado sempre por pessoas diferentes
levou espontaneamente a isso.<o:p></o:p></span></div>
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<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> </span>Outros
três processos correram em paralelo ao do improviso: a questão timbrística e de
liberdade sonoro-criativa, através do contato e vivências com os objetos e
instrumentos de sucata; o aprimoramento da noção de ritmo, através de
exercícios do método d’O Passo, de Lucas Ciavatta, que coloca o corpo como
centro da percepção rítmica; e o desenvolvimento das estruturas tradicionais
musicais, como por exemplo o canto, a voz e o violão, usando o recurso da
música autoral ou não. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> </span>Em
todos estes 4 processos, a descontinuidade esteve presente e foi incorporada, e
aquilo que era uma dificuldade se transformou em busca de parâmetros que nos
mantivesse ativos e independentes, interdependentes mas livres uns em relação à
presença dos outros.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> </span>Foi na
experiência radical do improviso coletivo com as sucatas que o conceito se mostrou
mais potente, se solidificando com o passar dos meses. Na verdade ele só foi
claramente entendido nos últimos meses do processo, mas desde o princípio havia
sido abraçado pelos vocacionados e por mim – artista orientador, de maneira
intensa.<o:p></o:p></span></div>
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<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> </span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-Xsqabt_IPYQ/VnBhVqGSL0I/AAAAAAAACik/9xnS45TVvjQ/s1600/IMG_8420.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="http://1.bp.blogspot.com/-Xsqabt_IPYQ/VnBhVqGSL0I/AAAAAAAACik/9xnS45TVvjQ/s640/IMG_8420.JPG" width="640" /></a></div>
vocacionado Darcio Romano com seu setup de sucata<br />
<o:p></o:p>
<br />
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<br /></div>
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<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span style="font-family: "tahoma";"> </span><span style="font-family: "tahoma";">A cada
orientação, o processo começava e terminava. Esta é a essência do estilo musical
conhecido como improviso livre, no qual um grupo de músicos (que na maioria das
vezes não se conhece), se encontra para tocar junto. </span><span style="font-family: "tahoma";"> </span><span style="font-family: "tahoma";">Os músicos não sabem que caminhos irão seguir,
quais as propostas sonoras e estéticas que irão surgir a partir uns dos outros.
É diferente do tipo de improviso do jazz, onde o tema é conhecido e os músicos
improvisam dentro de um universo. O resultado na música de improviso livre é
sempre uma incógnita, pois </span><span style="font-family: "tahoma";"> </span><span style="font-family: "tahoma";">depende da integração
entre os músicos naquele dia, naqueles momentos. O encontro pode resultar numa
música “harmônica”, como também no outro extremo pode ser um “desastre”.<o:p></o:p></span></div>
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<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> </span>Este
processo despontou espontaneamente a partir das propostas com a percussão em
sucata. Para melhor compreensão, é preciso elencar os instrumentos para que se
tenha uma ideia do que foi usado. Os objetos mais presentes nas orientações no
Centro Cultural da Penha foram um cone de trânsito, um tanquinho de lavar roupa,
um manequim, uma gaveta de geladeira, uma mala de plástico, uma bandeja de
metal, espadas de brinquedo, teclados de computador, colheres de pedreiro, uma
pá de lixo, e vários pedaços de sucata de metal: de fogão, de carro e de
computador.<o:p></o:p></span></div>
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<span style="font-family: "tahoma";"><span style="mso-tab-count: 1;"> </span>O fato
de não existir a “maneira certa” de tocar estes inusitados objetos imprimiu uma
liberdade sem par. Passada a timidez inicial, o vocacionado se desinibiu e se
libertou do ritual a ser cumprido diante de instrumentos tradicionais, como
violão, flauta ou bateria. O vocacionado foi naturalmente levado a encontrar formas
próprias de tocar, de tirar som dos objetos, e mergulhou em uma experiência
sonora real e sem limites.<o:p></o:p></span></div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-44901406958484497282015-12-15T04:55:00.001-08:002015-12-15T04:55:42.444-08:00Teatro Vocacional <div>
Tendal da Lapa</div>
<div>
A.O. Verônica Mello</div>
<div>
<br /></div>
<div>
como ensaio, torno aberto o grupo do facebook do Tendal da Lapa. esse grupo tem 4 anos de material. fotos, conversas, mostras.</div>
<div>
<br /></div>
<div>
esse grupo permanecerá aberto. pode entrar e explorar essa história.</div>
<div>
<br /></div>
<div>
<a href="https://www.facebook.com/groups/vocacionaltendal/" style="background-color: white; color: #3b5998; cursor: pointer; font-family: helvetica, arial, sans-serif; font-size: 12px; line-height: 14.6182px; text-decoration: none;">https://www.facebook.com/groups/vocacionaltendal/</a></div>
<div>
<br /></div>
<div>
acesse. comente. pergunte.</div>
<div>
<br /></div>
<div>
<br /></div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-23619311832814107112015-12-14T18:50:00.004-08:002015-12-14T18:50:52.465-08:00Percursos de aprendizagem e criação no CEU Capão Redondo – Liz Nátali Sória (AO)<!--[if gte mso 9]><xml>
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<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Chegada</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-tab-count: 1;"> </span>Em meu
primeiro ano como artista orientadora no programa e no CEU Capão Redondo, revisitei
minha experiência como artista vocacionada. A descoberta da livre criação, do
coletivo e da possibilidade de pensar e aprender no processo criativo abriu uma
porta que não se fecharia mais. </div>
<div class="MsoNormal">
<span style="mso-tab-count: 1;"> </span>Ao
longo desses sete meses como AO em 2015, foram diversas as dificuldades e os
momentos de experiência e inquietação. Deixando de lado os embates silenciosos,
travestidos de delicadezas entre o equipamento e o Vocacional, dedico-me a
levantar alguns pontos dos processos criativos.</div>
<div class="MsoNormal" style="text-indent: 35.4pt;">
Uma das turmas – a turma de domingo
– passou, em 2014, por um processo artístico que, segundo várias narrações, foi
recheado de acontecimentos potentes. Fui incumbida de dar continuidade e de não
romper com algo que se tinha construído. Tarefa difícil, já que a própria
descontinuidade do programa já tinha interrompido as coisas. Da turma anterior,
dos dez que permaneceram no processo até o final, apenas quatro tinham vivido a
experiência do ano anterior. Tratava-se de um novo grupo. De todo modo, busquei
intensidade na condução e já nos primeiros encontros, abandonei o repertório dos
jogos teatrais para experimentar outras possibilidades, que eu tampouco sabia o
que era. </div>
<div class="MsoNormal" style="text-indent: 35.4pt;">
A outra turma – a turma de terça
– era composta por vários integrantes novos que apoiavam seu interesse pelo
teatro na referência do stand up comedy. Desconstruir a postura escolar e ao mesmo
tempo dar outras referências que ultrapassasse as da cultura de massa e os
levassem a outras dimensões criativas, foram os maiores desafios com esta
turma.</div>
<div class="MsoNormal" style="text-indent: 35.4pt;">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Do indivíduo ao coletivo,
do coletivo ao indivíduo</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="text-indent: 35.4pt;">
O desafio de que a experiência
teatral tocasse nos indivíduos envolvidos teve como estratégia o fortalecimento
do trabalho coletivo. De forma dialética, o envolvimento de cada indivíduo
alimentava a relação coletiva. </div>
<div class="MsoNormal" style="text-indent: 35.4pt;">
Em ambas as turmas, nos primeiros
meses, definimos temas de investigação: O TEMPO na turma de domingo; A
HIERARQUIA, na turma de terça. A forma dos encontros era pensada a partir
desses temas – encontros divididos em acontecimentos em ritmo muito rápido ou
muito lento, na turma de domingo; encontros em que os vocacionados eram
encarregados de formular o aquecimento e propor conduções de forma revezada, na
turma de terça. Além disso, cada vocacionado trazia experiências individuais a
partir dos respectivos temas e isso ia preenchendo o desenvolvimento coletivo.</div>
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Na turma de terça, o trabalho
sobre o tema iniciou-se a partir das relações hierárquicas que os vocacionados
vivenciavam em diferentes espaços da vida. Paralelamente e a fim de perambular
por outras formas que não a novelesca, trabalhamos dois tipos de movimentação
corporal que se somou ao repertório para abordar o tema da hierarquia.
Movimentos decupados, onde o corpo se parece com uma máquina, em que cada parte
do corpo se move separadamente das outras partes; e movimentos fluidos, onde
cada parte do corpo contamina o resto do corpo que se locomove livremente pelo
espaço em um só fluxo de movimento. Esta base corporal junto às experiências
trazidas deram origens a algumas experimentações cênicas. No entanto, estas
esgotaram-se e delas não partiram outros temas ou outras possibilidades
trazidas pelo grupo. Momento de crise e de não saber como provocar ainda mais
uma postura ativa e criativa do grupo. Nesta altura do processo, apresentei um
pequeno texto do Livro dos Abraços de "Eduardo Galeano", o texto, chamado
burocracia3, o cumprimento de uma ordem sem questionamento. A partir deste
texto foi possível revisitar os movimentos corporais previamente trabalhados e
seguir na criação de outras cenas que partiam do texto, mas que foram muito
além dele. </div>
<div class="MsoNormal" style="text-indent: 35.4pt;">
Na turma de domingo, de forma
orgânica, o tema TEMPO trouxe outros temas de inquietação do grupo – inércia,
ruptura, alienação tecnológica, doenças de trabalho, indústria farmacêutica. Combinada
com os temas, estava a forma. Partimos de exercícios de coro, de movimentação e
ação coletiva no espaço e de diferenciação de tônus corporal. A ideia era
investigarmos juntos maneiras de expressar os temas de forma coletiva e sem o
uso da palavra. Os exercícios cênicos propostos, inicialmente, combinavam
trabalho de coro e movimentação pelo espaço. Passamos por exercícios corais
variados de percepção coletiva e pelo campo de visão. Essas formas eram
combinadas com os conteúdos temáticos trazidos por cada um a partir de sua
própria experiência.</div>
<div class="MsoNormal" style="text-indent: 35.4pt;">
Aos poucos, alguns integrantes trouxeram
cenas previamente preparadas, que eram apreciadas e debatidas pelo grupo e que
algumas vezes voltavam a ser experimentadas. Logo, predominou no grupo a
vontade de abrir o processo de criação com apresentação de algumas cenas que
pudessem ser lapidadas. Daí, vieram diferentes proposições de roteiro. As cenas
ali propostas foram reflexo do processo que buscava unir<span style="mso-spacerun: yes;"> </span>expressões coletivas sem o uso da palavra com
os temas que formulavam críticas sociais. </div>
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<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">O que fica e o que vai</i></div>
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<br /></div>
<div class="MsoNormal" style="text-indent: 35.4pt;">
Difícil compreender o que
exatamente passou com cada indivíduo ali presente e o que restará dos coletivos
após o término do processo deste ano. Muito da experiência fica e algo dela vai
perambular por aí sem necessariamente se fixar de imediato. Creio que a
possibilidade da criação em coletivo, sem que uma pessoa pré-determine tudo
antes, é um dos legados de ambas as turmas. Da mesma forma, a descoberta do
teatro para alguns como uma forma de expressão com possibilidades inimagináveis
também é presente nos relatos. As formas são infinitas e ao mesmo tempo, a
cultura de massa restringe nosso repertório e nossa capacidade imaginativa. A
possibilidade de criar livremente aquilo que ninguém sozinho pode imaginar, mas
no contato, na tensão com o coletivo, e na transformação do individuo, o
inimaginável é criado.<span style="mso-spacerun: yes;"> </span></div>
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<br /></div>
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<br /></div>
Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-39791500287095627222015-12-13T17:27:00.001-08:002015-12-13T17:27:31.926-08:00O trabalho coral como estética e a poetização dos espaços na construção da dramaturgia.<!--[if !mso]>
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<br />
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-bidi-font-family: Mangal;">Ensaio- Teatro </span></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-bidi-font-family: Mangal;">O trabalho coral como estética e a poetização dos
espaços na construção da dramaturgia.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">
</span><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-bidi-font-family: Mangal;"></span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-75WS3Ty9BfQ/Vm4UMA2x_SI/AAAAAAAACd4/OE6ZRccwgog/s1600/Grupo%2BLim%25C3%25B5es%2Bdo%2BAmoroso.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="360" src="http://1.bp.blogspot.com/-75WS3Ty9BfQ/Vm4UMA2x_SI/AAAAAAAACd4/OE6ZRccwgog/s640/Grupo%2BLim%25C3%25B5es%2Bdo%2BAmoroso.jpg" width="640" /></a></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">O coro
é re-existir. O coro é a revolução.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">O coro
tem vontade de enganar a Velha Era</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">(...).
O coro são os que estão por baixo, lutando</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">contra
os que estão por cima. O coro é de dentro</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">pra
fora. O coro é o direito à preguiça. O coro é</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">viver
do que se gosta.O coro é mutirão. O coro</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">é
ginga, rebolado. O coro é isso aí, bicho. O coro hasta siempre.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">O coro
é desafinado. O coro é desafio.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">O coro
é ação = CORAÇÃO. O coro é ir</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">e
re-voltar. O coro come o couro. O coro</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">engorda
e faz crescer. Tome coro!</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">Coristas
do mundo inteiro, uni-vos! O coro comeu o corifeu. O coro</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">não
cora. O coro canta e desencanta.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">O coro
canta, mas sobretudo entoa.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">O coro
não decora. O coro atua. O coro é colorido.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">O coro
chama. O coro é delírio, lírio,colírio.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"><span style="mso-spacerun: yes;"> </span>O coro ta nas bocas. Ai, ai, ai, o coro não
tem pai.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"><span style="mso-spacerun: yes;"> </span>Os coristas também amam.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"><span style="mso-spacerun: yes;"> </span>O coro morde. O coro é pura sedução.</span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"><span style="mso-spacerun: yes;"> </span></span></b></div>
<div align="center" class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Zé
Celso Martinez Corrêa</span></b></div>
<div class="MsoNormal" style="margin-left: 36.0pt; tab-stops: 129.75pt;">
<span style="font-family: "Arial","sans-serif";"><span style="mso-tab-count: 1;"> </span></span></div>
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<span style="font-family: "Arial","sans-serif";">Neste 2015,
pelo segundo ano consecutivo realizo a orientação artística na Biblioteca Alceu
Amoroso Lima , como o grupo Limões do Amoroso, que no ano anterior , realizou
uma instalação cênica no mesmo equipamento, à partir de novos procedimentos
artísticos que investigava<span style="mso-spacerun: yes;"> </span>composições
poéticas do corpo, à partir de figuras urbanas, culminando em pequenos
instantes onde a potência da dramaturgia estava nas imagens , na plasticidade
das cenas, criando um estreito diálogo com as artes visuais.</span></div>
<div class="MsoNormal">
<br /></div>
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<span style="font-family: "Arial","sans-serif";">Para dar
continuidade, a essa investigação artística, neste ano propus ao grupo, com a
entrada de novos integrantes, que realizássemos um trabalho coral, que
integrasse os novos artistas Vocacionados, e que as propostas de cenas<span style="mso-spacerun: yes;"> </span>dialogassem com esse coletivo, que criássemos
um jogo onde todos fossem atuantes, onde o protagonista fosse o coletivo. </span></div>
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<br /></div>
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<span style="font-family: "Arial","sans-serif";">E a segunda
motivação, seria explorar essa investigação por todos espaços da Biblioteca
Alceu Amoroso Lima. Para esse<span style="mso-spacerun: yes;"> </span>ensaio ,
algumas questões serão investigadas :Como desenvolver um trabalho<span style="mso-spacerun: yes;"> </span>Coral entre os artistas vocacionados?Qual a
função do coro? Como trabalhar em Espaços –Não convencionais,Como criar esse
dialogo com os espaços?Em que medida ele os espaços são os<span style="mso-spacerun: yes;"> </span>propositores do jogo teatral ?</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif";"><span style="mso-spacerun: yes;"> </span>Uma Escolha pedagógica </span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">No ano anterior,<span style="mso-spacerun: yes;"> </span>foi<span style="mso-spacerun: yes;"> </span>uma tarefa bem difícil<span style="mso-spacerun: yes;"> </span>desenvolver um trabalho coletivo pois os
integrantes estavam muito preocupados no seu desenvolvimento individual, havia <span style="mso-spacerun: yes;"> </span>o entendimento apenas <span style="mso-spacerun: yes;"> </span>parcial, poucos se interessaram pelo todo, o
foco era somente o si mesmo, um ego centrado no bem atuar, numa busca por
reconhecimento individual, em detrimento de algo que se constrói no trabalho grupal,
que é o cerne do Teatro Vocacional.</span></div>
<div class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan;">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">Por isso, em 2016, a minha escolha<span style="mso-spacerun: yes;">
</span>foi trabalhar com o coro, como ferramenta pedagógica, na construção de
aprendizados que enriquecesse a experiência artística de todos integrantes.</span><span style="font-family: "Arial","sans-serif"; font-size: 15.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"> </span></div>
<div class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan;">
<br /></div>
<div class="MsoNormal" style="mso-hyphenate: auto; mso-pagination: widow-orphan;">
<span style="font-family: "Arial","sans-serif"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;">Que o
trabalho coral seria o suporte para o pensamento estético a ser realizado, para
isso, como um treinamento os Vocacionados foram convocados a experimentar toda
sorte de exercícios onde o Coro, tinha um papel protagonista na cena, na
construção de imagens, de paisagens visuais e sonoras; Estas só aconteceriam se
o entendimento do trabalho coral acontecesse na sua plenitude. Portanto, não
dependeria apenas de habilidade de um integrante, mais do esforço conjunto na
construção de uma poética que foi se instalando no decorrer do processo
criativo.</span></div>
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<span style="font-family: "Arial","sans-serif";">Outro ponto a
ser ressaltado sobre o trabalho Coral, é que ele proporcionou um espaço
inventivo na criação, onde todos poderiam se lançar com liberdade e prazer nas
cenas, porque o coletivo autorizava essa experimentação, os riscos eram
minimizados, e todos se sentiam autorizados a mergulhar na linguagem teatral,
mesmo aqueles pouco familiarizados com a cena, seja pela timidez, vergonha,
medos, e todos os bloqueios físicos e psicológicos que interferem na realização
da cena. <span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Arial","sans-serif";">Ao longo de
seis meses desse processo investigativo, o trabalho coral tornou-se o centro da
pesquisa estética, todas as propostas foram realizadas em coro, todas as ideias
de cena, foram experimentadas em vários formatos, com várias versões, e o grupo
escolhia qual a melhor versão seria selecionada, essa prática colaborativa, fez
com que o grupo se fortalecesse, todos em um rodízio a cada semana, se
exercitava com pequenos núcleos, dentro do próprio grupo, assim afinidades
foram crescendo, e a tolerância com as diferenças foram sendo acolhidas,
ouvidas, era uma regra, todos precisam trabalhar com todos, era fundamental
incluir, para cena acontecer.<span style="mso-spacerun: yes;"> </span>Dessa
pesquisa teatral, culminou o experimento cênico Prisma-te.</span><!--[if !mso]>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 10.5pt;">Na cultura, o sujeito
é singular, mas depende do outro (da</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 10.5pt;">alteridade) para
apreender na diferença sua identidade.”</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 10.5pt; line-height: 115%;">Antonio
Candido</span></b><b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; line-height: 115%;"></span></b></div>
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<a href="http://3.bp.blogspot.com/-3oQpxf8npYA/Vm4Vu48Ug9I/AAAAAAAACeQ/X-wypRR70OM/s1600/IMG_0169%2B%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="478" src="http://3.bp.blogspot.com/-3oQpxf8npYA/Vm4Vu48Ug9I/AAAAAAAACeQ/X-wypRR70OM/s640/IMG_0169%2B%25282%2529.JPG" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif";">O significado do coro no Teatro
Vocacional</span></b></div>
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<span style="font-family: "Arial","sans-serif";"><span style="mso-spacerun: yes;"> </span>"</span><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"> Se o
ator é essencialmente um artista que manifesta em seu próprio corpo a sua arte,
ele<span style="mso-spacerun: yes;"> </span>não pode ficar alheio "ao
outro" acreditando apenas em sua própria capacidade inventiva, É somente
através do contato com o "outro" que ele tem a possibilidade de se
tornar verdadeiramente um criador e o jogo improvisacional é o lugar ideal para
que esse exercício da alteridade se dê plenamente" pag 33 ( Campo de Visão-
Exercício e linguagem Cênica, Marcelo Lazzarato, Editora FAPESP)</span></b></div>
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<span style="font-family: "Arial","sans-serif";"><span style="mso-spacerun: yes;"> </span>Partindo dessa premissa, comecei os trabalhos
com os Vocacionados com exercícios que explorassem essa dimensão de observar o
outro, de descobrir a movimentação desse coletivo que se construía a cada
encontro. </span></div>
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<span style="font-family: "Arial","sans-serif";">E uma
infinidade de exercícios foram propostos com finalidades diferentes , ora criar
uma liberdade de se expressar livremente nesse coro, apenas seguindo impulsos
naturais , outrora seguindo estímulos musicais, nesse primeiro momento apenas o
prazer de atravessar os espaços, de ser seguido e para depois experimentar a
sensação de seguir o outro, todos passaram por essa ideia de conduzir e se deixar
ser conduzido.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif";">Para cada
encontro, foram pensados exercícios específicos para o entendimento desse
trabalho coral. Algumas etapas foram pensadas para a construção desse saber,
para mim, essa questão de valorizar nesse momento inicial de criação e
descobertas, o coletivo , deveria se sobressair, ser<span style="mso-spacerun: yes;"> </span>o eixo central da improvisação. </span></div>
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<span style="font-family: "Arial","sans-serif";">Assim, todos
os jogos foram de construções de imagens coletivas, de toda ordem: ou seja,
geométrica onde o grupo em um curto espaço de tempo e<span style="mso-spacerun: yes;"> </span>sem combinar e silêncio, precisavam construir
círculos, quadrados, triângulos, filas , letras S,X, V, U, L, ou uma cruz, ou
um bicho qualquer, um dragão, um cavalo alado, uma máquina de lavar roupa, uma
paisagem, enfim cada imagem só se concretizava quando todos com os seu corpos
estavam engajados para a realização da mesma.</span></div>
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<a href="http://4.bp.blogspot.com/-qOWcbCnDcFc/Vm4WdsEgt9I/AAAAAAAACec/TTEEk0wK6Rg/s1600/WP_20150806_21_43_21_Pro_e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="360" src="http://4.bp.blogspot.com/-qOWcbCnDcFc/Vm4WdsEgt9I/AAAAAAAACec/TTEEk0wK6Rg/s640/WP_20150806_21_43_21_Pro_e.jpg" width="640" /></a></div>
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<span style="font-family: "Arial","sans-serif";">Desse jogos
foram suscitando o prazer de se jogar em grupo, de construir imagens,
sonoridades e paisagens cada vez mais complexas, onde fomos colocando camadas
mais densas para a construção de um vocabulário imagético onde todos poderiam
acessar, e que fossem comum e ao mesmo tempo fomos construindo uma movimentação
corporal<span style="mso-spacerun: yes;"> </span>de maneira lúdica, onde o coro
foi assumindo de acordo com as cenas, imagens líquidas, como oceanos, chuvas,
rios, mares, ondas que invadiam a cena, e também como imagens fortes, como
terra, terremotos, fogo,chama,vendaval, enfim toda essa pesquisa lúdica deu uma
qualidade corporal para o coro, que prontamente foi incorporado para realização
das cenas que tinham nessa etapa da criação um caráter alegórico.</span></div>
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<span style="font-family: "Arial","sans-serif";">Seguindo a
concepção do Teatro grego, e para o<span style="mso-spacerun: yes;">
</span>historiador H. D. F. Kitto argumenta que a própria palavra
"coro" nos dá indicação sobre a sua função nas peças de teatro da
Grécia antiga: "O verbo grego <i>choreuo</i>, eu sou um membro do coro,
tem o sentido de 'eu danço'. A palavra <i>ode</i> não significa algo que seja
recitado ou declamado, mas “uma música”. A <i>orquestra</i>, na qual um coro
atuava é, literalmente, uma pista de dança". A partir daqui, pode-se
inferir que o coro dançava e cantava poesia.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif";">A Função Narrativa do Coro</span></b></div>
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<span style="font-family: "Arial","sans-serif";">A terceira
etapa do desenvolvimento desse trabalho coral<span style="mso-spacerun: yes;">
</span>foi dar a dimensão narrativa que o coro tem dentro de uma dramaturgia
que ia se constituindo a cada encontro, assim a cada cena alguém vivenciava o
papel do Corifeu, que tinha a função de conduzir esse coro , que foi assumindo
cada vez mais o papel de protagonista da ação dramatúrgica </span></div>
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<a href="http://2.bp.blogspot.com/-w5vX8RRsx90/Vm4WucXYCpI/AAAAAAAACek/JqhrsN82Egg/s1600/IMG_0169%2B%25282%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="478" src="http://2.bp.blogspot.com/-w5vX8RRsx90/Vm4WucXYCpI/AAAAAAAACek/JqhrsN82Egg/s640/IMG_0169%2B%25282%2529.JPG" width="640" /></a></div>
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"Em poesia que é
voz de poeta, que é a voz<br />
de fazer nascimentos —<br />
O verbo tem que pegar delírio."</div>
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<a href="http://3.bp.blogspot.com/-Cijfve7qdYA/Vm4XL_amx0I/AAAAAAAACe0/zFA3Yd8CxN4/s1600/coro3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="http://3.bp.blogspot.com/-Cijfve7qdYA/Vm4XL_amx0I/AAAAAAAACe0/zFA3Yd8CxN4/s640/coro3.jpg" width="640" /></a></div>
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<span class="apple-style-span">A expressão reta não sonha.</span><br />
<span class="apple-style-span">Não use o traço acostumado.</span><br />
<span class="apple-style-span">A força de um artista vem das suas derrotas. </span><br />
<span class="apple-style-span">Só a alma atormentada pode trazer para a voz um
formato de pássaro.</span><br />
<span class="apple-style-span">Arte não tem pensa:</span><br />
<span class="apple-style-span">O olho vê, a lembrança revê, e a imaginação
transvê.</span><br />
<span class="apple-style-span">É preciso transver o mundo.”</span></div>
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(Manoel de Barros
)</div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt;"><span style="mso-spacerun: yes;"> </span></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt;">Poetizando os Espaços </span></b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 15.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"></span></div>
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<a href="http://1.bp.blogspot.com/-RXBvV9B9UpE/Vm4XWnZ_M4I/AAAAAAAACe8/eyjOtFaPBLM/s1600/FullSizeRender%25287%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://1.bp.blogspot.com/-RXBvV9B9UpE/Vm4XWnZ_M4I/AAAAAAAACe8/eyjOtFaPBLM/s640/FullSizeRender%25287%2529.jpg" width="480" /></a><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif";"></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif";"><span style="mso-spacerun: yes;"></span><span style="mso-spacerun: yes;"> </span>"O
seu olhar agora/O seu olhar nasceu/O seu olhar me olha/O seu olhar é seu/O seu
olhar melhora/Melhora o meu" </span></b></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif";">Arnaldo Antunes</span></b></div>
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<a href="http://3.bp.blogspot.com/-uosQRmvmUcc/Vm4Xv-SD2vI/AAAAAAAACfU/ScK4Jy4A2bY/s1600/FB_20150719_10_52_36_Saved_Picture.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-uosQRmvmUcc/Vm4Xv-SD2vI/AAAAAAAACfU/ScK4Jy4A2bY/s400/FB_20150719_10_52_36_Saved_Picture.jpg" width="297" /></a></div>
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<span style="font-family: "Arial","sans-serif";">Essa
foi a proposta que lancei para o grupo, que olhássemos de uma outra maneira,
investigasse possibilidades cênicas diversas , para<span style="mso-spacerun: yes;"> </span>aquele prédio que possui uma arquitetura
funcional, pensado para ser uma Biblioteca, e não um espaço cultural.</span></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-CC-_PE5yqNs/Vm4YmWNN6QI/AAAAAAAACfo/_MB7wdt4Dl8/s1600/FB_20151111_15_08_42_Saved_Picture.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-CC-_PE5yqNs/Vm4YmWNN6QI/AAAAAAAACfo/_MB7wdt4Dl8/s1600/FB_20151111_15_08_42_Saved_Picture.jpg" /></a></div>
<br />
<span style="font-family: "Arial","sans-serif";">Assim
era preciso<span style="mso-spacerun: yes;"> </span>estabelecer um relação com
essa arquitetura, um dialogo criativo com o espaço, ressignificado escadas,
corredores,rampas, banheiros, jardins, ao passo que esses lugares foram
ganhando uma dimensão poética com a cenas. <span style="mso-spacerun: yes;"> </span></span>
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<div class="MsoNormal" style="margin-left: 36.0pt; tab-stops: 61.5pt;">
<span style="font-family: "Arial","sans-serif";">Os Artistas Vocacionados foram
transformando esse espaço frio, pleno de concreto e grandes janelas, em um
lugar polissêmico, rico de possibilidades cênicas.<span style="mso-spacerun: yes;"> </span></span></div>
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<br /></div>
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<span style="font-family: "Arial","sans-serif";">Esses
espaços foram se transformando como propositores da cena, eles serviam ao mesmo
tempo como cenário real e também como elemento fundamental para a dramaturgia
que ia se constituindo a cada encontro.</span></div>
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<br /></div>
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<a href="http://2.bp.blogspot.com/-5TE89MhDdn8/Vm4XkMVIbEI/AAAAAAAACfQ/2RLHaYGzGJY/s1600/WP_20150716_21_37_00_Pro__highres.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="360" src="http://2.bp.blogspot.com/-5TE89MhDdn8/Vm4XkMVIbEI/AAAAAAAACfQ/2RLHaYGzGJY/s640/WP_20150716_21_37_00_Pro__highres.jpg" width="640" /></a></div>
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<span style="font-family: "Arial","sans-serif";">Ao
longo de 7 meses de investigação e um vasto material de pesquisa teatral
levantada, o grupo percebeu que o público deveria ser conduzido pelos espaços
cênicos, esse deslocamento era fundamental para a proposta de encenação do
experimento teatral Prisma-te. Onde o lugar do espectador pelos espaços era
fundamental para compreensão dessa dramaturgia.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif";">Espaço como Metáfora</span></b></div>
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<span style="font-family: "Arial","sans-serif";">Na
composição final do experimento cênico Prisma-te , a dramaturgia do espaço
estava incorporada na construção semântica do discurso estético. O conceito
poético onde os seres humanos caminham para um lugar de indiferença, apatia, de
insensibilidade, mecanização dos afetos,para completa desumanização e
alienação<span style="mso-spacerun: yes;"> </span>dos seus sentimentos.</span></div>
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<span style="font-family: "Arial","sans-serif";">Para
compreensão dessa estética teatral, o lugar do espectador, foi minuciosamente
pensado, pois à partir do ponto de vista em que ele assistia o trabalho, seu
lugar colaboraria para essa tessitura que estava sendo engendrada, com poemas
de B. Brecht, trechos da prosa poética de Guimarães Rosa, José Craverinha,
Viviane Mosé.</span></div>
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<span style="font-family: "Arial","sans-serif";">Vários
deslocamentos espaciais foram organizados, como uma jornada regressiva desses
humanos que desaprenderam ou esqueceram a importância do outro, para sua real
compreensão do que é de fato humano, assim imagens, fatos, palavras,
músicas,poemas,silêncios eram evocados para essa costura dramatúrgica. </span></div>
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<span style="font-family: "Arial","sans-serif";">O
espaço<span style="mso-spacerun: yes;"> </span>deixa de ser cenário, enfeite
decorativo, e ocupa o lugar de composição real da cena teatral, transcende a
arquitetura funcional , explode os sentidos figurativos, e torna-se metáfora da
criação. </span></div>
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<span style="font-family: "Arial","sans-serif";">O
público como um observador dessa travessia, passa a ser testemunha de um lugar
que aproxima e separa, ou de uma rampa que torna-se opressora como um porão de
um navio negreiro, o palco lugar da representação por excelência, agora ocupado
pelos espectadores, que espiam os atores na plateia, essa inversão e esse
deslocamento não é apenas físico, ele é interno, não é apenas uma mudança
corporal, é uma proposição sensorial, um deslocamento de percepções dentro do
jogo teatral. </span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 10.0pt;"><span style="mso-spacerun: yes;"> </span></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;">"Até que ponto a carga semântica de um edifício ou
de seu entorno são utilizados pelos criadores? Como a arquitetura do prédio é
integrada a cena, além abrigar a encenação? De que forma os intérpretes se
colocam diante dos assuntos escolhidos, levando em consideração os valores
impregnados no espaço e no entorno?<span style="mso-spacerun: yes;">
</span>" Evil Rebouças</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Times New Roman","serif"; font-size: 12.5pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 16.0pt;">Sinopse:
Prisma-TE:</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt;">Experimento
teatral do grupo Limões do Amoroso, do programa Teatro Vocacional. Através de
poemas, imagens corporais,pequenos instantes vão se constituindo em um jogo de
luz e sombra, onde o público é convidado a fazer uma travessia por <span style="mso-spacerun: yes;"> </span>vários espaços cênicos.</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt;">Dias
:5,6, 7 de Novembro às 20hs</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt;"><span style="mso-spacerun: yes;"> </span>Onde : Biblioteca Alceu Amoroso Lima</span></b></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 15.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT-BR; mso-font-kerning: 0pt;"><span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;">Artista Orientador: Ernandes Araújo<span style="mso-spacerun: yes;"> </span>Dezembro de 2015</b></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #525252; font-family: "Arial","sans-serif";">Bertazzo, Ivaldo. Espaço
e Corpo. Editora Sesc SP</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #525252; font-family: "Arial","sans-serif";">Brook,Peter. O espaço
vazio. Editora Apicuri</span></i><span style="color: #525252; font-family: "Arial","sans-serif";"> </span></div>
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<span style="color: #525252; font-family: "Arial","sans-serif";">Cardoso, Jarry, (entrevista com Ze Celso Martinez Corrêa) "
hora é de libertar". Folha de S. Paulo, São Paulo 09 de julho de 10=978.
Folhetim(77):2-4</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #525252; font-family: "Arial","sans-serif";">Camargo, Carlos Avelino
de Arruda. Do lugar de onde se Vê, Aproximações entre <span style="mso-spacerun: yes;"> </span>as artes plásticas e o teatro. Editora Unesp.</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #525252; font-family: "Arial","sans-serif";">Desgranges, Flávio.<span style="mso-spacerun: yes;"> </span>Os espectador e a Contemporaneidade :
perspectivas pedagógicas.</span></i><span style="color: #525252; font-family: "Arial","sans-serif";"></span></div>
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<span style="color: #525252; font-family: "Arial","sans-serif";">Greiner Cristine.<span style="mso-spacerun: yes;"> </span>“ O
Corpo, Pistas para estudos indisciplinares, Editora Annablume, 2005.</span></div>
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<span style="color: #525252; font-family: "Arial","sans-serif";">Goethe,Joahann WolfGang Von. Os anos de Aprendizados de Wilhelm
Meister. Editora 34 </span></div>
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<span style="color: #525252; font-family: "Arial","sans-serif";">Ferracini, Renato. A Arte de Não Interpretar como poesia
corpórea do Ator. Editora Unicamp.</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #525252; font-family: "Arial","sans-serif";">Larrosa , Jorge. “Notas
sobre a experiência e o saber de experiência”</span></i></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: #525252; font-family: "Arial","sans-serif";">Lazzarato, Marcelo,
Campo de Visão- Exercício e linguagem cênica. Editora Fapesp</span></i> </div>
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<span style="color: #525252; font-family: "Arial","sans-serif";">Ponty, Maurice Merleau. O Olho e o espírito. seguindo a
linguagem indireta e as vozes do silêncio. Editora Cosac &Naif.</span></div>
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<span style="color: #525252; font-family: "Arial","sans-serif";"><span style="mso-spacerun: yes;"> </span>Rebouças Evill , Mestre
em Artes – Instituto de Artes da Unesp Ator, dramaturgo, encenador e professor
do Programa de Pós-Graduação em Artes Cênicas - FAINC. Poéticas dramatúrgicas
no espaço inusitado</span></div>
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-1789982921909903522015-12-13T17:04:00.000-08:002015-12-13T17:43:43.889-08:00<div style="font-family: 'Minion Pro'; font-size: 12px; min-height: 14px;">
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ENSAIO</div>
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Patricia Osses</div>
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VOCACIONAL ARTES VISUAIS - ano 2015. CEU Vila Curuçá. Leste 2</div>
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<b><br /></b></div>
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<b>O Cotidiano</b></div>
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Primeiro ano de Vocacional. </div>
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Lugar e território desconhecidos. Pessoas novas, em sua maioria jovens (demais?). </div>
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Fico pensando nos conteúdos a trabalhar com as pessoas que me procuram, esperando direções. E que não teriam porquê ser diferentes das que procuro para mim mesma. Senão, como torná-las verdadeiras?</div>
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Como não cair em metodologias ou técnicas e configurar pontos de encontro. </div>
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Os temas possíveis:</div>
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o auto-retrato, para nos apresentarmos. o oratório de mim mesmo.</div>
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o auto-lugar. a pele das casas que vemos.</div>
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uma introdução à introdução da introdução aos lugares imaginários.</div>
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mostrar, expor, levar o trabalho até sua fisicalidade final. e ocupar um espaço que não o do CEU - lugar/edificio negativo, anti-mostra, árido, anti-formas.</div>
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Driblar a falta de recursos, que afinal faz parte permanente do <i>modus vivendi </i>do artista plástico brasileiro: sobreviver e produzir ao mesmo tempo. Trazer materiais doados, encontrados, coletados, carregar muita coisa. Encontrar, arqueologicamente, coisas feitas no ano anterior por mãos e pessoas invisíveis. Arrumar, organizar, dispor. </div>
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Comprar, afinal, o que falte; levar as ferramentas próprias, mais peso; sempre trazer de volta, para que não desapareçam.</div>
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<b><br /></b></div>
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<b>O território</b></div>
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Deslocar-se. De trem. O anti-fluxo. A paisagem narrada. Lugares para se descer no caminho. Algum dia em que o tempo não esteja justo. </div>
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Sou detentora do privilégio inestimável do anti-fluxo.</div>
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Chaminés, varandas, ferros-velhos, ruazinhas, ruínas, percurso.</div>
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Ver o fim da cidade. Onde São Paulo termina. É logo ali. Um limite possível para uma cidade interminável.</div>
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“Qual a diferença entre o que sou agora e o que esta cidade irá fazer de mim?”</div>
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O desconhecido. O novo. O leste. A periferia - olhar perifericamente / caminhar perifericamente. O que é andar sobre essa linha imaginária? Outros códigos. Onde sou extrangeira, mas desde dentro. É ali que trabalho. Estranha situação. Estranha eu. Mas nem tanto.</div>
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<b><br /></b></div>
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<b>Produzir, depois de</b></div>
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O que vai acontecer, depois de ser anti-fluxo, depois de ver a borda. Onde a cidade termina. É logo ali.</div>
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Voltar a desenhar, desvestirme de câmera. Para compreender a partir do registro. Mas registro que não seja foto. A câmera fotográfica é presente dermais como meio, agressiva e externa, espiã, privilegiada, e me separa de onde estou. Me coloca fora de.</div>
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Sem o peso do equipamento posso ficar mais leve para circular, carregando lápis e papel. Desenhar, em breve. Como há muito tempo atrás.</div>
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<b><br /></b></div>
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<b>Vocacionados</b></div>
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ou não vocacionados.</div>
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As baixas de Guilherme, Bianca, Matheo. E sete ou oito meninas que deixaram seus nomes e não voltaram mais.</div>
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As insistências: João, Paulo Sergio e às vezes Caroline, porque ela ama o CEU.</div>
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Paulo, 13 anos, tudo explora, transforma, inventa. Para o teatro. Tudo se transforma em cênico. As artes visuais são um instrumento para o teatro. Posso fornecer alguns instrumentais, que é o que são as artes agora, para ele. É extremamente fértil e seu universo é transformável. Inventa Pollock, inventa Richter, sem conhecer nenhum dos dois, mas não se importa muito. Ele pode ser o que quiser. Preciso dizer isso a ele.</div>
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João, 41, o vocacionado ideal, é fotografo. Vem buscando, procurando, e tem sede de informações, provocações, alimento, e já sabia que a fotografia é meio, e não fim. Está buscando o que existe dele nas imagens que faz. E encontrando, muito intensamente. Produtivamente. Não param de surgir e crescer suas novas imagens. Agora elas podem inclusive ser escritas. Podem ser pintadas. Musicadas, ganham tempo. Viram filme. E são, mais do que nunca, dele.</div>
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Caroline, quintas.</div>
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Paulo Sergio, quintas de tarde.</div>
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<span style="font-size: 11.5px;">João Carlos, quintas de manhã.</span></div>
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<b>Reflexões sobre um lugar</b></div>
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só posso escrever desde o anti-fluxo</div>
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só sei me mover no anti-fluxo?</div>
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Parece insuportável um cotidiano desde dentro do fluxo. O vislumbrar dessa realidade já é massacrante. </div>
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No entanto, tão comum. Um comum de dois milhões de pessoas que deixam de ser pessoas e passam a ser massa raivosa, pisoteadora e mansa, ao mesmo tempo. A tensão e o medo ao aproximar-me do Brás, na volta, depois das 17 hs. A massa ruge e quer entrar. Só eu quero e posso sair. </div>
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Apenas tangencio o fluxo com meu anti-fluxo.</div>
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penso em flechas. Arrows, Gordon Matta-Clark:</div>
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a flecha do anti-fluxo - projeto para a flecha</div>
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com um estojo muito bonito, em madeira de lei. fundição em estanho. ela é cinza, opaca, densa e muito pesada.</div>
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ela é feita para circundar, será? não atingir?</div>
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A FLECHA que TANGENCIA.</div>
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desde onde não sou.</div>
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a unica possibilidade de se saber numa cidade como esta. desde seu limite.</div>
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penso: a cidade termina alí.</div>
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logo alí.</div>
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como saber que São Paulo, até mesmo São Paulo, tem um fim?</div>
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<b>A periferia como lugar imaginário</b></div>
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o lugar imaginario periférico. a periferia imaginária. a borda. o limite. o além - limite.</div>
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até onde estender a cidade.</div>
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até onde empurrar o limite imaginado da cidade real.</div>
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mais real que a realidade. palpável, cheirável, pisável, comestível, visível, risível, chorável. </div>
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que especie de recipiente é a cidade, quando contém histórias como essas?</div>
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“A cidade possui as histórias terríveis de seu passado”. </div>
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Rhinoceros, video, 2014.</div>
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<a href="https://vimeo.com/120978593">https://vimeo.com/120978593</a></div>
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ficaram gravadas nas paredes como marcas da enchente. </div>
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o rio quando sobe deixa uma marca em forma de linha. sobre essa linha posso escrever. pode-se escrever. </div>
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Penso num trabalho que desenvolvi este ano, relacionado aos lugares literários: uma caminhada pelo centro de São Paulo, literária, atribuindo sentidos e textos ficcionais a edificios, ruas, túneis, viadutos. </div>
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Ver <a href="https://vimeo.com/147978228">https://vimeo.com/147978228</a></div>
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<a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=6066723101961770100" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a>As pessoas caminham e duas leitoras-atrizes vão lendo trechos de lugares escritos por diversos autores, transformando o tunel do anhangabaú no inferno de Dante, a biblioteca em lugar infinito, a catedral da Sé em cenário lúgubre para um casamento à meia-noite... Penso em quais textos estes lugares do leste, da borda, poderiam conter. Tomo emprestados alguns textos do centro para a Leste recém-explorada, que lentamente passa a penetrar meu repertório. Penetro o território e penso em que repertório pode conter:</div>
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<i>Cada cidade recebe a forma do deserto a que se opõe.</i></div>
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(Ítalo Calvino, As cidades invisíveis)</div>
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<i>A vezes, o labirinto da cidade não está nas ruas nem nas confusões de tempo, mas no comportamento inesperado das pessoas que vivem alí.</i></div>
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(Tomas ELoy Martinez, El cantor de Tango)</div>
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<i>Em toda grande cidade existe, como se sabe, uma dessas linhas de alta densidade, semelhante aos buracos negros do espaço, que altera a natureza dos que a atravessam.</i></div>
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(Tomas ELoy Martinez, El cantor de Tango)</div>
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<i>Da alta balaustrada do palácio real, o Grande Khan observa o crescimento do império. Primeiro, as fronteiras haviam se dilatado englobando os territorios conquistados, mas o avanço dos regimentos encontrava regiões semidesertas, aguaçais em que o arroz crescia mal, populações magras, rios secos, miséria. “É hora de o meu império, crescido demais em direção ao exterior, começar a crescer para o interior”, e sonhava bosques de romãs maduras, zebus assados no espeto gotejando gordura, minas de pepitas cintilantes. </i></div>
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(Ítalo Calvino, As cidades invisíveis)</div>
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<i>Ó meu São Paulo!</i></div>
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<i>Ó minha uiara de cabelo vermelho!</i></div>
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<i>Ó cidade dos homens que acordam mais cedo no mundo! </i></div>
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<i>Há algumas casas, mesmo as mais simples, que são complexas por ganharem diversos sentidos para diferentes pessoas. Para alguns elas representam propriedade, para outros uma parte da infância, pequena e desbotada demais para suas grandes ambições. Para dois ou três que ali viveram longo tempo, ou que simplesmente sentiram uma afinidade à primeira vista, como um apaixonamento, uma casa especial pode invadir seu sistema circulatório, pode alterar suas vidas. </i></div>
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(Howards End, E.M. Forster)</div>
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<i>Eu moro na casa. Eu a atravesso. Eu a habito tanto por fora como no seu interior.</i></div>
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<i>Às vezes eu a escuto respirar. O ar passa dentro de um fluxo que depende da orientação dada às laminas do vitrô, ele vem mais frequentemente do leste, ele deixa o calor suportável, ele seca a pele em um instante depois das duchas geladas do meio-dia abafado, ele perdeu sua força quando vem agitar a vela branca tendida acima do pátio.</i></div>
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(Bernard Collet, Ela, tão próxima do mar)</div>
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<i>Depois de marchar por sete dias através das matas, quem vai a São Paulo não percebe que já chegou. As finas andas que se elevam do solo a grande distância uma da outra e que se perdem acima das nuvens sustentam a cidade. Sobe-se por escadas.</i></div>
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<i>Os habitantes raramente são vistos em terra: têm todo o necessário lá em cima e preferem não descer. Nenhuma parte da cidade toca o solo exceto as longas pernas de flamingo nas quais ela se apoia, e, nos dias luminosos, uma sombra diáfana e angulosa que se reflete na folhagem.</i></div>
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(Italo Calvino, AS CIDADES E OS OLHOS 3, Bauci)</div>
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faltou desenhar.</div>
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para entender este lugar.</div>
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que tem um passado submerso, eu sei: o que é construir/existir a partir do segundo andar.</div>
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faltou alojar textos.</div>
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falto construir flechas.</div>
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ano que vem eu volto.</div>
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-78665136280021184922015-12-13T10:51:00.001-08:002015-12-13T10:51:08.583-08:00José Romero Coordenador Território Leste 1<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-size: 12.0pt; line-height: 115%;">RELATO DE EXPERIÊNCIA
LESTE 1<o:p></o:p></span></b></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;">Território é Identidade
expandida que surge da resistência da comunidade<o:p></o:p></span></b></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;">Comunidade de
resistência – como realizar frente às incertezas do Estado que nos abriga?<o:p></o:p></span></b></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;"><br /></span></b></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Coordenador Regional: José Romero<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Coordenadores de equipe: Robson Alfiere, Roberto Moreto e
Mayki Fabiani <o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;">AÇÕES DESENVOLVIDAS<o:p></o:p></span></b></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;">Reuniões com o Gabinete
de Programação da Secretaria Municipal de Cultura<o:p></o:p></span></b></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Biblioteca Ricardo Ramos dia 05 de agosto de 20156<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Biblioteca dia 07 de novembro de 2015<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Biblioteca Paulo Sergio Milliet dia 04 dezembro de 2015<o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;">Intervenção na festa do
bairro da Mooca</span></b><span style="font-size: 12.0pt; line-height: 115%;"> - Biblioteca
Affonso Tunay<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Intervenção dos artistas vocacionados na festa de comemoração
do aniversário do bairro da Mooca com apresentação de música no espaço aberto e
no auditório da biblioteca <o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;">Encontro Geral Leste 1
Galeria Olido<o:p></o:p></span></b></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Dia 27 de julho para discutir a participação da região leste1
no movimento de assembleia do programa vocacional. Originalmente marcada para
acontecer na Biblioteca Cassiano Ricardo foi deslocada para a galeria Olido<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Nessa reunião da Leste 1 decidimos participar do movimento
para pedir as conquistas históricas do programa fazendo cartazes com as
reivindicações dos artistas vocacionais
para ser levado para os equipamentos da região como forma de
potencializar o discurso político com os artistas vocacionados.<o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;">Encontro Geral Leste 1
Casa de Cultura de São Mateus<o:p></o:p></span></b></div>
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<span style="font-size: 12.0pt; line-height: 115%;">Ação desenvolvida pela equipe Leste 1 com a intenção de
potencializar o equipamento que corria o risco de perder a atividade do
vocacional pela dificuldade de contratação de um artista orientar após o mês de
agosto. A ação contou com o apoio da
gestora do equipamento - Priscila - que
cedeu o local e participou efetivamente
do encontro. <o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;">A pergunta disparadora do encontro foi: E se o vocacional acabasse hoje?<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;">A ação contou com a presença de 16 artistas do vocacional,
entre coordenadores e artistas orientadores e com 87 artistas vocacionados dos
diversos equipamentos da equipe leste 1<o:p></o:p></span></div>
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<span style="font-size: 12.0pt; line-height: 115%;">O encontro discutiu de forma teórica e prática questões
ligadas a produção cultural da cidade de São Paulo. O vídeo que retratava o consumo desenfreado realizado pelo fomento
do teatro da cidade de São Paulo foi o disparador para a realização de
intervenções artísticas e a roda de conversa final<o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-size: 12.0pt; line-height: 115%;">Desdobramentos desse
encontro nas equipes.<o:p></o:p></span></b></div>
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<span style="background: white; color: #222222; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Arial;">Robson
Alfiere: Estamos planejando um encontro com todos os vocacionados da minha
equipe na Bibliteca Adelpha Figueiredo, num espaço incrível, para propormos uma
intervenção artística que integre as linguagens artísticas e principalmente as
potências dos vocacionados da minha equipe, a partir de uma exposição feito
pelo Daniel Freitas e seus vocacionados de artes visuais do CEU Aricanduva,
possivelmente no dia 21.11 das 9 às 14hs. Ainda há confirmar, e poderei
explicar melhor esta decisão pessoalmente.<o:p></o:p></span></div>
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<span style="background: white; color: #222222; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Arial;"><br /></span></div>
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<span style="background: white; color: #222222; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Arial;">Roberto
Moretto: Nós tbem marcamos um encontrão entre nossos vocacionados para o dia
15/10 (já agendei) e ou dia 21/11. Também em articulação entre todas as
linguagens.</span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="background: white; color: #222222; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Arial;">Mayki
Fabiani: A equipe acha importante
realizar um encontro final reunindo todas as equipes da leste 1<o:p></o:p></span></div>
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<br /></div>
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Deixo de relatar as ações que aconteceram desde então até dezembro acreditando que as percepções desses encontros estão contempladas na reflexão final desenvolvida.</div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><span style="background: white; color: #222222; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Arial;">Concepções "de fim" acerca dos ocorridos no
território leste1 - carinhosamente chamada de TRIPINHA pelas dimensões que
ocupa no mapa imaginado pela Secretaria Municipal de Cultura<o:p></o:p></span></b></div>
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Como um espaço de construção de
cultura e subjetividades a TRIPINHA LESTE 1 não apresentou uma identidade
cultural marcante e forte a ponto de ser
detectada pelas equipes que atuaram
nesse território. As melhores marcar territoriais por mim observadas diz
respeito aos equipamentos do município instalados nesse perímetro e que por
estarem vinculados a secretaria Municipal de cultura estão unificadas. Isso
ficou claro nas três reuniões do Gabinete de Informação que participei nesse
segundo semestre.<b><span style="background: white; color: #222222; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: Arial;"><o:p></o:p></span></b></div>
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Essa ação oficial também conclui
que há vários pontos culturais e eventos culturais nos equipamentos, mas são
ações que não chegam a gerar uma identidade territorial local nem regional que
desponte para um universo maior de atuação. Embora o Programa Vocacional esteja
alocado nesses equipamentos não consegue, salvo exceções, gerar espaços de
liberdade e de configurações culturais mais fluidas que ultrapassam os muros
dos equipamentos, e ouso pensar que isso ocorra, uma vez que, o programa
vocacional não aparece com a força de uma resistência imaginada e baseada na
comunidade onde atua, e sim em 2002, da
vontade de “resistir” de uma classe de
trabalhadores do teatro vinculado
institucionalmente. Fato que se mantém até hoje.</div>
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Como um coordenador regional da
leste 1 concluo, de maneira singela, que há um equivoco em não estender essa
prerrogativa de descobrir o território como local de efetivar os conteúdos
culturais produzido pela equipe para os
coordenadores de equipes, pois são esse agentes do Programa Vocacional que tem a maior possibilidade de detectar
potências e lugares além dos equipamentos oficiais de atuação para intensificar as ações culturais. </div>
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Como clareza sobre a minha
atuação em 2015 levo como dúvida a real necessidade de um coordenador regional
e a certeza que para pensar um espaço tempo como território de força e
necessário aliar a tecnologia de comunicação disponível hoje e se juntar mais a
movimentos de resistência como passeatas ecológicas, feministas, de tolerância
e outros movimentos sociais contemporâneos e não enfatizar nossa ações nos
espaços físicos oficiais produtores de cultura.
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Anonymousnoreply@blogger.com0tag:blogger.com,1999:blog-6066723101961770100.post-53292995706315500422015-12-13T09:16:00.000-08:002015-12-13T09:16:11.050-08:00Manual Desnorteador de Sobrevivência Vocacional <iframe allowfullscreen="" frameborder="0" height="714" marginheight="0" marginwidth="0" scrolling="no" src="//www.slideshare.net/slideshow/embed_code/key/hOFskpYFuhefKJ" style="border-width: 1px; border: 1px solid #CCC; margin-bottom: 5px; max-width: 100%;" width="668"> </iframe> <br />
<div style="margin-bottom: 5px;">
<strong> <a href="https://www.slideshare.net/peticiacarvalho/manual-desnorteador-de-sobrevivencia-vocacional" target="_blank" title="Manual desnorteador de sobrevivência vocacional">Manual desnorteador de sobrevivência vocacional</a> </strong> from <strong><a href="https://www.slideshare.net/peticiacarvalho" target="_blank">Peticia Carvalho</a></strong> </div>
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